In 1353, Giovanni Boccaccio wrote “The Decameron”: one hundred nested tales told by a group of young men and women passing the time at a villa outside Florence while waiting out the gruesome Black Death, a plague that killed more than 25 million people. Some of the stories are silly, some are bawdy, some are like fables. In March of 2020, the editors of The New York Times Magazine created The Decameron Project, an anthology with a simple, time-spanning goal: to gather a collection of stories written as our current pandemic first swept the globe. How might new fiction from some of the finest writers working today help us memorialize and understand the unimaginable? And what could be learned about how this crisis will affect the art of fiction? These twenty-nine new stories, from authors including Margaret Atwood, Tommy Orange, Edwidge Danticat, and David Mitchell vary widely in texture and tone. Their work will be remembered as a historical tribute to a time and place unlike any other in our lifetimes, and offer perspective and solace to the reader now and in a future where coronavirus is, hopefully, just a memory. Table of Contents: “Preface” by Caitlin Roper “Introduction” by Rivka Galchen “Recognition” by Victor LaValle “A Blue Sky Like This” by Mona Awad “The Walk” by Kamila Shamsie “Tales from the LA River” by Colm Tóibín “Clinical Notes” by Liz Moore “The Team” by Tommy Orange “The Rock” by Leila Slimani “Impatient Griselda” by Margaret Atwood “Under the Magnolia” by Yiyun Li “Outside” by Etgar Keret “Keepsakes” by Andrew O’Hagan “The Girl with the Big Red Suitcase” by Rachel Kushner “The Morningside” by Téa Obreht “Screen Time” by Alejandro Zambra “How We Used to Play” by Dinaw Mengestu “Line 19 Woodstock/Glisan” by Karen Russell “If Wishes Was Horses” by David Mitchell “Systems” by Charles Yu “The Perfect Travel Buddy” by Paolo Giordano “An Obliging Robber” by Mia Cuoto “Sleep” by Uzodinma Iweala “Prudent Girls” by Rivers Solomon “That Time at My Brother’s Wedding” by Laila Lalami “A Time of Death, The Death of Time” by Julián Fuks “The Cellar” by Dina Nayeli “Origin Story” by Matthew Baker “To the Wall” by Esi Edugyan “Barcelona: Open City” by John Wray “One Thing” by Edwidge Danticat

    When a grieving mother returns to the remote Alaskan town where her young son drowned, she discovers that the truth about her son's death is shrouded in legend— and buried in a terrifying wrinkle between life and death. When Jenna Rosen abandons her comfortable Seattle life to return to Wrangell, Alaska, it's a wrenching return to her past. Long ago the home of her Native American grandmother, Wrangell is located near the Thunder Bay resort, where Jenna's young son, Bobby, disappeared two years before. His body was never recovered, and Jenna is determined to lay to rest the aching mystery of his death. But the spectacular town provides little comfort beyond the steady and tender affections of Eddie, a local fisherman. And then whispers of ancient legends begin to suggest a frightening new possibility about Bobby's fate. Soon, Jenna must sift through the beliefs of her ancestors, the Tlingit— who still tell of powerful, menacing forces at work in the Alaskan wilderness.There beliefs are shared by Dr. David Livingstone, a practicing shaman who had been hired to "cleanse" Thunder Bay of its restless spirits. The experience almost cost him his life, and he warns Jenna about the danger of disturbing the legendary kushtaka— soul-stealing predators that stalk a netherworld between land and sea, the living and the dead. But Jenna is desperate for answers, and she appeals to both Livingstone and Eddie to help her sort fact from myth, and face the unthinkable possibilities head-on. Armed with nothing but a mother's ferocious protective instincts, Jenna's quest for the truth about her son— and the strength of her beliefs— is about to pull her into a terrifying and life-changing abyss...Coloring powerful legend with universal emotions, Garth Stein masterfully evokes our most primal dreams and fears. Remarkably vivid and relentlessly suspenseful, "Raven Stole the Moon" marks the arrival of a stunningly imaginative new talent.

    She met a guy just like herself: same age, same background, same hopes and dreams; they got married and started a family. Too bad he made her miserable. Now, two decades later, she's a nearly-divorced, forty-one-year-old schoolteacher with two school-aged sons, and there is no script anymore. So when she meets Joseph, she isn't exactly looking for love--she's more in the market for a babysitter. Joseph is twenty-two, living at home with his mother, and working several jobs, including the butcher counter where he and Lucy meet. It's not a match anyone one could have predicted. He's of a different class, a different culture, and a different generation. But sometimes it turns out that the person who can make you happiest is the one you least expect, though it can take some maneuvering to see it through. Just Like You is a brilliantly observed, tender, but also brutally funny new novel that gets to the heart of what it means to fall surprisingly and headlong in love with the best possible person--someone you didn't see coming.

    It's not the kind of place you'd want to end up. But it's where Jess Moulson could be spending the rest of her life.It's a place where even the walls whisper.And one voice belongs to a little boy with a message for Jess.Will she listen?

    And then one day this closest of friendships grows into something more.But then we fast forward a decade or so, to find that Ellis is married to Annie, and Michael is nowhere in sight. Which leads to the question, what happened in the years between?This is almost a love story. But it's not as simple as that.

    The words haunt him as he studies the Kaiju (Japan’s giant monsters) on an island reserve, attempting to understand the beauty his wife saw.“The Return to Monsterland” opens 'Where We Go When All We Were Is Gone,' a collection of twelve fabulist and genre-bending stories inspired by Japanese folklore, historical events, and pop culture. In “Rokurokubi”, a man who has the demonic ability to stretch his neck to incredible lengths tries to save a marriage built on secrets. The recently dead find their footing in “The Inn of the Dead’s Orientation for Being a Japanese Ghost”. In “Girl Zero”, a couple navigates the complexities of reviving their deceased daughter via the help of a shapeshifter. And, in the title story, a woman instigates a months-long dancing frenzy in a Tokyo where people don’t die but are simply reborn without their memories.Every story in the collection turns to the fantastic, the mysticism of the past, and the absurdities of the future to illuminate the spaces we occupy when we, as individuals and as a society, are at our most vulnerable.