Broken and burned, they’re thrust into the foster care system. Leo shields Lila from the fake families and forced affection, until the Poulton household is the only place left to go. Charlie de Sousa is used to other kids passing through the Poulton home, but there’s never been anyone like his new foster brother. Leo’s physical injuries are plain to see, but it’s the pain in his eyes that draws Charlie in the most. Day by day, they grow closer, but the darkness inside Leo consumes him. He rejects his foster parents, and when Charlie gets into trouble, Leo’s attempt to protect him turns violent. When Leo loses control, no one can reach him—except Charlie. He desperately needs a family—a home—and only Charlie can show him the way.

    . . and finding out that real life romance is better than anything on screen.Emma is a die-hard romantic. She loves a meet-cute Netflix movie, her pet, Lady Catulet, and dreaming up the Gay Rom Com of her heart for the film festival competition she and her friends are entering. If only they’d listen to her ideas. . . Sophia is pragmatic. She’s big into boycotts, namely 1) relationships, 2) teen boys and their BO (reason #2347683 she’s a lesbian), and 3) Emma’s nauseating ideas. Forget starry-eyed romance, Sophia knows what will win: an artistic film with a message.Cue the drama. The movie is doomed before they even start shooting . . . until a real-life plot twist unfolds behind the camera when Emma and Sophia start seeing each other through a different lens. Suddenly their rivalry is starting to feel like an actual rom-com.

    But that’s not the only reason Lita wants to enter the contest, or why her ex-best friend Chicky wants to help her. The road to becoming Miss Meteor isn’t about being perfect; it’s about sharing who you are with the world—and loving the parts of yourself no one else understands. So to pull off the unlikeliest underdog story in pageant history, Lita and Chicky are going to have to forget the past and imagine a future where girls like them are more than enough—they are everything.Witty and heartfelt with characters that leap off the page, Miss Meteor is acclaimed authors Anna-Marie McLemore and Tehlor Kay Mejia’s first book together.

    Elliot McHugh is not one of those people. But picking a major is the last thing on Elliot’s mind when she’s too busy experiencing all that college has to offer—from dancing all night at off-campus parties, to testing her RA Rose’s patience, to making new friends, to having the best sex one can have on a twin-sized dorm room bed. But she may not be ready for the fallout when reality hits. When the sex she’s having isn’t that great. When finals creep up and smack her right in the face. Or when her roommate’s boyfriend turns out to be the biggest a-hole. Elliot may make epic mistakes, but if she’s honest with herself (and with you, dear reader), she may just find the person she wants to be. And maybe even fall in love in the process . . . Well, maybe.

    Her latest struggle is balancing her growing feelings in a new relationship with her instinct to keep everyone at arm’s length. And when a former friend confronts Mel with the truth about the way their relationship ended, deeply buried secrets threaten to come out and upend her shaky equilibrium.As the walls of Mel’s compartmentalized world crumble, she fears the worst—that her friends will abandon her if they learn the truth about what she’s been hiding. Can Mel bring herself to risk everything to find out?

    Nate Schaper found his in high school. In the eight months since their cautious flirting became a real, honest, tell-the-parents relationship, Nate and Adam have been inseparable. Even when local kids take their homophobia to brutal levels, Nate is undaunted. He and Adam are rock solid. Two parts of a whole. Yin and yang.But when Adam graduates and takes an Off-Broadway job in New York—at Nate’s insistence—that certainty begins to flicker. Nate starts a blog to vent his frustrations and becomes the center of a school controversy, drawing ire and support in equal amounts. But it is the attention of a new boy who is looking for more than guidance that forces him to confront who and what he really wants.J.H. Trumble’s debut, DON’T LET ME GO, is a witty, beautifully written novel that is both a sweet story of love and long-distance relationships, and a timely discourse about bullying, bigotry, and hate in high schools.

    Peter, a gifted pianist, is everything to Sophie: best friend, musical collaborator, secret crush. When she learns she’s a match, donating a kidney is an easy, obvious choice. She can’t help wondering if after the transplant, he’ll love her back the way she’s always wanted.But Peter’s life post-transplant isn’t what either of them expected. Though he once had feelings for Sophie too, he’s now drawn to Chase, the guitarist in a band that happens to be looking for a keyboardist. And while neglected parts of Sophie’s world are calling to her—dance opportunities, new friends, a sister and niece she barely knows—she longs for a now-distant Peter more than ever, growing increasingly bitter he doesn’t seem to feel the same connection.Peter fears he’ll forever be indebted to her. Sophie isn’t sure who she is without him. Then one blurry, heartbreaking night twists their relationship into something neither of them recognizes, leading them to question their past, their future, and whether their friendship is even worth fighting for.

    So Anna "borrows" her stepmom's credit card and runs away to Los Angeles, where her half-sister takes her in. But LA isn't quite the glamorous escape Anna had imagined.As Anna spends her days on TV and movie sets, she engrosses herself in a project researching the murderous Manson girls—and although the violence in her own life isn't the kind that leaves physical scars, she begins to notice the parallels between herself and the lost girls of LA, and of America, past and present.In Anna's singular voice, we glimpse not only a picture of life on the B-list in LA, but also a clear-eyed reflection on being young, vulnerable, lost, and female in America—in short, on the B-list of life. Alison Umminger writes about girls, sex, violence, and which people society deems worthy of caring about, which ones it doesn't, in a way not often seen in YA fiction.

    With the wounds of his past almost healed, high school is simple, and so is everything else.But that changes when Ryan is paired with Adam for a class project. Adam, the guy with birthmarks like flecks of mud and compost-brown eyes that hide behind dorky glasses. Grudgingly, the two young men work together, and as they do, an unlikely friendship is formed.With the passing college years, their bond deepens and grows. Even Ryan’s sister and dad take a liking to Adam, and the family – always missing a voice – seems to gain another. But just as Ryan is forced to confront what Adam really means to him, his family is dragged toward crisis. And beneath the silent snows and starlit sky of a Minnesota winter, their friendship will be tested more than ever before.

    She never guessed that her father cut out her heart and replaced it with one of glass. When she moves to Whitespring Castle and sees its king for the first time, Mina forms a plan: win the king’s heart with her beauty, become queen, and finally know love. The only catch is that she’ll have to become a stepmother.Fifteen-year-old Lynet looks just like her late mother, and one day she discovers why: a magician created her out of snow in the dead queen’s image, at her father’s order. But despite being the dead queen made flesh, Lynet would rather be like her fierce and regal stepmother, Mina. She gets her wish when her father makes Lynet queen of the southern territories, displacing Mina. Now Mina is starting to look at Lynet with something like hatred, and Lynet must decide what to do—and who to be—to win back the only mother she’s ever known…or else defeat her once and for all.Entwining the stories of both Lynet and Mina in the past and present, Girls Made of Snow and Glass traces the relationship of two young women doomed to be rivals from the start. Only one can win all, while the other must lose everything—unless both can find a way to reshape themselves and their story.

    At the start of their senior year in high school, James (a girl with a boy’s name) and Kat are inseparable, but by graduation, they’re no longer friends. James prepares to head off to college as she reflects on the dissolution of her friendship with Kat while, in alternating chapters, Kat thinks about being newly in love with her first girlfriend and having a future that feels wide open. Over the course of senior year, Kat wants nothing more than James to continue to be her steady rock, as James worries that everything she believes about love and her future is a lie when her high-school sweetheart parents announce they’re getting a divorce. Funny, honest, and full of heart, We Used to Be Friends tells of the pains of growing up and growing apart.

    Her Persian heritage already makes her different from her classmates; if word got out that she liked girls, life would be twice as hard. But when a sophisticated, beautiful new girl, Saskia, shows up, Leila starts to take risks she never thought she would, especially when it looks as if the attraction between them is mutual. Struggling to sort out her growing feelings and Saskia's confusing signals, Leila confides in her old friend, Lisa, and grows closer to her fellow drama tech-crew members, especially Tomas, whose comments about his own sexuality are frank, funny, wise, and sometimes painful. Gradually, Leila begins to see that almost all her classmates are more complicated than they first appear to be, and many are keeping fascinating secrets of their own.

    Some are small, like how it bothers her when her friends don’t invite her to parties. Some are big, like that fact that her father may be having an affair. And then there’s the one that she can barely even admit to herself—the one about how she might have a crush on her best friend.When Sana and her family move to California she begins to wonder if it’s finally time for some honesty, especially after she meets Jamie Ramirez. Jamie is beautiful and smart and unlike anyone Sana’s ever known. There are just a few problems: Sana’s new friends don’t trust Jamie’s crowd; Jamie’s friends clearly don’t want her around anyway; and a sweet guy named Caleb seems to have more-than-friendly feelings for her. Meanwhile, her dad’s affair is becoming too obvious to ignore anymore.Sana always figured that the hardest thing would be to tell people that she wants to date a girl, but as she quickly learns, telling the truth is easy… what comes after it, though, is a whole lot more complicated.

    He knows what role to play and what things to keep to himself. He’s got it all under control, until one lousy pair of shoes kicks him out of his world and lands him in a foster care group home. Surrounded by strangers and trapped in a life where he could never belong, Alex turns to the only person lower on the social ladder than he is: a “special” mute boy. In Sebastian, Alex finds a safe place to store his secrets—those that sent him to foster care, and the deeper one that sets him apart from the other teenagers he knows. But Sebastian has secrets of his own, and when tragedy rips the two boys apart, Alex will stop at nothing to find the answers—even if it means dragging them both through a past full of wounds best left buried. It might just be worth it, for the slim chance at love.

    was supposed to give Nic Montero a fresh start. After escaping his family, coming out as a gay trans man, and excelling in computer programming out of desperation to get financially stable or die, everything should be easy. But joining gay culture now, post-transition, feels impossible... until he runs into the force of nature that is Kyle. Everything Nic isn't, Kyle embodies. Green hair, garters and cut-off shorts, sports jerseys, and all, brash Kyle is the most gorgeous man he's ever laid eyes on, and he pulls Nic headlong into the center of his world. If only Nic felt like enough for a man like Kyle. “One-night stands are my only option.” Loud, loving, and too much for most men to handle, Kyle Everett catches eyes and occasionally scorn... even at his job at the local HIV charity, Plus. His days and nights are spent at work, his precious spare moments spent with his son, Kevin, when it's his turn to co-parent, or his best friend, drag queen River. He only has money or time for cheap flings, but the lanky otter who walks into his life makes Kyle want to hold him for longer than a night. He knows what it's like for Nic to be without a family, but he isn't brave enough to let this man into his life... until his charity is targeted by bigots, and Nic's there for him. “I'll stay with you if you're brave enough to be you.” Nic spent his twenties avoiding family and even his own femininity, but his yearning is impossible to ignore. Kyle's used to flying solo, but Nic offers him safety and fills gaps in his life he never realized existed and now can't stand. Living in close proximity, they can't run from their attraction, but they're each used to being rejected, with the emotional scars to prove it. Can two men who feel like they're not enough and too much find something just right? Flaunt is a standalone gay romance novel with a happily ever after ending.