Reviled and brought up in poverty, Truly finds her calling and a future that none expected.When Truly Plaice's mother was pregnant, the town of Aberdeen joined together in betting how record-breakingly huge the baby boy would ultimately be. The girl who proved to be Truly paid the price of her enormity; her father blamed her for her mother's death in childbirth and was totally ill equipped to raise either this giant child or her polar opposite sister Serena Jane, the epitome of feminine perfection. When he, too, relinquished his increasingly tenuous grip on life, Truly and Serena Jane are separated--Serena Jane to live a life of privilege as the future May Queen and Truly to live on the outskirts of town on the farm of the town sadsack, the subject of constant abuse and humiliation at the hands of her peers. Serena Jane's beauty proves to be her greatest blessing and her biggest curse, for it makes her the obsession of classmate Bob Bob Morgan, the youngest in a line of Robert Morgans who have been doctors in Aberdeen for generations. Though they have long been the pillars of the community, the earliest Robert Morgan married the town witch, Tabitha Dyerson, and the location of her fabled shadow book--containing mysterious secrets for healing and darker powers--has been the subject of town gossip ever since. Bob Bob Morgan, one of Truly's biggest tormentors, does the unthinkable to claim the prize of Serena Jane and changes the destiny of all Aberdeen from there on. When Serena Jane flees town and a loveless marriage to Bob Bob, it is Truly who must become the woman of a house that she did not choose and mother to her eight-year-old nephew Bobbie. Truly's brother-in-law is relentless and brutal; he criticizes her physique and the limitations of her health as a result and degrades her more than any one human could bear. It is only when Truly finds her calling--the ability to heal illness with herbs and naturopathic techniques--hidden within the folds of Robert Morgan's family quilt, that she begins to regain control over her life and herself. Unearthed family secrets, however, will lead to the kind of betrayal that eventually break the Morgan family apart forever, but Truly's reckoning with her own demons allows for both an uprooting of Aberdeen County, and the possibility of love in unexpected places.

    The book asks the real question “What if I were shipwrecked -- could I survive?” A page-turner for young readers or a family read-a-loud-book, Lost on Hope Island will give fans of Harman’s previous USA Today best selling books an opportunity to discuss, with their children, the topics of birth, death, racial diversity, climate change, loneliness, courage, family and hope.

    While she strolls, Lillian recalls a long and eventful life that included a brief reign as the highest-paid advertising woman in America—a career cut short by marriage, motherhood, divorce, and a breakdown.A love letter to city life—however shiny or sleazy—Lillian Boxfish Takes a Walk by Kathleen Rooney paints a portrait of a remarkable woman across the canvas of a changing America: from the Jazz Age to the onset of the AIDS epidemic; the Great Depression to the birth of hip-hop.

    Their encounter seems fated: Eleanor, a teacher and recent Vassar graduate, needs a job. Patricia’s difficult thirteen-year-old daughter Margaux, recovering from polio, needs a private tutor.Though she feels out of place in the Bellamys’ rarefied and elegant Park Avenue milieu, Eleanor forms an instant bond with Margaux. Soon the idealistic young woman is filling the bright young girl’s mind with Shakespeare and Latin. Though her mother, a hat maker with a little shop on Second Avenue, disapproves, Eleanor takes pride in her work, even if she must use the name “Moss” to enter the Bellamys’ restricted doorman building each morning, and feels that Patricia’s husband, Wynn, may have a problem with her being Jewish.Invited to keep Margaux company at the Bellamys’ country home in a small town in Connecticut, Eleanor meets Patricia’s unreliable, bohemian brother, Tom, recently returned from Europe. The spark between Eleanor and Tom is instant and intense. Flushed with new romance and increasingly attached to her young pupil, Eleanor begins to feel more comfortable with Patricia and much of the world she inhabits. As the summer wears on, the two women’s friendship grows—until one hot summer evening, a line is crossed, and both Eleanor and Patricia will have to make important decisions—choices that will reverberate through their lives.Gripping and vividly told, Not Our Kind illuminates the lives of two women on the cusp of change—and asks how much our pasts can and should define our futures.

    Two sisters quarrel over an inheritance and a new baby; a child awake in the night explores the familiar rooms of her home, strange in the dark; a housekeeper caring for a helpless old man uncovers secrets from his past. The first steps into a turning point and a new life are made so easily and carelessly: the stories focus in on crucial moments of transition, often imperceptible to the protagonists. A girl accepts a lift in a car with some older boys, or a young woman reads the diaries she comes across when she’s housesitting. Small acts have large consequences, and some of them reverberate across decades; things fantasised in private can reach out to affect other people, for better and worse. An older woman recovering from serious illness speaks to a lonely young man on a train; an old friend brings bad news to a dinner party; a schoolteacher in the throes of a painful affair in 1914 has mixed feelings about her pupils’ suffragette craze. The real things that happen to people, the accidents that befall them, are every bit as mysterious as their longings and their dreams.Bad Dreams shows yet again that Tessa Hadley is a master of her art, one of the very finest writers at work in Britain today.

    Now they're happily married wives and mothers with successful careers--Zadie as a pediatric cardiologist and Emma as a trauma surgeon. Their lives in Charlotte, North Carolina are chaotic but fulfilling, until the return of a former colleague unearths a secret one of them has been harboring for years. As chief resident, Nick Xenokostas was the center of Zadie's life--both professionally and personally--throughout a tragic chain of events in her third year of medical school that she has long since put behind her. Nick's unexpected reappearance during a time of new professional crisis shocks both women into a deeper look at the difficult choices they made at the beginning of their careers. As it becomes evident that Emma must have known more than she revealed about circumstances that nearly derailed both their lives, Zadie starts to question everything she thought she knew about her closest friend.

    He's a narcissistic, judgmental snob who rates women's looks from one to ten; a racist, homophobic megalomaniac who makes fun of people's weight; a cheating, lying, manipulative jerk who sees his older girlfriend as nothing more than an adornment. His only real friend, besides his dog, is a loser who belongs to a pick-up artist group. Guy is completely oblivious to his own lack of empathy, and his greatest talent is hiding it all...until he meets someone who challenges him in a way he's never been challenged before. Darkly funny and utterly offensive, "Guy" is a brilliant and insightful character study that exposes the twisted thoughts of the misogynist bro next door.

    The only job Marie can get on the outside is as a nanny for her childhood friend Ellen Kendall, an upwardly mobile Manhattan executive whose mother employed Marie's mother as a housekeeper. After Marie moves in with Ellen, Ellen's angelic baby Caitlin, and Ellen's husband, a very attractive French novelist named Benoit Doniel, things get complicated, and almost before she knows what she's doing, Marie has absconded to Paris with both Caitlin and Benoit Doniel. On the run and out of her depth, Marie will travel to distant shores and experience the highs and lows of foreign culture, lawless living, and motherhood as she figures out how to be an adult; how deeply she can love; and what it truly means to be "bad".

    The survivor, Isabelle, is left to pick up the pieces, not only of her own life but of the lives of the devastated husband and fragile son that the other woman, April, has left behind. Together, they try to solve the mystery of where April was running to, and why. As these three lives intersect, they are left to ask, How well do we really know those we love--and how do we forgive the unforgivable?

    Nan thought she could easily drown in those gray eyes.Check into the Damselfly Inn and fall in love with Thornton, Vermont.When a late summer storm drops a tree branch through her roof, Thornton’s new innkeeper wonders if the quaint village is really as perfect as it seems.Nan Grady hasn’t had time for dating, never mind romance. Hospitality is her full time job, but she can’t deny her attraction to local contractor Joss Fuller.Joss prefers things simple, until Nan and her inn disrupt his steady, small-town routine.Now there’s a honeymoon suite to remodel, a woman from Joss’s past checked in on the second floor, and a mysterious vandal targeting the Damselfly Inn—all conspiring to tear Nan and Joss apart.Can the promise of new love hold them together?

    "Until that moment, I hadn't realized how much I'd been needing to meet someone I might be able to say everything to."They met at a party.  It was hate at first sight.  Ruth was far too beautiful, too flamboyant.  Not at all Ann's kind of person.  Until a chance encounter in the bathroom led to an alliance of souls.  Soon they were sharing hankies during the late showing of "Sophie's Choice," wolfing down sundaes sodden with whipped cream, telling truths of marriage, mortality, and love, secure in a kind of intimacy no man could ever know.  Only best friends understand devil's food cake for breakfast when nothing else will do.  After years of shared secrets, guilty pleasures, family life and divorce, they face a crisis that redefines the meaning of friendship and unconditional love.

    With her father, Connor, she tends to their Ohio farm, a forty-acre spread that itself has enjoyed better days. As memories sweep through her, some too precious to bear, Rae gives shelter from a brutal winter to a teenager named Quinn Galecki.Quinn has been thrown out by his parents, a couple too troubled to help steer the misunderstood boy through his own losses. Now Quinn has found a temporary home with the Langdons—and an unexpected kinship, because Rae, Quinn, and Connor share a past and understand one another’s pain. But its depths—and all its revelations and secrets—have yet to come to light. To finally move forward, Rae must confront them and also fight for Quinn, whose parents have other plans in mind for their son.With forgiveness, love, and the spring thaw, there might be hope for a new season—a second chance Rae believed in her heart was gone forever.

    A young man well known in their small town of Hardys Walk, Texas, Bo seems fine, even if Lauren’s intuition says otherwise. Since the accident two years ago that left her brain in a fragile state, she can’t trust her own instincts—and neither can her family. Then Bo vanishes, and as the search for him ensues, the police question whether she’s responsible. Lauren is terrified, not of what she remembers but of what she doesn’t.Unable to trust herself and unwilling to trust anyone else, Lauren begins her own investigation into the mystery of Bo’s disappearance. But the truth can prove to be as shocking as any lie, and as Lauren exposes each one, from her family, from her friends, she isn’t the only one who will face heart-stopping repercussions.

    Nora Eldridge, a thirty-seven-year-old elementary school teacher in Cambridge, Massachusetts, who long ago abandoned her ambition to be a successful artist, has become the "woman upstairs," a reliable friend and tidy neighbor always on the fringe of others' achievements. Then into her classroom walks Reza Shahid, a child who enchants as if from a fairy tale. He and his parents--dashing Skandar, a Lebanese scholar and professor at the École Normale Supérleure; and Sirena, an effortlessly glamorous Italian artist--have come to Boston for Skandar to take up a fellowship at Harvard. When Reza is attacked by schoolyard bullies who call him a "terrorist," Nora is drawn into the complex world of the Shahid family: she finds herself falling in love with them, separately and together. Nora's happiness explodes her boundaries, until Sirena's careless ambition leads to a shattering betrayal. Told with urgency, intimacy, and piercing emotion, this story of obsession and artistic fulfillment explores the thrill--and the devastating cost--of giving in to one's passions.

    But when Sylvie dies, the ground shifts dangerously for the remaining three.They are Jude, a once-famous restaurateur; Wendy, an acclaimed public intellectual; and Adele, a renowned actress now mostly out of work. Struggling to recall exactly why they've remained close all these years, the grieving women gather at Sylvie's old beach house--not for festivities this time, but to clean it out before it is sold. Can they survive together without her?Without Sylvie to maintain the group's delicate equilibrium, frustrations build and painful memories press in. Fraying tempers, an elderly dog, unwelcome guests and too much wine collide in a storm that brings long-buried hurts to the surface--and threatens to sweep away their friendship for good.The Weekend explores growing old and growing up, and what happens when we're forced to uncover the lies we tell ourselves. Sharply observed and excruciatingly funny, this is a jewel of a book: a celebration of tenderness and friendship from an award-winning writer.