The most one can do is make some sort of start and then work toward some kind of ending.One might as well start with Séraphin: playlist-maker, nerd-jock hybrid, self-appointed merchant of cool, Rwandan, stifled and living in Windhoek, Namibia. Soon he will leave the confines of his family life for the cosmopolitan city of Cape Town, in South Africa, where loyal friends, hormone-saturated parties, adventurous conquests, and race controversies await. More than that, his long-awaited final year in law school promises to deliver a crucial puzzle piece of the Great Plan immigrant: a degree from a prestigious university.But a year is more than the sum of its parts, and en route to the future, the present must be lived through and even the past must be survived.

    The author's use of 'rotten English'—a mixture of Nigerian pidgin English, broken English and idiomatic English—makes this a unique and powerful novel.

    The middle-class pair become victims of the same brutal violence that the poor and powerless suffer.

    A few years before Ghana’s independence, Lizzie-Achiaa’s lover disappears. Intent on finding him, she runs away from home. Akua Afriyie, Lizzie-Achiaa’s first daughter, strikes out on her own as a single parent in a country rocked by successive coups. Her daughter, Sugri grows up overprotected. She leaves home for university in New York, where she learns that sometimes one can have too much freedom. In the end, the secrets parents keep from their children eventually catch up with them.

    On the eve of the Muslim festival of Eid, Narguiss, who 'never wanted anything to do with politics', is more preoccupied with family problems than with the radio news of kidnappings and murders.Nearby, Leia, Januário and their young daughter are caught up in the pleasure and security of finally finding a flat of their own, while Mena, who was once the beauty of her village, overhears her husband plotting murder.Before dawn, these innocent people seeking to lead peaceful lives are thrown together in a vicious conspiracy to infiltrate and destabilise Mozambique.Skilfully weaving together present events and age-old traditions through narrative 'snapshots', Lília Momplé gives us, in the drama of a few short hours, an insight into the consequences of Mozambique's complex history.

    Gbessa, exiled from the West African village of Lai, is starved, bitten by a viper, and left for dead, but still she survives. June Dey, raised on a plantation in Virginia, hides his unusual strength until a confrontation with the overseer forces him to flee. Norman Aragon, the child of a white British colonizer and a Maroon slave from Jamaica, can fade from sight when the earth calls him. When the three meet in the settlement of Monrovia, their gifts help them salvage the tense relationship between the African American settlers and the indigenous tribes, as a new nation forms around them.Moore’s intermingling of history and magical realism finds voice not just in these three characters but also in the fleeting spirit of the wind, who embodies an ancient wisdom. “If she was not a woman,” the wind says of Gbessa, “she would be king.” In this vibrant story of the African diaspora, Moore, a talented storyteller and a daring writer, illuminates with radiant and exacting prose the tumultuous roots of a country inextricably bound to the United States. She Would Be King is a novel of profound depth set against a vast canvas and a transcendent debut from a major new author.

    Years later, when Babu's grandson Rajan--who ekes out a living by singing Babu's epic tales of the railway's construction--accidentally kisses a mysterious stranger in a dark nightclub, the encounter provides the spark to illuminate the three men's shared, murky past.With its riveting multiracial, multicultural cast and diverse literary allusions, Dance of the Jakaranda could well be a story of globalization. Yet the novel is firmly anchored in the African oral storytelling tradition, its language a dreamy, exalted, and earthy mix that creates new thresholds of identity, providing a fresh metaphor for race in contemporary Africa.

    After a rape and unwanted pregnancy leave her exiled from her family in Kano, thwarting her plans to go to university, she is sent to her aunt's in Lagos and pressured into a marriage with an older man. When their whirlwind romance descends into abuse and indignity, Ogadinma is forced to channel her independence and resourcefulness to escape a fate that appears all but inevitable. Ogadinma, the UK debut by Ukamaka Olisakwe, introduces a heroine for whom it is impossible not to root, and announces the author as a gifted chronicler of the patriarchal experience.‘An intimate and dazzling exploration of the life and times of a young Nigerian woman whose move to the capital city of Lagos leads to a series of encounters, which are by turns disorienting, revelatory and tragic.’ Christopher Merrill, author of Self-Portrait with Dogwood‘Written in vivid, engaging prose, this is the story of one woman’s journey to independence.’ Chinelo Okparanta, author of Under the Udala Trees and Happiness, Like Water: Stories

    Here, the men and women speak the language of the forest, drink aphrodisiacs with their palm wine and walk alongside the spirits of their ancestors. The discovery of sinister remains; possibly human, definitely 'evil'; in a vanished man's hut brings the modern world into the village in the form of Kayo; a young forensic pathologist convinced that scientific logic can shatter even the most inexplicable of mysteries.But as events in the village become more and more incomprehensible, Kayo and his sidekick, Constable Garba, find that Western logic and political bureaucracy are no longer equal to the task in hand. Strange boys wandering in the forest, ghostly music in the night and a flock of birds that come from far away to fill the desolate hut with discarded feathers take the newcomers into a world where, in the unknown, they discover a higher truth that leaves scientific explanations far behind.Tail of the Bluebird is a story of the mystical heart of Africa, of the clash and clasp between old and new worlds. Lyrically beautiful, at once uncanny and heart-warmingly human, this is a story that tells us that at the heart of modern man there remains the capacity to know the unknowable.

    This early novel deals with the pain and dislocation of the clash of the old and new ways - the educated young man determined to go overseas, and the elders of the family believing his duty is to stay and head the family.

    In this stylish, haunting novel, journalist and novelist Lawrence Osborne explores the reverberations of a random accident on the lives of Moroccan Muslims and Western visitors who converge on a luxurious desert villa for a decadent weekend-long party.   David and Jo Henniger, a doctor and children's book author, in search of an escape from their less than happy lives in London, accept the invitation of their old friends Richard and Dally to attend their annual bacchanal at their home deep in the Moroccan desert – a ksar they have acquired and renovated into a luxurious retreat.  On the way, the Hennigers stop for lunch, and the bad-tempered David can't resist consuming most of a bottle of wine.  Back on the road, darkness has descended, David is groggy, and the directions to the ksar are vague.  Suddenly, two young men spring from the roadside, apparently attempting to interest passing drivers in the fossils they have for sale.  Panicked, David swerves toward the two, leaving one dead on the road and the other running into the hills. At the ksar, the festivities have begun: Richard and Dally’s international friends sit down to a lavish dinner prepared and served by a large staff of Moroccans.  As the night progresses and the debauchery escalates, the Moroccans increasingly view the revelers as the godless "infidels" they are.  When David and Jo show up late with the dead body of the young man in their car, word spreads among the locals that David has committed an unforgivable act. Thus the stage is set for a weekend during which David and Jo must come to terms with David's misdeed, Jo's longings, and their own deteriorating relationship, and the flamboyant Richard and Dally must attempt to keep their revelers entertained despite growing tension from their staff and the Moroccan Berber father who comes to claim his son's body. With spare, evocative prose, searing eroticism, and a gift for the unexpected, Osborne memorably portrays the privileged guests wrestling with their secrets amidst the remoteness and beauty of the desert landscape.  He also gradually reveals the jolting back-story of the young man who was killed and leaves David’s fate in the balance as the novel builds to a shattering conclusion.

    Destined from birth to inhabit two very different worlds - that of her father, the wealthy Joseph Sakavungo, and that of her mother, his mistress - this emotive tale takes us to the heart of a young girl's attempts to come to terms with her own identity and fashion a future for herself from the patchwork of the life she was born into. Beautifully constructed, warm and wise, this is a novel that will transport the reader to a world in which we can all become more of the sum of our parts.

    In A Cowrie of Hope Binwell Sinyangwe captures the rhythms of a people whose poverty has not diminished their dignity, where hope can only be accompanied by small acts of courage, and where friendship has not lost its value.

    Houseboy, written in the form of Toundi's captivating diary and translated from the original French, discloses his awe of the white world and a web of unpredictable experiences. Early on, he escapes his father's angry blows by seeking asylum with his benefactor, the local European priest who meets an untimely death. Toundi then becomes "the Chief European's 'boy'--the dog of the King." Toundi's attempt to fulfill a dream of advancement and improvement opens his eyes to troubling realities. Gradually, preconceptions of the Europeans come crashing down on him as he struggles with his identity, his place in society, and the changing culture.

    Four women work together for a small nonprofit in Copenhagen that disseminates information on genocide. When two of them receive death threats, they immediately believe that they are being stalked by Mirko Zigic, a Serbian torturer and war criminal, whom they have recently profiled in their articles. As the tensions mount among the women, their suspicions turn away from Zigic and toward each other. The threats increase and soon the office becomes a battlefield in which each of the women's move is suspect. Their obsession turns into a witch hunt as they resort to bullying and victimization. Yet these are people who daily analyze cases of appalling cruelty on a worldwide scale, and who are intimate with the psychology of evil. The cruelty which the women have described from a safe distance is now revealed in their own world. They discover that none of them is exactly the person she seems to be. And then they learn that Interpol has traced Mirko Zigic to Denmark. THE EXCEPTION is a unique and intelligent thriller, heralding Christian Jungersen as a gifted storyteller and keen observer of the human psyche.