But what if your aunt begs you to perform at her 60th birthday bash? She cared for you like neither of your parents ever did. And something about her voice on the phone seems off? Vi can’t say no. How bad can three days be? She can act like she has no secrets for that long, can’t she? What if you’ve fretted about why your kid ran away and you hadn’t seen or heard from her in ten long years? What if you know tongues are wagging again all over town – this time about why she’s staying with her aunt and not you? Ben Johansen worries the girl will shame him again before he can make her say why she left. What if you’ve schemed and plotted to get the perfect life? But your stepdaughter could take it all away? Would you be scared? Tammy Johansen is. Down to her bones. What if Ben finds out why Vi ran, and that Tammy has always known? She’s built her life around loving Ben. What if he won’t forgive her? What then? What if the girl you worked so hard to get over waltzes into the diner where you’re having breakfast? What if you know you should hate her for the suspicion her disappearance rained down on you? But you can’t? What if you know neither of you are the same people you were? Would you still want her? Nate Barlow does. Against his better judgment. What if you and Nate pinky-swore to tell the whole truth and nothing but the truth? Would you keep your oath and risk your last drop of hope? Of all the questions Vi faces when she comes back to Freedom, Iowa, this might be the biggest? Three days? It’s no ride on a pink duck.

    Yet few can see past the thick hair that covers her: she is both the fascinating toast of a Governor's ball and the shunned, revolting, unnatural beast, to be hidden from children and pregnant women. But what is her wonderful and terrible link to Rose, collector of lost treasures in an attic room in modern-day south London? In this haunting tale of identity, love and independence, these two lives will connect in unforgettable ways.

    Her father has another family which includes a mistress and a daughter. Determined to uncover the truth behind her father's secret life, Christine heads to Magdalena, prepared to hate the people who have caused her to question everything she thought she knew about her father. But what she finds is a woman who understands her, a half sister who cherishes her, and a man who could love her if she'll let him. The longer she's around them, the more she questions which family is the real one. . . Attention Book Clubs! Included on my website is a Book Club Discussion Guide for A Family Affair. This story is filled with moral ambiguity, difficult choices, and second chances--all great topics for conversation and contemplation. Truth in Lies Series: Book One: A Family Affair Book Two: A Family Affair: Spring Book Three: A Family Affair: Summer Book Four: A Family Affair: Fall Book Five: A Family Affair: Christmas Book Six: A Family Affair: Winter (TBA) Book Seven: A Family Affair: The Promise (TBA)

    Nora is an unflinching frontierswoman awaiting the return of the men in her life--her husband, who has gone in search of water for the parched household, and her elder sons, who have vanished after an explosive argument. Nora is biding her time with her youngest son, who is convinced that a mysterious beast is stalking the land around their home.Meanwhile, Lurie is a former outlaw and a man haunted by ghosts. He sees lost souls who want something from him, and he finds reprieve from their longing in an unexpected relationship that inspires a momentous expedition across the West. The way in which Lurie's death-defying trek at last intersects with Nora's plight is the surprise and suspense of this brilliant novel.Mythical, lyrical, and sweeping in scope, Inland is grounded in true but little-known history. It showcases all of Téa Obreht's talents as a writer, as she subverts and reimagines the myths of the American West, making them entirely--and unforgettably--her own.

    But in the face of divorce, eviction, and the recent death of her father, she doesn’t have a choice.Watching as her mother thrives in a new job and meets younger men at the local gym, Alice struggles, reflecting on her parents’ marriage, her relationship with each of them, as she adjusts to being single again for the first time in twenty years. Then she finds her father’s old journal…and uncovers a shocking family secret that forces her to question everything she thought she knew about love, regret, family, and her own path forward.As Alice comes to terms with the man her father really was, she must finally decide who she wants to be and what it will take to get there.

    . . In a war-torn village in Eastern Europe, an American photographer captures a heart-stopping image: a young girl flying toward the lens, fleeing a fiery explosion that has engulfed her home and family. The image wins acclaim and prizes, becoming an icon for millions—and a subject of obsession for one writer, the photographer’s best friend, who has suffered a devastating tragedy of her own. As the writer plunges into a suicidal depression, her filmmaker husband enlists several friends, including a fearless bisexual poet and an ingenuous performance artist, to save her by rescuing the unknown girl and bringing her to the United States. And yet, as their plot unfolds, everything we know about the story comes into question: What does the writer really want? Who is controlling the action? And what will happen when these two worlds—east and west, real and virtual—collide? A fierce, provocative, and deeply affecting novel of both ideas and action that blends the tight construction of Julian Barnes’s The Sense of an Ending with the emotional power of Anthony Marra’s A Constellation of Vital Phenomena, Lidia Yuknavitch’s The Small Backs of Children is a major step forward from one of our most avidly watched writers.

    Now they are on the brink of the inevitable.Sally Rooney is one of the most acclaimed young talents of recent years. With her minute attention to the power dynamics in everyday speech, she builds up sexual tension and throws a deceptively low-key glance at love and death.

    Set in a small town well below the Mason-Dixon line, River Jordan features an improbable friendship among three people who come to depend on one another like family. Jordan, a girl with an adventurous imagination, is hungry for warmth and companionship, since she gets no more than scolding from her strict mother and stepfather. When Jordan’s step-grandmother, Miss Amylee, needs a live-in nurse, the family’s housekeeper suggests her sister, Pansy—newly saved and released from prison—for the job. Pansy, Jordan, and Miss Amylee form an unlikely trio, and through small and large triumphs, each recovers a part of herself that was lost.

    But this is Nazi Germany in 1933, and things like love don’t count for much any more. Netanel Rosenberg never expected Marie Helder to stand by him. He told her not to, it was too dangerous. She should forget about him. Even when he is the last Jew left in the town, hiding away in secret, still she will not abandon him. Her last words to him, when he is finally discovered: “Whatever happens, don’t give up – live for me.” Through the nightmare of the holocaust, Netanel clings to the promise he made her. But neither he or Marie can imagine what fate has in store for each of them – and what they will have to do to keep their promise to each other.

    Though her new life as a wedding photographer provides a semblance of purpose, it’s also a distraction from her profound pain.When asked to photograph a wedding at the historic Woodmont estate, Libby meets the owner, Elaine Grant. Hoping to open Woodmont to the public, Elaine has employed young widower Colton Reese to help restore the grounds and asks Libby to photograph the process. Libby is immediately drawn to the old greenhouse shrouded in honeysuckle vines.As Libby forms relationships and explores the overgrown—yet hauntingly beautiful—Woodmont estate, she finds the emotional courage to sort through her father’s office. There she discovers a letter that changes everything she knows about her parents, herself, and the estate. Beneath the vines of the old greenhouse lie generations of secrets, and it’s up to Libby to tend to the fruits born of long-buried seeds.

    Resonating with emotional intensity and narrative innovation reminiscent of Ann Patchett’s Bel Canto, Barbara Kingsolver’s The Poisonwood Bible, and Zora Neale Hurston’s Their Eyes Were Watching God, Haigh’s Mrs. Kimble is a timeless story of grief, passion, heartache, deception, and the complex riddle of love.

    Violeta comes into the world on a stormy day in 1920, the first girl in a family of five boisterous sons. From the start, her life will be marked by extraordinary events, for the ripples of the Great War are still being felt, even as the Spanish flu arrives on the shores of her South American homeland almost at the moment of her birth.Through her father's prescience, the family will come through that crisis unscathed, only to face a new one as the Great Depression transforms the genteel city life she has known. Her family loses all and is forced to retreat to a wild and beautiful but remote part of the country. There, she will come of age, and her first suitor will come calling. . . .She tells her story in the form of a letter to someone she loves above all others, recounting devastating heartbreak and passionate affairs, times of both poverty and wealth, terrible loss and immense joy. Her life will be shaped by some of the most important events of history: the fight for women's rights, the rise and fall of tyrants, and, ultimately, not one but two pandemics.Told through the eyes of a woman whose unforgettable passion, determination, and sense of humor will carry her through a lifetime of upheaval, Isabel Allende once more brings us an epic that is both fiercely inspiring and deeply emotional.

    Spanning several generations and transporting us to exotic locations in Europe, Asia, and America, this wise and exquisite story collection marks the debut of a gifted new voice in literature.

    His investigation proves difficult when the neighborhood's Yiddish-speaking residents are reluctant to talk. But when the rabbi's headstrong daughter, Rivka, unexpectedly offers to help Hanley find her father's killer, the detective receives much more than the break he was looking for. Their pursuit of the truth draws Rivka and Hanley closer together and leads them to a relief organization run by the city's movers and shakers. Along the way, they uncover a web of political corruption, crooked cops, and well-buried ties to two notorious Irish thugs from Hanley's past. Even after he is kicked off the case, stripped of his badge, and thrown in jail, Hanley refuses to quit. With a personal vendetta to settle for an innocent life lost, he is determined to expose a complicated criminal scheme, not only for his own sake, but for Rivka's as wel

    But it’s what she leaves unsaid—she’s alone, a drinker, a former artist, a shrieker in bed, captain of the sinking ship that is her flesh—that feels the most true. Everyone around her seems to have an entirely different idea of what it means to be an adult: her best friend, Indigo, is getting married; her brother—who miraculously seems unscathed by their shared tumultuous childhood—and sister-in-law are having a hoped-for baby; and her friend Matthew continues to wholly devote himself to making dark paintings at the cost of being flat broke. But when Andrea’s niece finally arrives, born with a heartbreaking ailment, the Bern family is forced to reexamine what really matters. Will this drive them together or tear them apart? Told in gut-wrenchingly honest, mordantly comic vignettes, All Grown Up is a breathtaking display of Jami Attenberg’s power as a storyteller, a whip-smart examination of one woman’s life, lived entirely on her own terms.