Lawrence's inner life and his historically significant actions. Extensive research provides the basis for Mack's sensitive investigation of the psychological dimensions of Lawrence's personality and with the history, sociology, and politics of his time. 27 photos.

    In the skilled hands of A. Scott Berg, this is at once Lindbergh the hero--and Lindbergh the man.Awarded the 1999 Pulitzer Prize for Biography.From one of America's most acclaimed biographers comes the definitive account of the life of one of the nation's most legendary, controversial, and enigmatic figures: aviator Charles A. Lindbergh.

    Kennan. On his graduation from Princeton in 1925, moved perhaps by the example of his distant cousin George Kennan, who wrote the classic work on Siberia, the younger George prepared to enter the Foreign Service. After a short exposure to diplomacy in Germany and on the Baltic Coast, the young consul felt so inadequate that he was about to resign. His career was salvaged when the State Department registered him as a student of Russian at the University of Berlin, and here he began to acquire his knowledge of and insight into the Russian character which were to serve him so well.It has been Mr. Kennan's destiny to be posted repeatedly at the threshold of crises. His fluency in Russian make him an indispensable member of Ambassador Bullitt's small staff which reopened the American Embassy in Moscow in 1933. He was an observer at Stalin's famous purge trials. He was in Prague when the Germans took over Czechoslovakia. When Hitler declared war on the United States, Mr. Kennan was in Berlin and was interned for six months. He was Harriman's right-hand man in Moscow from 1944 to 1946 during the strenuous war negotiations with the Kremlin. Throughout this long exposure to the agony of Europe, Mr. Kennan was evolving policies for dealing with the Russians and, after the end of the war, the Germans. His Russian policies he defined in a series of farsighted Position Papers, which were sent to the State Department and pigeonholed without comment. These historic papers have been released by the State Department and are published at the end of this volume.When he was recalled to Washington in 1946, Kennan came into his own as a positive force in American foreign policy. President Truman and Secretary Marshall gave him the scope which F.D.R. had denied him. Kennan played a formative part in the development and application of the Marshall Plan. He was sent to Japan to help reform our occupational policy. He drew up a blueprint for the peaceful settlement of Central Europe -- a settlement in which he strongly resisted the rearming of Germany with nuclear weapons.This long and detailed account of twenty-five years of diplomatic history is written with extraordinary eloquence and lucidity. Mr. Kennan's portraits of Stalin, William Bullitt, Alexander Kirk, Harry Hopkins, General Marshall, Ambassador Harriman and Charles Bohlen are superbly drawn. The generous excerpts from his journals reveal his sensitivity to human details and his skill at evoking scenes and incidents from his travels in many lands.Mr. Kennan never loses the overview. Transcending he personal encounters, the specific events and positions, are his clearly articulated principles for the just government of foreign affairs in a world for which, like it or not, we as Americans bear a major responsibility. This makes these memoirs the most important book Mr. Kennan has yet written.

    The blithe, boisterous son of the last great Puritan minister, he seemed destined to be overshadowed by his brilliant siblings—especially his sister, Harriet Beecher Stowe, who penned the century’s bestselling book Uncle Tom’s Cabin. But when pushed into the ministry, the charismatic Beecher found international fame by shedding his father’s Old Testament–style fire-and-brimstone theology and instead preaching a New Testament–based gospel of unconditional love and healing, becoming one of the founding fathers of modern American Christianity. By the 1850s, his spectacular sermons at Plymouth Church in Brooklyn Heights had made him New York’s number one tourist attraction, so wildly popular that the ferries from Manhattan to Brooklyn were dubbed “Beecher Boats.” Beecher inserted himself into nearly every important drama of the era—among them the antislavery and women’s suffrage movements, the rise of the entertainment industry and tabloid press, and controversies ranging from Darwinian evolution to presidential politics. He was notorious for his irreverent humor and melodramatic gestures, such as auctioning slaves to freedom in his pulpit and shipping rifles—nicknamed “Beecher’s Bibles”—to the antislavery resistance fighters in Kansas. Thinkers such as Emerson, Thoreau, Whitman, and Twain befriended—and sometimes parodied—him.And then it all fell apart. In 1872 Beecher was accused by feminist firebrand Victoria Woodhull of adultery with one of his most pious parishioners. Suddenly the “Gospel of Love” seemed to rationalize a life of lust. The cuckolded husband brought charges of “criminal conversation” in a salacious trial that became the most widely covered event of the century, garnering more newspaper headlines than the entire Civil War. Beecher survived, but his reputation and his causes—from women’s rights to progressive evangelicalism—suffered devastating setbacks that echo to this day.Featuring the page-turning suspense of a novel and dramatic new historical evidence, Debby Applegate has written the definitive biography of this captivating, mercurial, and sometimes infuriating figure. In our own time, when religion and politics are again colliding and adultery in high places still commands headlines, Beecher’s story sheds new light on the culture and conflicts of contemporary America.

    Puller, Jr.'s memoir is a moving story of a man born into a proud military legacy who struggles to rebuild his world after the Vietnam War has shattered his body and his ideals. Raised in the shadow of his father, Marine General Lewis B. Chesty Puller, a hero of five wars, young Lewis went to Southeast Asia at the height of the Vietnam War and served with distinction as an officer in his father's beloved Corps. But when he tripped a booby-trapped howitzer round, triggering an explosion that would cost him his legs, his career as a soldier ended, and the battle to reclaim his life began.

    As Mark Twain, he was the Mississippi riverboat pilot, the satirist with a fiery hatred of pretension, & the author of such classics as Tom Sawyer & Huckleberry Finn. As Mr Clemens, he was the star who married an heiress, built a palatial estate, threw away fortunes on harebrained financial schemes & lived the extravagent life that Twain despised. Set against the richly drawn background of the post-Civil War period that Twain dubbed the "Gilded Age," Mr. Clemens & Mark Twain is sure to entertain & enlighten both general readers & scholars alike.

    This monumental biography--eight years in the research and writing--treats the early and middle phases of a long and intense career: a crucial fifty-year period that demonstrates how Du Bois changed forever the way Americans think about themselves.

    This an American writer.--The New York Times Book Review.

    But I feel now that the time is come when even a woman or a child who can speak a word for freedom and humanity is bound to speak." Thus did Harriet Beecher Stowe announce her decision to begin work on what would become one of the most influential novels ever written. The subject she had hesitated to "meddle with" was slavery, and the novel, of course, was Uncle Tom's Cabin. Still debated today for its portrayal of African Americans and its unresolved place in the literary canon, Stowe's best-known work was first published in weekly installments from June 5, 1851 to April 1, 1852. It caused such a stir in both the North and South, and even in Great Britain, that when Stowe met President Lincoln in 1862 he is said to have greeted her with the words, "So you are the little woman who wrote the book that created this great war!" In this landmark book, the first full-scale biography of Harriet Beecher Stowe in over fifty years, Joan D. Hedrick tells the absorbing story of this gifted, complex, and contradictory woman. Hedrick takes readers into the multi-layered world of nineteenth-century morals and mores, exploring the influence of then-popular ideas of "true womanhood" on Stowe's upbringing as a member of the outspoken Beecher clan, and her eventful life as a writer and shaper of public opinion who was also a mother of seven. It offers a lively record of the flourishing parlor societies that launched and sustained Stowe throughout the 44 years of her career, and the harsh physical realities that governed so many women's lives. The epidemics, high infant mortality, and often disastrous medicalpractices of the day are portrayed in moving detail, against the backdrop of western expansion, the great social upheaval accompanying the abolitionist movement, and the entry of women into public life. Here are Stowe's public triumphs, both before and after the Civil War, and t

    Her famous Conversations changed women’s sense of how they could think and live; her editorship of the Transcendentalist literary journal The Dial shaped American Romanticism. Now, Megan Marshall, whose acclaimed The Peabody Sisters “discovered” three fascinating women, has done it again: no biography of Fuller has made her ideas so alive or her life so moving.Marshall tells the story of how Fuller, tired of Boston, accepted Horace Greeley’s offer to be the New York Tribune’s front-page columnist. The move unleashed a crusading concern for the urban poor and the plight of prostitutes, and a late-in-life hunger for passionate experience. In Italy as a foreign correspondent, Fuller took a secret lover, a young officer in the Roman Guard; she wrote dispatches on the brutal 1849 Siege of Rome; and she gave birth to a son.Yet, when all three died in a shipwreck off Fire Island shortly after Fuller’s 40th birthday, the sense and passion of her life’s work were eclipsed by tragedy and scandal. Marshall’s inspired account brings an American heroine back to indelible life.

    A man massive in his size, his passions, and his gifts, Wolfe has long been considered something of an unconscious genius, whose undisciplined flow of prose was shaped into novels by his editor, the celebrated Maxwell Perkins.In this definitive and compelling biography, Pulitzer Prize-winning historian David Herbert Donald dismantles that myth and demonstrates that Wolfe was a boldly aware experimental artist who, like James Joyce, William Faulkner, and John Dos Passos, deliberately pushed at the boundaries of the modern novel. Donald takes a new measure of this complex, tormented man as he reveals Wolfe's difficult childhood, when he was buffeted between an alcoholic father and a resentful mother; his "magical" years at the University of North Carolina, where his writing talent first flourished; his rise to literary fame after repeated rejection; and the full story of Wolfe's passionate affair with Aline Bernstein, including their intimate letters.

    His name has become synonymous with cynical scheming and the selfish pursuit of power. Niccolò Machiavelli, Florentine diplomat and civil servant, is the father of political science. His most notorious work, The Prince, is a primer on how to acquire and retain power without regard to scruple or conscience. His other masterpiece, The Discourses, offers a profound analysis of the workings of the civil state and a hardheaded assessment of human nature. Machiavelli’s philosophy was shaped by the tumultuous age in which he lived, an age of towering geniuses and brutal tyrants. He was on intimate terms with Leonardo and Michelangelo. His first political mission was to spy on the fire-and-brimstone preacher Savonarola. As a diplomat, he matched wits with the corrupt and carnal Pope Alexander VI and his son, the notorious Cesare Borgia, whose violent career served as a model for The Prince. His insights were gleaned by closely studying men like Julius II, the “Warrior Pope,” and his successor, the vacillating Clement VII, as well as two kings of France and the Holy Roman Emperor. Analyzing their successes and failures, Machiavelli developed his revolutionary approach to power politics. Machiavelli was, above all, a student of human nature. In The Prince he wrote a practical guide to the aspiring politician that is based on the world as it is, not as it should be. He has been called cold and calculating, cynical and immoral. In reality, argues biographer Miles Unger, he was a deeply humane writer whose controversial theories were a response to the violence and corruption he saw around him. He was a psychologist with acute insight into human nature centuries before Freud. A brilliant and witty writer, he was not only a political theorist but also a poet and the author of La Mandragola, the finest comedy of the Italian Renaissance. He has been called the first modern man, unafraid to contemplate a world without God. Rising from modest beginnings on the strength of his own talents, he was able to see through the pious hypocrisy of the age in which he lived. Miles Unger has relied on original Italian sources as well as his own deep knowledge of Florence in writing this fascinating and authoritative account of a genius whose work remains as relevant today as when he wrote it.

    Yet, at the time of his death, he had become a serious rival to Franklin Roosevelt for the presidency. In this biography, the first full-scale analysis of Long, this intriguing and incredible man stands wholly revealed and understood.The eminent historian T. Harry Williams has created a work masterly in its scope and detail. This award-winning biography brings fresh life to the sensation-ridden years when Long became a figure of national importance. Huey Long was winner of the Pulitzer Prize and National Book Award.

    It contains the most extensive collection of Benjamin Franklin's autobiographical writings, much of which was long out-of-print. Also included are some fifty letters written by Franklin that were never published before.

    In the thirties and forties, along with Arshile Gorky and Jackson Pollock, he became a key figure in the revolutionary American movement of abstract expressionism. Of all the painters in that group, he worked the longest and was the most prolific, creating powerful, startling images well into the 1980s.The first major biography of de Kooning captures both the life and work of this complex, romantic figure in American culture. Ten years in the making, and based on previously unseen letters and documents as well as on hundreds of interviews, this is a fresh, richly detailed, and masterful portrait. The young de Kooning overcame an unstable, impoverished, and often violent early family life to enter the Academie in Rotterdam, where he learned both classic art and guild techniques. Arriving in New York as a stowaway from Holland in 1926, he underwent a long struggle to become a painter and an American, developing a passionate friendship with his fellow immigrant Arshile Gorky, who was both a mentor and an inspiration. During the Depression, de Kooning emerged as a central figure in the bohemian world of downtown New York, surviving by doing commercial work and painting murals for the WPA. His first show at the Egan Gallery in 1948 was a revelation. Soon, the critics Harold Rosenberg and Thomas Hess were championing his work, and de Kooning took his place as the charismatic leader of the New York school—just as American art began to dominate the international scene.Dashingly handsome and treated like a movie star on the streets of downtown New York, de Kooning had a tumultuous marriage to Elaine de Kooning, herself a fascinating character of the period. At the height of his fame, he spent his days painting powerful abstractions and intense, disturbing pictures of the female figure—and his nights living on the edge, drinking, womanizing, and talking at the Cedar bar with such friends as Franz Kline and Frank O’Hara. By the 1960s, exhausted by the feverish art world, he retreated to the Springs on Long Island, where he painted an extraordinary series of lush pastorals. In the 1980s, as he slowly declined into what was almost certainly Alzheimer’s, he created a vast body of haunting and ethereal late work.This is an authoritative and brilliant exploration of the art, life, and world of an American master.