Built in the 1780's to hide an aristocratic family and a mad duke during the French Revolution, the palace has lain hidden and forgotten ever since. Anouk, along with several other gifted teenagers, will be the first to set foot in it in over two centuries.Or so she thought.But nothing is as it seems, and the teens soon find themselves embroiled in a game far more sinister, and dangerous, than they could possibly have imagined. An evil spanning centuries is waiting for them in the depths. . .

    So even though Cat knows the family's trip to Florence, Italy, is a peace offering, she embraces the magical city and all it offers. But when her curiosity leads her to an unusual magical tent, she exits . . . right into Renaissance Firenze.Thrust into the sixteenth century armed with only a backpack full of contraband future items, Cat joins up with her ancestors, the sweet Alessandra and protective Cipriano, and soon falls for the gorgeous aspiring artist Lorenzo. But when the much-older Niccolo starts sniffing around, Cat realizes that an unwanted birthday party is nothing compared to an unwanted suitor full of creeptastic amore. Can she find her way back to modern times before her Italian adventure turns into an Italian forever?

    32: If you find yourself at the mercy of a wicked witch, sing a romantic ballad and wait for your Prince Charming to save the day.Yeah, no thanks. Dorthea is completely princed out. Sure being the crown princess of Emerald has its perks—like Glenda Original ball gowns and Hans Christian Louboutin heels. But a forced marriage to the charming brooding prince Kato is so not what Dorthea had in mind for her enchanted future.Talk about unhappily ever after.Trying to fix her prince problem by wishing on a (cursed) star royally backfires, leaving the kingdom in chaos and her parents stuck in some place called “Kansas.” Now it’s up to Dorthea and her pixed off prince to find the mysterious Wizard of Oz and undo the curse…before it releases the wickedest witch of all and spells The End for the world of Story.

    So when a dead girl rolls in with the tide in the summer of 1913, sixteen-year-old Bridey suspects that whatever compelled her granddad to leap into the sea has made its return to the Isle of Man. Soon, villagers are vanishing in the night, but no one shares Bridey’s suspicions about the sea. No one but the island’s witch, who isn’t as frightening as she first appears, and the handsome dark-haired lad Bridey rescues from a grim and watery fate. The cause of the deep gashes in Fynn’s stomach and his lost memories are, like the recent disappearances, a mystery well-guarded by the sea. In exchange for saving his life, Fynn teaches Bridey to master her fear of the water — stealing her heart in the process. Now, Bridey must work with the Isle’s eccentric witch and the boy she isn’t sure she can trust — because if she can’t uncover the truth about the ancient evil in the water, everyone she loves will walk into the sea, never to return.

    Tomorrow, he’s a soldier in World War II.Kale Jackson has spent years trying to control his time-traveling ability but hasn’t had much luck. One day he lives in 1945, fighting in the war as a sharpshooter and helplessly watching soldiers—friends—die. Then the next day, he’s back in the present, where WWII has bled into his modern life in the form of PTSD, straining his relationship with his father and the few friends he has left. Every day it becomes harder to hide his battle wounds, both physical and mental, from the past.When the ex-girl-next-door, Harper, moves back to town, thoughts of what could be if only he had a normal life begin to haunt him. Harper reminds him of the person he was before the PTSD, which helps anchor him to the present. With practice, maybe Kale could remain in the present permanently and never step foot on a battlefield again. Maybe he can have the normal life he craves.But then Harper finds Kale’s name in a historical article—and he’s listed as a casualty of the war. Kale knows now that he must learn to control his time-traveling ability to save himself and his chance at a life with Harper. Otherwise, he’ll be killed in a time where he doesn’t belong by a bullet that was never meant for him.

    He’s also dying, which is inconvenient, as he’s only sixteen and he’d much rather be planning for his first kiss than considering who will inherit his crown…Jane (reads too many books) is Edward’s cousin, and far more interested in books than romance. Unfortunately for Jane, Edward has arranged to marry her off to secure the line of succession. And there’s something a little odd about her intended…Gifford (call him G) is a horse. That is, he’s an Eðian (eth-y-un, for the uninitiated). Every day at dawn he becomes a noble chestnut steed—but then he wakes at dusk with a mouthful of hay. It’s all very undignified.The plot thickens as Edward, Jane, and G are drawn into a dangerous conspiracy. With the fate of the kingdom at stake, our heroes will have to engage in some conspiring of their own. But can they pull off their plan before it’s off with their heads?

      Surrounded by spirits and burdened with forbidden magic, she lives in constant fear of discovery by the witch-hunting Tribunal and their bloodthirsty mobs. When a devastating assassination attempt reveals her magical abilities, Aurelia is forced to flee her country with nothing but her life.   Alone and adrift in an enemy kingdom, Aurelia plans her revenge against the Tribunal, desperate to bring down the dark organization that has wrought terror upon her people for hundreds of years. But there’s something deeply amiss in her new home, too, and soon she finds herself swept into a deadly new mystery with a secretive prince, the ghost of an ancient queen, and a poison vine called Bloodleaf.   Aurelia is entangled in a centuries-long game of love, power, and war, and if she can’t break free before the Tribunal makes its last move, she may lose far more than her crown.

    To Rhea, it appears like a mirage, dark and dense, at the very edge of her backyard. But when she reaches out to touch it, the forest vanishes. She’s desperate to know more—until she finds a peculiar boy who offers to reveal its secrets. If she plays a game.To the Witch, the forest is her home, where she sits on her throne of carved bone, waiting for dreaming children to beg her to grant their wishes. One night, a mysterious visitor arrives and asks her what she wishes for, but the Witch sends him away. And then the uninvited guest returns.The strangers are just the beginning. Something is stirring in the forest, and when Rhea’s and the Witch’s paths collide, a truth more treacherous and deadly than either could ever imagine surfaces. But how much are they willing to risk to survive?

    . . not marry the next tyrannical prince that comes courting. Naturally, the king wants Aurelia to marry for political power. Aurelia wants to marry for love. And someone in the kingdom wants her . . . dead. Assigned to investigate and protect Aurelia is Robert, the son of the king's former royal spy and one of Aurelia's oldest friends. As Aurelia and Robert slowly uncover clues as to who is threatening her, their friendship turns to romance. With everything possible on the line, her life, her kingdom, her heart, Aurelia is forced to take matters into her own hands, no matter the cost.

    Now Briony has worn her guilt for so long it's become a second skin. She often escapes to the swamp, where she tells stories to the Old Ones, the spirits who haunt the marshes. But only witches can see the Old Ones, and in her village, witches are sentenced to death. Briony lives in fear her secret will be found out, even as she believes she deserves the worst kind of punishment. Then Eldric comes along with his golden lion eyes and mane of tawny hair. He's as natural as the sun, and treats her as if she's extraordinary. And everything starts to change. As many secrets as Briony has been holding, there are secrets even she doesn't know.

    except the "thing" inside her.When a young lord tries to take advantage of Finley, she fights back. And wins. But no normal Victorian girl has a darker side that makes her capable of knocking out a full-grown man with one punch...Only Griffin King sees the magical darkness inside her that says she's special, says she's one of them. The orphaned duke takes her in from the gaslit streets against the wishes of his band of misfits: Emily, who has her own special abilities and an unrequited love for Sam, who is part robot; and Jasper, an American cowboy with a shadowy secret.Griffin's investigating a criminal called The Machinist, the mastermind behind several recent crimes by automatons. Finley thinks she can help and finally be a part of something, finally fit in.But The Machinist wants to tear Griff's little company of strays apart, and it isn't long before trust is tested on all sides. At least Finley knows whose side she's on even if it seems no one believes her.

    It was the most exquisite portrait I'd ever seen--everything about Lord Denbury was unbelievable...utterly breathtaking and eerily lifelike.There was a reason for that. Because despite what everyone said, Denbury never had committed suicide. He was alive. Trapped within his golden frame.I've crossed over into his world within the painting, and I've seen what dreams haunt him. They haunt me too. He and I are inextricably linked--bound together to watch the darkness seeping through the gas-lit cobblestone streets of Manhattan. Unless I can free him soon, things will only get Darker Still.

    With the arrival outside the tower of Saren's two suitors--one welcome, the other decidedly less so--the girls are confronted with both hope and great danger, and Dashti must make the desperate choices of a girl whose life is worth more than she knows.With Shannon Hale's lyrical language, this little-known classic fairy tale from the Brothers Grimm is reimagined and reset on the central Asian steppes; it is a completely unique retelling filled with adventure and romance, drama and disguise.

    The light looks brighter, the air is sharper, and the energy she can draw when fighting feels almost limitless.But while her mother, the queen, remains busy at the war front, in the Dark Kingdom of Dorjhalon, the corrupt king is plotting. King Bain wants control of both kingdoms, and his plan will fling Evelayn onto the throne much sooner than she expected.In order to defeat Bain and his sons, Evelayn will quickly have to come into her ability to shapeshift, and rely on the alluring Lord Tanvir. But not everyone is what they seem, and the balance between the Light and Dark comes at a steep price.

    Her mother taught her the three rules of walking: Never interfere. Never be seen. Never walk the same person’s dream more than once. Dea has never questioned her mother, not about the rules, not about the clocks or the mirrors, not about moving from place to place to be one step ahead of the unseen monsters that Dea’s mother is certain are right behind them.Then a mysterious new boy, Connor, comes to town and Dea finally starts to feel normal. As Connor breaks down the walls that she’s had up for so long, he gets closer to learning her secret. For the first time she wonders if that’s so bad. But when Dea breaks the rules, the boundary between worlds begins to deteriorate. How can she know what’s real and what’s not?