In a mountain-locked valley, Jessie is on the run.Born wild and brave, by twenty-six she has already lived life as a circus rider, horse and cattle rustler, and convict. But on this fateful night she is just a woman wanting to survive though there is barely any life left in her.Two men crash through the bushland, desperate to claim the reward on her head: one her lover, the other the law.But as it has always been for Jessie, it is death, not a man, who is her closest pursuer and companion. And while all odds are stacked against her, there is one who will never give up on her—her own child, who awaits her.

    But one day, Millie’s mum leaves her alone beneath the Ginormous Women’s underwear rack in a department store, and doesn’t come back.Agatha Pantha is an eighty-two-year-old woman who hasn’t left her home since her husband died. Instead, she fills the silence by yelling at passers-by, watching loud static on TV, and maintaining a strict daily schedule. Until the day Agatha spies a little girl across the street.Karl the Touch Typist is eighty-seven years old and once typed love letters with his fingers on to his wife’s skin. He sits in a nursing home, knowing that somehow he must find a way for life to begin again. In a moment of clarity and joy, he escapes.Together, Millie, Agatha and Karl set out to find Millie’s mum. Along the way, they will discover that the young can be wise, that old age is not the same as death, and that breaking the rules once in a while might just be the key to a happy life.

    He can buckle down and set about his agricultural recovery, or he can heed the whispers of an earthly paradise on the far side of the mountains – a place where men are truly free – and strike out for a new life. But what chance does a ditherer such as Sparrow have of renewal, either in the brutal colony or in the forbidding wilderness?The decision he makes triggers a harrowing chain of events and draws in a cast of extraordinary characters, including Alister Mackie, the chief constable on the river; his deputy, Thaddeus Cuff; the vicious hunter, Griffin Pinney; the Romany girl, Bea Faa; and the young Aboriginal men, Caleb and Moowut’tin, caught between war and peace.Rich, raw, strangely beautiful and utterly convincing, The Making of Martin Sparrow reveals Peter Cochrane – already one of our leading historians – as one of our most compelling novelists.

    Neither as pretty as cousin Alicia nor as domineering as mother Drusilla, she seems doomed to a quiet life of near poverty at Missalonghi, her family's pitifully small homestead in Australia's Blue Mountains. But it's a brand new century--the twentieth--a time for new thoughts and bold new actions. And Missy Wright is about to set every self-righteous tongue in the town of Byron wagging. Because she has just set her sights on a mysterious, mistrusted, and unsuspecting stranger... who just might be Prince Charming in disguise.

    Wildfires are burning in the hills outside, but inside the theater it is time for the performance to take over.Margot is a successful, flinty professor on the cusp of retirement, distracted by her fraught relationship with her adult son and her ailing husband. After a traumatic past, Ivy is is now a philanthropist with a seemingly perfect life. Summer is a young drama student, an usher at the theater, and frantically worried for her girlfriend whose parents live in the fire zone.While the performance unfolds on stage, so does the compelling trajectory that will bring these three women together, changing them all. Deliciously intimate and yet emotionally wide-ranging, The Performance is a novel that both explores the inner lives of women as it underscores the power of art and memory to transform us.

    After lunch, a group of three of the girls climbed into the blaze of the afternoon sun, pressing on through the scrub into the shadows of Hanging Rock. Further, higher, till at last they disappeared.They never returned.Whether Picnic at Hanging Rock is fact or fiction the reader must decide for themselves.

    Nine momentous days. An unforgettable novel of love and folly and heartbreak.It is 1939 and Australia is about to go to war. Deep in the working-class Melbourne suburb of Richmond it is business—your own and everyone else's—as usual. And young Kip Westaway, failed scholar and stablehand, is living the most important day of his life.Ambitious in scope and structure, triumphantly realised, this is a novel about one family and every family. It is about dreams and fights and sacrifices. And finally, of course, it is—as it must be—about love.Toni Jordan has a BSc in physiology and qualifications in marketing and professional writing. Her debut novel, Addition, has been published in sixteen countries and won numerous awards. Jordan lives in Melbourne, Australia.

    In playful, musical prose, the book explores the early contact between the Aboriginal Noongar people and the first European settlers.The novel's hero is a young Noongar man named Bobby Wabalanginy. Clever, resourceful and eager to please, Bobby befriends the new arrivals, joining them hunting whales, tilling the land, exploring the hinterland and establishing the fledgling colony. He is even welcomed into a prosperous local white family where he falls for the daughter, Christine, a beautiful young woman who sees no harm in a liaison with a native.But slowly – by design and by accident – things begin to change. Not everyone is happy with how the colony is developing. Stock mysteriously start to disappear; crops are destroyed; there are "accidents" and injuries on both sides. As the Europeans impose ever stricter rules and regulations in order to keep the peace, Bobby's Elders decide they must respond in kind. A friend to everyone, Bobby is forced to take sides: he must choose between the old world and the new, his ancestors and his new friends. Inexorably, he is drawn into a series of events that will forever change not just the colony but the future of Australia...

    There, he learns to live among a group of men divided by culture and allegiance.As tensions at the isolated camp escalate, the doctor’s long-held beliefs are thrown into question and he is forced to confront his dark past: the promise he made in Japan and its devastating consequences.

    Each narrator also pays homage to an author who has written imaginatively about animals during much the same time span: Henry Lawson, Colette, Kafka, Virginia Woolf, Tolstoy, Günter Grass, Julian Barnes, and others.These stories are brilliantly plotted, exquisitely written, inevitably poignant but also playful and witty. They ask us to consider profound questions. Why do animals shock us into feeling things we can't seem to feel for other humans? Why do animals allow authors to say the unsayable? Why do we sometimes treat humans as animals, and animals as humans? Can fiction help us find moral meaning in a disillusioned world?Ceridwen Dovey is a prodigiously gifted storyteller, an insightful thinker, and a prose writer of great range. Each of the storylines is an opening to a new way of considering the nature of violence and the relationship between human and animal experiences of the world. Only The Animals will ask you to believe again, just for a moment, in the redemptive power of reading and writing fiction.

    A woman's adopted mother dies, reawakening childhood memories and grief. A couple's decision to move to an isolated location may just be their undoing. A young woman forms an unexpected connection at a summer school in Hungary.Set in southern Tasmania, these interlinked stories bring into focus the inhabitants of small communities, and capture the moments when life turns and one person becomes another. With insight and empathy, Melissa Manning interrogates how the people we meet and the places we live shape the person we become.

    There was no thought in his head, only an intense drive to run. There was no sense he was getting anywhere, no plan, no destination, no future. All he had was a sense of what was behind, what he was running from. Jacky was running.The Natives of the Colony are restless. The Settlers are eager to have a nation of peace, and to bring the savages into line. Families are torn apart, reeducation is enforced. This rich land will provide for all.This is not Australia as we know it. This is not the Australia of our history.

    It begins in 1973 when the Erickson family of Grenada, Iowa, gathers for the wedding of their eldest daughter, Anita. Even as they celebrate, the fault lines in the family emerge. The bride wants nothing more than to raise a family in her hometown, while her brother Ryan watches restlessly from the sidelines, planning his escape. He is joined by their cousin Chip, an unpredictable, war-damaged loner who will show Ryan both the appeal and the perils of freedom. Torrie, the Ericksons' youngest daughter, is another rebel intent on escape, but the choices she makes will bring about a tragedy that leaves the entire family changed forever.Stretching from the early 1970s in the Iowa farmlands to suburban Chicago to the coast of contemporary Italy—and moving through the Vietnam War's aftermath, the farm crisis, the numerous economic booms and busts—The Year We Left Home follows the Erickson siblings as they confront prosperity and heartbreak, setbacks and triumphs, and seek their place in a country whose only constant seems to be breathtaking change. Ambitious, richly told, and fiercely American, this is a vivid and moving meditation on our continual pursuit of happiness and an incisive exploration of the national character.

    The object of his desire is Gabriella, the Italian-Irish girl next door. Then one day Gabriella disappearsabandoning Sam. Bitter and resentful, Sam moves on with his life: into the shady side of Brisbane. Over the next two decades, Sam and Gabriella will find their lives inextricably, painfully, and passionately linked.

    As he is drawn into Walter′s rarefied world, Hugh discovers that both his uncle and the farmhouse are links to a notorious episode in the mid nineteenth century.Walter's father, Martin, was living in the house when it was raided by members of an outlaw community run by Lucas Wilson, a charismatic ex-soldier attempting to build a utopia. But like later societies with communitarian ideals, Nowhere Valley was controlled by the gun, with Wilson as benevolent dictator. Twenty-year-old Martin's sojourn in the Valley as Wilson's disciple has become an obsession with Walter Dixon: one which haunts his present and keeps the past tantalizingly close.As Walter encourages Hugh's ambition to become an artist, and again comes to his aid when one of Hugh's friends is charged with murder, the way life's patterns repeat themselves from one generation to another becomes eerily apparent.Dramatic, insightful and evocative, Lost Voices is an intriguing double narrative that confirms Koch as one of our most significant and compelling novelists.