The notorious dancer Mata Hari sits in a cold cell awaiting freedom…or death. Alone and despondent, Mata Hari is as confused as the rest of the world about the charges she’s been arrested on: treason leading to the deaths of thousands of French soldiers.As Mata Hari waits for her fate to be decided, she relays the story of her life to a reporter who is allowed to visit her in prison. Beginning with her carefree childhood, Mata Hari recounts her father’s cruel abandonment of her family as well her calamitous marriage to a military officer. Taken to the island of Java, Mata Hari refuses to be ruled by her abusive husband and instead learns to dance, paving the way to her stardom as Europe’s most infamous dancer.From exotic Indian temples and glamorous Parisian theatres to stark German barracks in war-torn Europe, international bestselling author Michelle Moran who “expertly balances fact and fiction” (Associated Press) brings to vibrant life the famed world of Mata Hari: dancer, courtesan, and possibly, spy.

    It is a freezing room in a student house, a sagging mattress on the floor, and two people, one nineteen, the other twenty, kissing passionately, all night. It is to this scene that, twenty years later, Rosy, the narrator of Julie Myerson's astonishing new novel, returns obsessively. She has just lost a child in a terrible, careless accident, and Tom, her partner, has taken her to Paris to forget about things, to start again. It has snowed in the night and, waking at dawn, Rosy decides to go for a walk. At the hotel desk there's a note for her: 'I'm waiting for you X.' And he is, sitting in the corner of a cafe as she enters almost at random. They talk. He touches her. She turns away and when she looks again he is gone. Was he there? Had she dreamed him? And why, when he e-mails her out of the blue two days later, does he write as though they haven't met for twenty years? The Story of You is an account of a woman trying to get by as a mother, a wife, while falling in love with a man from a memory. As always Julie Myerson maps the vagaries of the human heart with extraordinary empathy and precision, while at the same time keeping the reader in breathless suspense and on the edge of tears.

    A gifted artist, she seeks solace and inspiration in the Mediterranean heat of Athens—trying to understand who she is and how she can love without fear.George has come to Athens to learn ancient languages after growing up in New England boarding schools and Ivy League colleges. He has no close relationships with anyone and spends his days hunched over books or wandering the city in a drunken stupor.Henry is in Athens to dig. An accomplished young archaeologist, he devotedly uncovers the city’s past as a way to escape his own, which holds a secret that not even his doting parents can talk about....and then, with a series of chance meetings, Rebecca, George, and Henry are suddenly in flight, their lives brighter and clearer than ever, as they fall headlong into a summer that will forever define them in the decades to come.

    His wife of ten years, Esther, is a war correspondent who has disappeared along with a friend, Mikhail, who may or may not be her lover.Was Esther kidnapped, murdered, or did she simply escape a marriage that left her unfulfilled? The narrator doesn’t have any answers, but he has plenty of questions of his own. Then one day Mikhail finds the narrator and promises to reunite him with his wife. In his attempt to recapture a lost love, the narrator discovers something unexpected about himself.

    Most had never left home, never experienced a different culture. None had any guarantee of success. That they achieved so much for themselves and their country profoundly altered American history. As David McCullough writes, "Not all pioneers went west." Elizabeth Blackwell, the first female doctor in America, was one of this intrepid band. Another was Charles Sumner, who enrolled at the Sorbonne because of a burning desire to know more about everything. There he saw black students with the same ambition he had, and when he returned home, he would become the most powerful, unyielding voice for abolition in the U.S. Senate, almost at the cost of his life. Two staunch friends, James Fenimore Cooper and Samuel F. B. Morse, worked unrelentingly every day in Paris, Cooper writing and Morse painting what would be his masterpiece. From something he saw in France, Morse would also bring home his momentous idea for the telegraph. Pianist Louis Moreau Gottschalk from New Orleans launched his spectacular career performing in Paris at age 15. George P. A. Healy, who had almost no money and little education, took the gamble of a lifetime and with no prospects whatsoever in Paris became one of the most celebrated portrait painters of the day. His subjects included Abraham Lincoln. Medical student Oliver Wendell Holmes wrote home of his toil and the exhilaration in "being at the center of things" in what was then the medical capital of the world. From all they learned in Paris, Holmes and his fellow "medicals" were to exert lasting influence on the profession of medicine in the United States. Writers Ralph Waldo Emerson, Nathaniel Hawthorne, Mark Twain, and Henry James were all "discovering" Paris, marveling at the treasures in the Louvre, or out with the Sunday throngs strolling the city's boulevards and gardens. "At last I have come into a dreamland," wrote Harriet Beecher Stowe, seeking escape from the notoriety Uncle Tom's Cabin had brought her. Almost forgotten today, the heroic American ambassador Elihu Washburne bravely remained at his post through the Franco-Prussian War, the long Siege of Paris and even more atrocious nightmare of the Commune. His vivid account in his diary of the starvation and suffering endured by the people of Paris (drawn on here for the first time) is one readers will never forget. The genius of sculptor Augustus Saint-Gaudens, the son of an immigrant shoemaker, and of painters Mary Cassatt and John Singer Sargent, three of the greatest American artists ever, would flourish in Paris, inspired by the examples of brilliant French masters, and by Paris itself. Nearly all of these Americans, whatever their troubles learning French, their spells of homesickness, and their suffering in the raw cold winters by the Seine, spent many of the happiest days and nights of their lives in Paris. McCullough tells this sweeping, fascinating story with power and intimacy, bringing us into the lives of remarkable men and women who, in Saint-Gaudens's phrase, longed "to soar into the blue." The Greater Journey is itself a masterpiece.

    At the center of the novel is Silvio, who has returned to this small town after years away. As his narration unfolds, we are given an intimate picture of the loves and infidelities, the scandals, the youthful ardor and regrets of age that tie Silvio to the long-guarded secrets of the past.From the Trade Paperback edition.

    As three generations collide with one another, with the neighbor who seems to know all of their family skeletons, and with an enigmatic Frenchman, Heidi, Charlotte, and Abbot journey through love, loss, and healing amid the vineyards, warm winds and delicious food of Provence. Can the magic of the house heal Heidi’s heart, too?

    Paul lives in Paris, in a world of privilege where beauty dominates, adults are intent on their own satisfaction, and everything looks perfect. There's nowhere to get dirty, or so it appears.His mother is glamorous and powerful, distracted by a younger lover and her own fear of aging. His wealthy father is desperately seeking to assuage his endless discontent. Paul lives between the two apartments of his broken family, looked after by a Filipino babysitter who hasn't seen her own children in years. When Paul meets Scarlett, a beguiling classmate, he uncovers the cruel gulf between the world as it is and how he imagined it to be. It's only a matter of time before Paul witnesses a shocking event and inherits a burden he's far too young to shoulder.A dazzling coming-of-age story, I Love You Too Much is a devastating literary debut born from the saying, Je t'aime trop: a distinctly French expression of excessive love. In a world of abundance, a Paris where parents don't always mean what they say, Paul must look beyond his glamorous home to find a love that's real.

    That is, until the doorbell rings. Standing on her front step is a young man who looks so much like Max; same smile, same eyes, same age, same adorable bump in his nose; he could be Max's long-lost relation. He introduces himself as Paolo, an Italian editor of American coffee table books, and shows Shelley some childhood photos. Paolo tells her that the man in the photos, the bearded man who Paolo says is his grandfather though he never seems to age, is Max. Her Max. And he is alive and well.As outrageous as Paolo's claims seem; how could her husband be alive? And if he is, why hasn't he looked her up? Shelley desperately wants to know the truth. She and Paolo jet across the globe to track Max down; if it is really Max and along the way, Shelley recounts the European package tour where they had met. As she relives Max's stories of bloody Parisian barricades, medieval Austrian kitchens, and buried Roman boathouses, Shelley begins to piece together the story of who her husband was and what these new revelations mean for her "happily ever after." And as she and Paolo get closer to the truth, Shelley discovers that not all stories end where they are supposed to.

    Hazel Hunnicutt's Used World Emporium is a sprawling antique store that is "the station at the end of the line for objects that sometimes appeared tricked into visiting there." Hazel, the proprietor, is in her sixties, and it's a toss-up as to whether she's more attached to her mother or her cats. She's also increasingly attached to her two employees: Claudia Modjeski -- freakishly tall, forty-odd years old -- who might finally be undone by the extreme loneliness that's dogged her all of her life; and Rebekah Shook, pushing thirty, still living in her fervently religious father's home, and carrying the child of the man who recently broke her heart. The three women struggle -- separately and together, through relationships, religion, and work -- to find their place in this world. And it turns out that they are bound to each other not only by the past but also by the future, as not one but two babies enter their lives, turning their formerly used world brand-new again. Astonishing for what it reveals about the human capacity for both grace and mischief, The Used World forms a loose trilogy with Kimmel's two previous novels, The Solace of Leaving Early and Something Rising (Light and Swift). This is a book about all of America by way of a single midwestern town called Jonah, and the actual breathing histories going on as Indiana's stark landscape is transformed by dying small-town centers and proliferating big-box stores and SUVs. It's about generations of deception, anguish, and love, and the idiosyncratic ways spirituality plays out in individual lives. By turns wise and hilarious, tender and fierce, heartrending and inspiring, The Used World charts the many meanings of the place we call home.

    Set in provincial France in the 1960s, it is the intensely carnal story—part shocking reality, part feverish dream —of a love affair between a footloose Yale dropout and a young French girl. There is the seen and the unseen—and pages that burn bright with a rare intensity.

    At 14, her mother disappeared. Now 28, and just days after the death of her father, Clarissa discovers that he wasn't her father after all, and the only clues to her true heritage are a world away. Abandoning her fiancé, she flies to Helsinki, seeking to uncover the secrets her mother kept for so long. While piecing together the fragments of her mother's mysterious past, Clarissa is led to the Sami, Lapland's native "reindeer people," who dwell in a stark and frozen landscape, under the northern lights. It is there that she must summon the courage to confront an unbearable truth, and the violent act that ties her to this ancient people. Vida's second novel is the riveting story of an unthinkable quest. Her indomitable heroine, Clarissa Iverton, slowly and painfully (but not without a sense of humor) peels away years of old lies in order to embrace a history she could never have imagined. Sharply focused and beautifully told, Let the Northern Lights Erase Your Name is an ambitious and accomplished work of fiction that resonates with the themes of truth and forgiveness. (Spring 2007 Selection)

    (Nancy Pearl)

    In her critically acclaimed new novel, Shay Youngblood, the Pushcart Prize-winning author of Soul Kiss, chronicles the Parisian odyssey of a young African-American woman retracing the footsteps of the literary legends who inspired her.

    Now, almost three decades after their relationship first blossomed in London, they live more or less happily in the suburbs with their moody seventeen-year-old son, Albie; then Connie tells him she thinks she wants a divorce.The timing couldn’t be worse. Hoping to encourage her son’s artistic interests, Connie has planned a month-long tour of European capitals, a chance to experience the world’s greatest works of art as a family, and she can’t bring herself to cancel. And maybe going ahead with the original plan is for the best anyway. Douglas is privately convinced that this landmark trip will rekindle the romance in the marriage and might even help him bond with Albie.Narrated from Douglas’s endearingly honest, slyly witty, and at times achingly optimistic point of view, Us is the story of a man trying to rescue his relationship with the woman he loves and learning how to get closer to a son who’s always felt like a stranger.