Katherine Rothschild explores the pain and power of forgiveness in a stunning debut novel that will shatter your heart and piece it back together, one truth at a time.Sixteen-year-old Sabine Braxton doesn’t have much in common with her identical twin, Blythe. When their father dies from an unexpected illness, each copes with the loss in her own way—Sabine by “poeting” (an uncontrollable quirk of bursting into poetry at inappropriate moments) and Blythe by obsessing over getting into MIT, their father’s alma mater. Neither can offer each other much support . . . at least not until their emotionally detached mother moves them into a ramshackle Bay Area mansion owned by a stranger named Charlie.Soon, the sisters unite in a mission to figure out who Charlie is and why he seems to know everything about them. They make a life-changing discovery: their parents were hiding secrets about their sexual identities. The revelation unravels Sabine’s world, while practical Blythe seems to take everything in stride. Once again at odds with her sister, Sabine chooses to learn all she can about the father she never knew. Ultimately, she must decide if she can embrace his last wish for a family legacy--even if it means accepting a new idea of what it means to be a family.

    This year, it might just change the world.Central International School’s annual lock-in is legendary — and for six students, this year’s lock-in is the answer to their dreams. The chance to finally win the contest. Kiss the guy. Make a friend. Become the star of a story that will be passed down from student to student for years to come.But then a group of students, led by Marisa Cuevas, stage an eco-protest and chain themselves to the doors, vowing to keep everyone trapped inside until their list of demands is met. While some students rally to the cause, others are devastated as they watch their plans fall apart. And Marisa, once so certain of her goals, must now decide just how far she’ll go to attain them.“Engrossing.”—Kirkus Reviews, starred review

    Untouchable, they have the kind of power other girls only dream of. Every party is theirs and the world is at their feet. Until the night of Elle’s sweet sixteen, when they crash a St. Andrew’s Prep party. The night the golden boys choose Elle as their next target. They picked the wrong girl. Sworn to vengeance, Elle transfers to St. Andrew’s. She plots to destroy each boy, one by one. She’ll take their power, their lives, and their control of the prep school’s hierarchy. And she and her coven have the perfect way in: a boy named Mack, whose ambition could turn deadly. Foul is Fair is a bloody, thrilling revenge fantasy for the girls who have had enough. Golden boys beware: something wicked this way comes.

    It all started when Mike Parker's girlfriend showed up with a bruise on her face. Or, more specifically, when she walked into the principal's office and said Mike hit her. But her classmates have questions. Why did she go to the principal and not the police? Why did she stay with Mike if he was hurting her? Obviously, if it's true, Mike should face the consequences. But is it true?Some girls want to rally for Mike’s expulsion—and some want to rally around Mike. As rumors about what really happened spread, the students at North Bay Academy will question what it means to be guilty or innocent, right or wrong. Praise for What Kind of Girl: "A poignant, thought-provoking novel that will resonate deeply."—Kirkus"A rallying cry."—Booklist"I immediately saw myself in this book, which so thoroughly explains the thought process when coming to terms with victimhood and survivorship. I felt understood."—Chessy Prout, author of I Have the Right To"Important, raw, timely, and ultimately hopeful…demands readers discuss the trauma of teen dating violence and how girls are so often taught—even expected—to internalize their victimization."—Shannon M. Parker, author of The Girl Who Fell and The Rattled Bones

    Peter, a gifted pianist, is everything to Sophie: best friend, musical collaborator, secret crush. When she learns she’s a match, donating a kidney is an easy, obvious choice. She can’t help wondering if after the transplant, he’ll love her back the way she’s always wanted.But Peter’s life post-transplant isn’t what either of them expected. Though he once had feelings for Sophie too, he’s now drawn to Chase, the guitarist in a band that happens to be looking for a keyboardist. And while neglected parts of Sophie’s world are calling to her—dance opportunities, new friends, a sister and niece she barely knows—she longs for a now-distant Peter more than ever, growing increasingly bitter he doesn’t seem to feel the same connection.Peter fears he’ll forever be indebted to her. Sophie isn’t sure who she is without him. Then one blurry, heartbreaking night twists their relationship into something neither of them recognizes, leading them to question their past, their future, and whether their friendship is even worth fighting for.

    What’s more, her grandma has always pushed Ri away from the neighborhood they call home and toward her best friend’s world of mansions and country clubs in the hopes that it’ll bring Ri closer to achieving the “American Dream."In her most private thoughts, Ri has always believed that her mother, who disappeared when she was young, would accept her exactly how she is. So when Ri finds a secret unanswered letter from her mom begging for a visit, Ri decides to reclaim what her grandma kept from her: a language and a mother. But nothing goes as planned. Her mom isn’t who Ri imagined she would be. And Ri’s struggling to navigate the different interweaving threads of her mixed heritage that make her who she is. Nobody has any idea of who Ri really is—not even Ri, herself.

    He’s watched enough YouTube videos and done enough questioning to be sure. But everyone at his high school thinks he’s a lesbian—including his girlfriend Zoe, and his theater director, who just cast him as a “nontraditional” Romeo. He wonders if maybe it would be easier to wait until college to come out. But as he plays Romeo every day in rehearsals, Dean realizes he wants everyone to see him as he really is now––not just on the stage, but everywhere in his life. Dean knows what he needs to do. Can playing a role help Dean be his true self?

    The last thing she has left is her art, and not even Banksy himself could convince her to give that up.Out in the ’burbs, Julia paints anywhere she can, eager to claim some turf of her own. But Julia soon learns that she might not be the only vandal in town. Someone is adding to her tags, making them better, showing off—and showing Julia up in the process. She expected her art might get painted over by cops. But she never imagined getting dragged into a full-blown graffiti war.

    At a party she discovers her younger sister, Audrey, hooking up with her boyfriend, Mike—and she abandons them both in a rage. When Mike drunkenly attempts to drive Audrey home, he crashes and Audrey ends up in a coma. Now Harley is left with guilt, grief, pain and the undeniable truth that her ex-boyfriend (who is relatively unscathed) has a drinking problem. So it’s a surprise that she finds herself reconnecting with Raf, a neighbor and childhood friend who’s recently out of rehab and still wrestling with his own demons. At first Harley doesn’t want to get too close to him. But as Audrey awakens and slowly recovers, Raf starts to show Harley a path forward that she never would have believed possible—one guided by honesty, forgiveness, and redemption.

    One of them is me.Ask anyone in Winship, Maine, and they’ll tell you the summer camp Quinn’s family owns is a magical place. Paper wishes hang from the ceiling. Blueberries grow in the dead of winter. According to local legend, a sea monster even lurks off the coast. Mostly, there’s just a feeling that something extraordinary could happen there.Like Quinn falling in love with her best friend, Dylan.After the accident, the magic drained from Quinn’s life. Now Dylan is gone, the camp is a lonely place, and Quinn knows it’s her fault.But the new boy in town, Alexander, doesn’t see her as the monster she believes herself to be. As Quinn lets herself open up again, she begins to understand the truth about love, loss, and monsters—real and imagined.

    But despite their talent, emotional scars from an incident with a homophobic classmate and their grandmother's spiraling dementia make it harder and harder for Carey to find their voice.Then Carey meets Cris, a singer/guitarist who makes Carey feel seen for the first time in their life. With the rush of a promising new romantic relationship, Carey finds the confidence to audition for the role of Elphaba, the Wicked Witch of the West, in the school musical, setting off a chain reaction of prejudice by Carey's tormentor and others in the school. It's up to Carey, Cris, and their friends to defend their rights--and they refuse to be silenced.Told in alternating chapters with identifying pronouns, debut author Steven Salvatore's Can't Take That Away is both a romance, and an affirmation of self-identity.

    Forced to move to Boston from sunny California for the rest of their senior year, each girl struggles with secrets their parents’ death has brought to light, and with their uncertainty about the future. Instead of bringing them closer, it feels like the wave has torn the sisters apart. Hannah is a secret poet who wants to be seen, but only knows how to hide. The pain pills she stole from her dead father hurl her onto the shores of an addiction she can’t shake and a dealer who turns her heart upside down. When it’s clear Hannah’s drowning, Mae, a budding astronaut suddenly launched into an existential crisis—and unexpected love—must choose between herself and the only family she has left.

    Morris Award finalist Jessie Ann Foley comes the story of one girl’s battle to define herself as something other than her reputation.Mia is officially a Troubled Teen—she gets bad grades, drinks too much, and has probably gone too far with too many guys. But she doesn’t realize how out of control her parents think she is until they send her away to Red Oak Academy, a therapeutic boarding school in rural Minnesota.While there, Mia starts confronting her painful past, and questions the purpose of Red Oak. After all, if the Red Oak girls were boys, they never would have been treated the way that they are. Amidst the revelations that cause her to question the way that society treats young women, circumstances outside of her control force Mia to discover what happens when she makes herself vulnerable enough to be truly seen by the rest of the world.

    Her friends and parents make fun of her endless stream of crushes, but Ophelia is a romantic at heart. She couldn't change, even if she wanted to.So when she finds herself thinking more about cute, quiet Talia Sanchez than the loss of a perfect prom with her ex-boyfriend, seeds of doubt take root in Ophelia's firm image of herself. Add to that the impending end of high school and the fracturing of her once-solid friend group, and things are spiraling a little out of control. But the course of love--and sexuality--never did run smooth. As her secrets begin to unravel, Ophelia must make a choice between clinging to the fantasy version of herself she's always imagined or upending everyone's expectations to rediscover who she really is, after all.

    A swimmer whose early talent made her a world champion, Susannah was poised for greatness in a sport that demands so much of its young. But an inexplicable slowdown has put her dream in jeopardy, and Susannah is fighting to keep her career afloat when two important people enter her life: a new coach with a revolutionary training strategy, and a charming fellow swimmer named Harry Matthews.As Susannah begins her long and painful climb back to the top, her friendship with Harry blossoms into passionate and supportive love. But Harry is facing challenges of his own, and even as their bond draws them closer together, other forces work to tear them apart. As she struggles to balance her needs with those of the people who matter most to her, Susannah will learn the cost—and the beauty—of trying to achieve something extraordinary.