Madden launches the first of a two-part series on the medieval world. This all-encompassing investigation of a highly influential time period includes the major events of the era and informative discussion of empire, papacy, the Crusades, and the fall of Constantinople. During the course of these lectures, Professor Madden also addresses the rise of Islam, reform movements, and schisms in the church. In so doing, Professor Madden underscores the significance and grand scale of an age that continues to hold an undeniable fascination for people today. Course SyllabusLecture 1 The End of an Empire and the Beginning of the WorldLecture 2 The Empire Strikes Back: Justinian I and the Reconquest of the WestLecture 3 Storm in the East: The Rise of IslamLecture 4 The New Masters of Rome: The PopesLecture 5 A New Empire: The CarolingiansLecture 6 Devastation Again: The New Invasions of EuropeLecture 7 To Reform and Rebuild: The Eleventh-Century Reform MovementLecture 8 The Clash of Church and State: The Investiture ControversyLecture 9 The CrusadesLecture 10 Growing Kingdoms: England and FranceLecture 11 The Rise and Fall of the Papal MonarchyLecture 12 Europe Asunder: The Avignon Papacy and the Great SchismLecture 13 The Hundred Years WarLecture 14 Europe Stands Alone: The Fall of Constantinople

    By 1900, Paris had recovered and the Belle Epoque was in full flower, but the decades between were difficult, marked by struggles between republicans and monarchists, the Republic and the Church, and an ongoing economic malaise, darkened by a rising tide of virulent anti-Semitism. Yet these same years also witnessed an extraordinary blossoming, in art, literature, poetry, and music, with the Parisian cultural scene dramatically upended by revolutionaries such as Monet, Zola, Rodin, and Debussy, even while Gustave Eiffel was challenging architectural tradition with his iconic tower. Through the eyes of these pioneers and others, including Sarah Bernhardt, Georges Clemenceau, Marie Curie, and Cesar Ritz, we witness their struggles with the forces of tradition during the final years of a century hurtling towards its close. Through rich illustrations and evocative narrative, McAuliffe brings this vibrant and seminal era to life."

    Mark Cousins’s chronological journey through the worldwide history of film is told from the point of view of filmmakers and moviegoers. Weaving personalities, film technology, and production with engaging descriptions of groundbreaking scenes, Cousins uses his experience as film historian, producer, and director to capture the shifting trends of movie history. We learn how filmmakers influenced each other; how contemporary events influenced them; how they challenged established techniques and developed new technologies to enhance their medium. Striking images reinforce the reader’s understanding of cinematic innovation, both stylistic and technical. The images reveal astonishing parallels in global filmmaking, thus introducing the less familiar worlds of African, Asian, and Middle Eastern cinema, as well as documenting the fortunes of the best Western directors. The Story of Film presents Silent (1885-1928), Sound (1928-1990), and Digital (1990-present), spanning the birth of the moving image; the establishment of Hollywood; the European avant-garde movements, personal filmmaking; world cinema; and recent phenomena like Computer Generated Imagery and the ever-more “real” realizations of the wildest of imaginations. The Story of Film explores what has today become the world’s most popular artistic medium.

    Over the course of 48 richly detailed lectures, Professor Garland covers the breadth and depth of human history from the perspective of the so-called ordinary people, from its earliest beginnings through the Middle Ages.The past truly comes alive as you take a series of imaginative leaps into the world of history's anonymous citizens, people such as a Greek soldier marching into battle in the front row of a phalanx; an Egyptian woman putting on makeup before attending an evening party with her husband; a Greek citizen relaxing at a drinking party with the likes of Socrates; a Roman slave captured in war and sent to work in the mines; and a Celtic monk scurrying away with the Book of Kells during a Viking invasion.Put yourself in the sandals of ordinary people and discover what it was like to be among history's 99%. What did these everyday people do for a living? What was their home like? What did they eat? What did they wear? What did they do to relax? What were their beliefs about marriage? Religion? The afterlife?This extraordinary journey takes you across space and time in an effort to be another person - someone with whom you might not think you have anything at all in common - and come away with an incredible sense of interconnectedness. You'll see the range of possibilities of what it means to be human, making this a journey very much worth taking.

    The fully articulated skeleton of a female saint, dressed in an intricate costume of silk brocade and gold lace, withered fingers glittering with colorful rubies, emeralds, and pearls this is only one of the specially photographed relics featured in Heavenly Bodies. In 1578 news came of the discovery in Rome of a labyrinth of underground tombs, which were thought to hold the remains of thousands of early Christian martyrs. Skeletons of these supposed saints were subsequently sent to Catholic churches and religious houses in German-speaking Europe to replace holy relics that had been destroyed in the wake of the Protestant Reformation. The skeletons, known as the catacomb saints, were carefully reassembled, richly dressed in fantastic costumes, wigs, crowns, jewels, and armor, and posed in elaborate displays inside churches and shrines as reminders to the faithful of the heavenly treasures that awaited them after death. Paul Koudounaris gained unprecedented access to religious institutions to reveal these fascinating historical artifacts. Hidden for over a century as Western attitudes toward both the worship of holy relics and death itself changed, some of these ornamented skeletons appear in publication here for the first time."

    Yet at the start of the first century BC, Rome, outnumbered and out-generaled, faced a hostile army less than a week's march from the Capitol. It is probable that only a swift surrender prevented the city from being attacked and sacked. Before that point, three Roman consuls had died in battle, and two Roman armies had been soundly defeated - not in some foreign field, but in the heartland of Italy.So who were this enemy who so comprehensively knocked Rome to its knees? What army could successfully challenge the legions which had been undefeated from Spain to the Euphrates? And why is that success almost unknown today?These questions are answered in this book, a military and political history of the Social War of 90-88BC. This tells the story of the revolt of Rome's Italian allies (socii in Latin - hence the name of the war). Because these Italian allies had the arms, training and military systems of the Roman army which they usually fought alongside, all Rome's usual military advantages were nullified. This brought the war down to a clash of generals, with the Roman rivals Gaius Marius and Cornelius Sulla spending almost as much time in political intrigue as combat with the enemy. The Italian leaders had to manage an equally fractious coalition of peoples. Some tribes sought negotiation with Rome, and others would settle for nothing less than the total extermination of the city and its people.The interplay of personalities (the young Cicero, Cato, and Pompey were also protagonists); high-stakes politics and full-scale warfare combine with assassination; personal sacrifice and desperate measures (such as raising an army of freed slaves) to make for a taut, fast-paced tale.

    She doesn’t talk about high finance or managing money; instead, she goes far deeper to explore debt as an ancient and central motif in religion, literature, and the structure of human societies. By looking at how debt has informed our thinking from preliterate times to the present day, from the stories we tell of revenge and sin to the way we order social relationships, Atwood argues that the idea of what we owe may well be built into the human imagination as one of its most dynamic metaphors. Her final lecture addresses the notion of a debt to nature and the need to find new ways of interacting with the natural world before it is too late.

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    His daily exposure to the power, politics, and personalities in the seat of Roman Catholicism gave him a unique, behind-the-scenes perspective on an institution that is far less monolithic and unified than it first appears. Thavis reveals Vatican City as a place where Curia cardinals fight private wars, scandals threaten to undermine papal authority, and reverence for the past is continually upended by the practical considerations of modern life. Thavis takes readers from a bell tower high above St. Peter’s to the depths of the basilica and the saint’s burial place, from the politicking surrounding the election of a new pope and the ever-growing sexual abuse scandals around the world to controversies about the Vatican’s stand on contraception, and more. Perceptive, sharply written, and witty, The Vatican Diaries will appeal not only to Catholics (lapsed as well as devout) but to any readers interested in international diplomacy and the role of religion in an increasingly secularized world.

    David Starkey looks at the monarchy as a whole, charting its history from Roman times, to the Wars of the Roses, the chaos of the Civil War, the fall of Charles I and Cromwell's emergence as Lord Protector - all the way up until the Victorian era when Britain's monarchs came face-to-face with modernity.

    Think Charlemagne, Eleanor of Aquitaine, Joan of Arc, Peter Abelard, Geoffrey Chaucer and a riveting cast of thousands. After the fall of the Roman Empire, Western Europe had to reinvent itself and redefine its philosophical parentage. Inside you will read about... ✓ The Early Middle Ages✓ Advancing to Empire with Charlemagne✓ The High Middle Ages✓ The Flowering of the Church✓ Times of Change✓ The Late Middle Ages✓ The End and the BeginningAs the Christian Church filled the void left by the loss of Roman authority, nations would emerge out of blurred geographical boundaries and dynastic kings would evolve from warlords. Rome gets the glory, and the Renaissance gets the glamor, but they are bookends for the dynamic centuries that are known as the Middle Ages.

    The Love of Learning and the Desire for God is composed of a series of lectures given to young monks at the Institute of Monastic Studies at Sant'Anselmo in Rome during the winter of 1955-56.

    One of the most influential figures of the twentieth century, he transformed philosophy and can lay claim to being one of the greatest philosophers of all time. He was a Nobel Prize winner for Literature and was imprisoned several times as a result of his pacifism. His views on religion, education, sex, politics and many other topics, made him one of the most read and revered writers of the age. This, his autobiography, is one of the most compelling and vivid ever written. This one-volume, compact paperback edition contains an introduction by the politician and scholar, Michael Foot, which explores the status of this classic nearly 30 years after the publication of the final volume.

    This second collection brings together the best of his other non-fiction pieces, on film and tv, writers and painters and music, and including one exceptional fragment of autobiography. With subject matter ranging from the Sundance Festival to Abbey Road Studios, from P.G. Wodehouse to The West Wing, these are pieces that ‘were written for fun, or because I felt I had things to say and time to say them, or because the commissions were unusual and imaginative, or because … I was being asked to go somewhere I had never been before.’

    A unique body of medieval literature, the Sagas rank with the world’s great literary treasures – as epic as Homer, as deep in tragedy as Sophocles, as engagingly human as Shakespeare. Set around the turn of the last millennium, these stories depict with an astonishingly modern realism the lives and deeds of the Norse men and women who first settled in Iceland and of their descendants, who ventured farther west to Greenland and, ultimately, North America. Sailing as far from the archetypal heroic adventure as the long ships did from home, the Sagas are written with psychological intensity, peopled by characters with depth, and explore perennial human issues like love, hate, fate and freedom.