A high school English teacher specializing in the Gothic writer R. M. Holland, she teaches a course on it every year. But when one of Clare’s colleagues and closest friends is found dead, with a line from R. M. Holland’s most famous story, “The Stranger,” left by her body, Clare is horrified to see her life collide with the storylines of her favourite literature. To make matters worse, the police suspect the killer is someone Clare knows. Unsure whom to trust, she turns to her closest confidant, her diary, the only outlet she has for her darkest suspicions and fears about the case. Then one day she notices something odd. Writing that isn't hers, left on the page of an old diary: "Hallo, Clare. You don’t know me." Clare becomes more certain than ever: “The Stranger” has come to terrifying life. But can the ending be rewritten in time?

    When Martha finds herself struggling to balance early motherhood and her growing business, Becky steps in to babysit her niece, Layla, without a second thought, bringing the two women closer than ever. But when Layla is found dead one morning, at only eight weeks old, Becky is charged with the unthinkable: the murder of her sister's child.Nine months later, Becky is on trial and maintains her innocence--and so does Martha. Unable to shake the feeling that her sister couldn't possibly be guilty, Martha sets out to uncover exactly what happened that night, and how things could have gone so wrong. As the trial progresses, fault lines between the sisters begin to show--revealing cracks deep in their relationship and threatening the family each has worked so hard to build. With incredible empathy and resounding emotional heft, The Good Sister is a powerhouse of a novel that will lead readers to question everything they know about motherhood, family, and the price of forgiveness.

    At the end of a long winter, in bucolic Ridgedale, New Jersey, the body of an infant is discovered in the woods near the town’s prestigious university campus. No one knows who the baby is, or how her body ended up out there. But there is no shortage of opinions. When freelance journalist, and recent Ridgedale transplant, Molly Anderson is unexpectedly called upon to cover the story for the Ridegdale Reader, it’s a risk, given the severe depression that followed the loss of her own baby. But the bigger threat comes when Molly unearths some of Ridgedale’s darkest secrets, including a string of unreported sexual assaults that goes back twenty years. Meanwhile, Sandy, a high school dropout, searches for her volatile and now missing mother, and PTA president Barbara struggles to help her young son, who’s suddenly having disturbing outbursts. Told from the perspectives of Molly, Barbara, and Sandy, Kimberly McCreight’s taut and profoundly moving novel unwinds the tangled truth about the baby’s death revealing that these three women have far more in common than they realized. And that their lives are more intertwined with what happened to the baby than they ever could have imagined.

    There must be a victim. A suspect. A detective. The rest is just shuffling the sequence. Expanding the permutations. Grant McAllister, a professor of mathematics, once sat down and worked them all out – calculating the different orders and possibilities of a mystery into seven perfect detective stories he quietly published. But that was thirty years ago. Now Grant lives in seclusion on a remote Mediterranean island, counting the rest of his days.Until Julia Hart, a sharp, ambitious editor knocks on his door. Julia wishes to republish his book, and together they must revisit those old stories: an author hiding from his past, and an editor, keen to understand it.But there are things in the stories that don’t add up. Inconsistencies left by Grant that a sharp-eyed editor begins to suspect are more than mistakes. They may be clues, and Julia finds herself with a mystery of her own to solve.

    But her husband is lying to her and everything in her life is upside down, so when the stranger, Aiden, shows up as a bartender at the same party where Caroline and her husband have a very public fight, it doesn't seem like anything out of the ordinary.As her marriage collapses around her and the lavish lifestyle she's built for herself starts to crumble, Caroline turns to Aiden for comfort...and revenge. After a brief and desperate fling that means nothing to Caroline and everything to him, Aiden's obsession with Caroline, her family, and her house grows more and more disturbing. And when Caroline's husband goes missing, her life descends into a nightmare that leaves her accused of her own husband's murder.

    Why would Beth do that, and risk dredging up painful memories? She hasn't seen Flora for twelve years. She doesn't want to see her today, or ever again.But she can't resist. She parks outside the open gates of Newnham House, watches from across the road as Flora and her children Thomas and Emily step out of the car. Except... There's something terribly wrong. Flora looks the same, only older. As Beth would have expected. It's the children. Twelve years ago, Thomas and Emily were five and three years old. Today, they look precisely as they did then. They are still five and three. They are Thomas and Emily without a doubt - Hilary hears Flora call them by their names - but they haven't changed at all. They are no taller, no older... Why haven't they grown?

    Nobody comes "an unputdownable mystery about the nightmares that abound in the pursuit of Hollywood dreams" (Caroline Kepnes, author of the You series)."Stylish, riveting, hugely atmospheric--I couldn't put it down."--Lucy Foley, author of The Guest ListA woman has gone missing. But did she ever really exist?A leading British actress hoping to make a splash in America flies to Los Angeles for the grueling gauntlet known as pilot season, a time when every network and film studio looking to fill the rosters of their new shows entice a fresh batch of young hopefuls--anxious, desperate, and willing to do whatever it takes to make it.Instead, Mia Eliot, a fish out of water in the ruthlessly competitive and faceless world of back-to-back auditioning, discovers the sinister side of Hollywood when she becomes the last person to see Emily, a newfound friend. Standing out in a conveyor-belt world of fellow aspiring stars, Emily mysteriously disappears following an audition, after asking Mia to do a simple favor. But nothing is simple. Nothing is as is seems. And nothing prepares Mia for a startling truth: In a city where dreams really do come true, nightmares can follow.

    But for Harper McClain, the timeless beauty and culture that distinguishes her home’s Southern heritage vanishes during the dark and dangerous nights. She wouldn’t have it any other way. Not even finding her mother brutally murdered in their home when she was twelve has made her love Savannah any less.Her mother’s killer was never found, and that unsolved murder left Harper with an obsession that drove her to become one of the best crime reporters in the state of Georgia. She spends her nights with the police, searching for criminals. Her latest investigation takes her to the scene of a homicide where the details are hauntingly familiar: a young girl being led from the scene by a detective, a female victim naked and stabbed multiple times in the kitchen, and no traces of any evidence pointing towards a suspect.Harper has seen all of this before in her own life. The similarities between the murder of Marie Whitney and her own mother’s death lead her to believe they’re both victims of the same killer. At last, she has the chance to find the murderer who’s eluded justice for fifteen years and make sure another little girl isn’t forever haunted by a senseless act of violence―even if it puts Harper in the killer’s cross-hairs…

    Except that these secrets are not buried in the past.Every other night, Maggie and Nina have dinner together. When they are finished, Nina helps Maggie back to her room in the attic, and into the heavy chain that keeps her there. Because Maggie has done things to Nina that can’t ever be forgiven, and now she is paying the price.But there are many things about the past that Nina doesn’t know, and Maggie is going to keep it that way—even if it kills her.Because in this house, the truth is more dangerous than lies.

    When the youngest grows gravely ill, their mother leaves with the child to get help from a nearby town. And they never return.As months pass, hope vanishes. Supplies are low. Livestock are dying. A brutal winter is bearing down. Then comes the stranger. He claims to be looking for the girls’ mother, and he’s not leaving without them.To escape, Wren and her sister must break the rule they’ve grown up with: never go beyond the forest.Past the thicket of dread, they come upon a house on the other side of the pines. This is where Wren and Sage must confront something more chilling than the unknowable. They’ll discover what’s been hidden from them, what they’re running from, and the secrets that have left them in the dark their entire lives.

    A suspect behind bars. A desperate father. In a case this shadowy, the truth is easy to hide.Six teenagers dead. Finally, the killer behind bars. But are the games just beginning?Psychiatrist Dr. Gwen Moore is an expert on killers. She’s spent a decade treating California’s most depraved predators and unlocking their motives—predators much like the notorious Bloody Heart serial killer, whose latest teenage victim escaped and then identified local high school teacher Randall Thompson as his captor. The case against Thompson as the Bloody Heart Killer is damning—and closed, as far as Gwen and the media are concerned. If not for one new development…Defense attorney Robert Kavin is a still-traumatized father whose own son fell prey to the BH Killer. Convinced of Thompson’s innocence, he steps in to represent him. Now Robert wants Gwen to interview the accused, create a psych profile of the killer and his victims, and help clear his client’s name.As Gwen and Robert grow closer and she dives deeper into the investigation, grave questions arise. So does Gwen’s suspicion that Robert is hiding something—and that he might not be the only one with a secret.

    They start a search, but they aren't hopeful: no one could have survived that fall. It was a tragic accident.But Matt's first wife also died in suspicious circumstances. And when the police pull a body out of the river, they have a lot more questions for Matt.Detectives Loren and Spengler want to know if Matt is a grieving, twice-unlucky husband or a cold-blooded murderer. They dig into the couple's lives to see what they can unearth. And they find that love's got teeth, it's got claws, and once it hitches you to a person, it's tough to rip yourself free.So what happens when you're done making it work?

    Haunted by everything he experienced, he's privately suffering from battle fatigue which is a threat to every aspect of his life. But then he gets a call from a source within the FBI. A new development has come to light in a story that began 40 years ago. It could be the BIG story of Dawson's career one in which he has a vested interest.Soon, Dawson is covering the disappearance and presumed murder of former Marine Jeremy Wesson, the biological son of the pair of terrorists who remain on the FBI's Most Wanted list. As Dawson delves into the story, he finds himself developing feelings for Wesson's ex-wife, Amelia, and her two young sons. But when Amelia's nanny turns up dead, the case takes a stunning new turn, with Dawson himself becoming a suspect. Haunted by his own demons, Dawson takes up the chase for the notorious outlaws. . .and the secret, startling truth about himself.

    She says your name. Then she jumps... In a split second, Morgan Kincaid’s life changes forever. She’s on her way home from work when a mother begs her to take her baby, then places the infant in her arms. Before Morgan can stop her, the distraught mother jumps in front of an oncoming train. Morgan has never seen this woman before, and she can’t understand what would cause a person to give away her child and take her own life. She also can’t understand how this woman knew her name. The police take Morgan in for questioning. She soon learns that the woman who jumped was Nicole Markham, prominent CEO of the athletic brand Breathe. She also learns that no witness can corroborate her version of events, which means she’s just become a murder suspect. To prove her innocence, Morgan frantically retraces the last days of Nicole’s life. Was Nicole a new mother struggling with paranoia or was she in danger? When strange things start happening to Morgan, she suddenly realizes she might be in danger, too. Woman on the Edge is a pulse-pounding, propulsive thriller about the lengths to which a woman will go to protect her baby—even if that means sacrificing her own life.

    Of this Mariana is certain. But Fosca is untouchable. A handsome and charismatic Greek Tragedy professor at Cambridge University, Fosca is adored by staff and students alike—particularly by the members of a secret society of female students known as The Maidens. Mariana Andros is a brilliant but troubled group therapist who becomes fixated on The Maidens when one member, a friend of Mariana’s niece Zoe, is found murdered in Cambridge. Mariana, who was once herself a student at the university, quickly suspects that behind the idyllic beauty of the spires and turrets, and beneath the ancient traditions, lies something sinister. And she becomes convinced that, despite his alibi, Edward Fosca is guilty of the murder. But why would the professor target one of his students? And why does he keep returning to the rites of Persephone, the maiden, and her journey to the underworld?When another body is found, Mariana’s obsession with proving Fosca’s guilt spirals out of control, threatening to destroy her credibility as well as her closest relationships. But Mariana is determined to stop this killer, even if it costs her everything—including her own life.