There's nothing good about staying with Nell, except for the beautiful Darkling Wood at the end of her garden - but Nell wants to have it cut down. Alice feels at home there, at peace, and even finds a friend, Flo. But Flo doesn't seem to go to the local school and no one in town has heard of a girl with that name. When Flo shows Alice the surprising secrets of Darkling Wood, Alice starts to wonder, what is real? And can she find out in time to save the wood from destruction?

    Consisting of a series of episodes in the story of the English outlaw Robin Hood and his band of Merry Men, the novel compiles traditional material into a coherent narrative in a colorful, invented "old English" idiom that preserves some flavor of the ballads, and adapts it for children. The novel is notable for taking the subject of Robin Hood, which had been increasingly popular through the 19th century, in a new direction that influenced later writers, artists, and filmmakers through the next century.[1]Pyle had been submitting illustrated poems and fairy tales to New York publications since 1876, and had met with success. The Merry Adventures of Robin Hood was the first novel he attempted. He took his material from Middle Age ballads and wove them into a cohesive story, altering them for coherence and the tastes of his child audience. For example, he included "Robin Hood and the Curtal Friar" in the narrative order to reintroduce Friar Tuck. He needed a cooperative priest for the wedding of outlaw Allan a Dale (Pyle's spelling of the original Alan-a-Dale) to his sweetheart Ellen. In the original "A Gest of Robyn Hode", the life is saved of an anonymous wrestler who had won a bout but was likely to be murdered because he was a stranger. Pyle adapted it and gave the wrestler the identity of David of Doncaster, one of Robin's band in the story "Robin Hood and the Golden Arrow." In his novelistic treatment of the tales, Pyle thus developed several characters who had been mentioned in only one ballad, such as David of Doncaster or Arthur a Bland. Pyle's book continued the 19th-century trend of portraying Robin Hood as a heroic outlaw who robs the rich to feed the poor; this portrayal contrasts with the Robin Hood of the ballads, where the protagonist is an out-and-out crook, whose crimes are motivated by personal gain rather than politics or a desire to help others.[1] For instance, he modified the ballad "Robin Hood's Progress to Nottingham", changing it from Robin killing fourteen foresters for not honoring a bet to Robin defending himself against a band of armed robbers. Pyle has Robin kill only one man, who shoots at him first. Tales are changed in which Robin steals all that an ambushed traveler carried, such as "Robin Hood and the Bishop of Hereford", so that the victim keeps a third and another third is dedicated to the poor. Pyle did not have much concern for historical accuracy, but he renamed the queen-consort in the story "Robin Hood and Queen Katherine" as Eleanor (of Aquitaine). This made her compatible historically with King Richard the Lion-Hearted, with whom Robin eventually makes peace. The novel was first published by Scribner's in 1883, and met with immediate success,[1] ushering in a new era of Robin Hood stories. It helped solidify the image of a heroic Robin Hood, which had begun in earlier works such as Walter Scott's 1819 novel Ivanhoe. In Pyle's wake, Robin Hood has become a staunch philanthropist protecting innocents against increasingly aggressive villains.[1] Along with the publication of the Child Ballads by Francis James Child, which included most of the surviving Robin Hood ballads, Pyle's novel helped increase the popularity of the Robin Hood legend in the United States. The Merry Adventures also had an effect on subsequent children's literature. It helped move the Robin Hood legend out of the realm of penny dreadfuls and into the realm of respected children's books.[2] After Pyle, Robin Hood became an increasingly popular subject for children's books: Louis Rhead's Bold Robin Hood and His Outlaw Band (1912) and Paul Creswick's Robin Hood (1917), illustrated by Pyle's pupil N. C.

    Blessed with a kind family and a loving friend, she manages to create her own small patch of sunlight in a dark and dangerous world. Bella is a blacksmith's daughter; her friend Julian is a prince -- yet neither seems to notice the great gulf that divides his world from hers.Suddenly Bella's world collapses. First Julian betrays her. Then it is revealed that she is not the peasant she believed herself to be: She is Isabel, the daughter of a knight who abandoned her in infancy. Now he wants her back, so Bella is torn from her beloved foster family and sent to live with her deranged father and his resentful new wife. Soon Bella is caught up in a terrible plot that will change her life -- and the kingdom -- forever. With the help of her godmother and three enchanted gifts, she sets out on a journey in disguise that will lead her to a destiny far greater than any she could have imagined.Amazon

    Because of his curse, girls sicken and disappear without a trace, and Bryre’s inhabitants live in fear. No one is allowed outside after dark. Yet night is the only time that Kymera can enter this dangerous city, for she must not be seen by humans. Her father says they would not understand her wings, the bolts in her neck, or her spiky tail—they would kill her. They would not understand that she was created for a purpose: to rescue the girls of Bryre. Despite her caution, a boy named Ren sees Kym and begins to leave a perfect red rose for her every evening. As they become friends, Kym learns that Ren knows about the missing girls, the wizard, and the evil magic that haunts Bryre. And what he knows will change Kym’s life.

    Her grandfather, on the other hand, intends to see her starched and pressed into a fine society lady. When she's sent to Miss Eliza Crumb-Biddlecomb's Finishing School for Young Ladies, Jocelyn's hopes of following in her father's fearsome footsteps are lost in a heap of dance lessons, white gloves, and way too much pink.So when Jocelyn receives a letter from her father challenging her to avenge his untimely demise at the jaws of the Neverland crocodile, she doesn't hesitate-here at last is the adventure she has been waiting for. But Jocelyn finds that being a pirate is a bit more difficult than she'd bargained for. As if attempting to defeat the Neverland's most fearsome beast isn't enough to deal with, she's tasked with captaining a crew of woefully untrained pirates, outwitting cannibals wild for English cuisine, and rescuing her best friend from a certain pack of lost children, not to mention that pesky Peter Pan who keeps barging in uninvited.The crocodile's clock is always ticking in Heidi Schulz's debut novel, a story told by an irascible narrator who is both dazzlingly witty and sharp as a sword. Will Jocelyn find the courage to beat the incessant monster before time runs out?

    Brought up by her aunt's family in New Jersey, book-and-music-loving Olivia feels out of place in their life of high fashion and fancy cars. But she never could have imagined how out of place she really was until Mia Thermopolis, Princess of Genovia, pops into her school and announces that Olivia is her long-lost sister. Olivia is a princess. A dream come true, right? But princesses have problems too.In FROM THE NOTEBOOKS OF A MIDDLE SCHOOL PRINCESS a new middle grade series, readers will see Genovia, this time through the illustrated diaries of a spunky new heroine, 12 year old Olivia Grace, who happens to be the long lost half-sister of Princess Mia Thermopolis.The original Princess Diaries series sold over 5 million copies in the US (15 million worldwide), spent 82 weeks on the USA Today bestsellers list, and inspired two beloved films.

    In this funny, moving novel, ten-year-old Cass takes a roadtrip with her dull-as-dirt dad, only to learn that he has a few surprises up his sleeve, including the power of Sway, a family secret that just might be magical.

    Now The Wild wants its characters back. Julie comes home from school to find her mother gone and a deep, dark forest swallowing her hometown. Julie must fight wicked witches, avoid glass slippers and fairy godmothers, fly griffins, and outwit ogres in order to rescue her mom and save her Massachusetts town from becoming a fairy-tale kingdom.Sarah Beth Durst weaves a postmodern fairy tale that's fresh, funny, and sweetly poignant.