The East India Company is seeking to make inroads into the region and the local people—in particular the Abor and Mishmee tribes—fear their coming and are doing all they can to keep them out of their territories. The author takes a recorded historical event—the mysterious disappearance of a French priest, Father Nicolas Krick in the 1850s and the execution of Kajinsha from the Mishmee tribe for his murder—and woven a gripping, densely imagined work of fiction around it. And, even as the novel tells the story of an impossible journey and an elopement, it explores the themes of the lure of unknown worlds, the love people have for each other and their land and the forces of history. Gimur, a girl from the Abor tribe, runs away with Kajinsha from the Mishmee tribe, and they settle down on his land near the Tibetan border. Father Krick’s attempts to reach Tibet to set up a Jesuit mission are foiled repeatedly by the local people not because of any personal animus towards the priests or their work, but because they feel—rightly—that once the priests come, the British, with their guns and their garrisons will follow. The story revolves around events in Gimur’s and Kajinsha’s villages and is also seen from the point of view of Father Krick, a gentle, intelligent man, devout but no bigot, whose determination to reach Tibet no matter what the cost, impacts tragically on all those who encounter him.

    Segregated and shunned from society, often wretchedly poor, theirs is a lot that nobody would willingly espouse. Yet thats exactly what Phiroze Elchidana, son of a revered Parsi priest, does when he falls in love with Sepideh, the daughter of an aging corpse bearer...Derived from a true story, Cyrus Mistrys extraordinary new novel is a moving account of tragic love that, at the same time, brings to vivid and unforgettable life the degradation experienced by those who inhabit the unforgiving margins of history.

    We are introduced, in a series of beautifully imagined and crafted cameos, to the author's family, friends, and various other people who left a lasting impression on him. In other stories we revisit Bond's beloved Garhwal hills and the small towns and villages that he has returned to time and again in his fiction. Together with his well-known novella, A Flight of Pigeons (which was made into the film Junoon), which also appears in this collection, these stories once again bring Ruskin Bond's India vividly to life.

    A brave hunter, Imchanok, totters when the ghost of his prey haunts him, till he offers it a tuft of his hair as a prayer for forgiveness. Pokenmong, the servant boy, by dint of his wit, sells an airfield to unsuspecting villagers. A letter found on a dead insurgent blurs the boundaries between him and an innocent villager, both struggling to make ends meet. A woman's terrible secret comes full circle, changing her daughter's and granddaughter's lives as well as her own. An illiterate village woman's simple question rattles an army officer and forces him to set her husband free. A young girl loses her lover in his fight for the motherland, leaving her a frightful legacy. And a caterpillar finds wings.From the mythical to the modern, Laburnum for My Head is a collection of short stories that embrace a gamut of emotions. Heartrending, witty and riddled with irony, the stories depict a deep understanding of the human condition.

    History has already begun its steady march. Six native women clad in black and scarlet pichauras huddle around Naineetal Lake, attempting to cleanse it of threatening new influences. For, these are the days of Upper Mall Road (for Europeans and their horses) and Lower Mall Road (‘for dogs, servants and other Indians’). And this is the story of feisty young Tilottama Dutt, whose uncle hangs when he protests the reigning order—and her daughter, Deoki, who will confront change as Indians and as women. Things to Leave Behind brings alive the romance of the mixed legacy of British-Indian past. Full of the fascinating backstory of Naineetal and its unwilling entry into Indian history, throwing a shining light on the elemental confusion of caste, creed and culture, illuminated with painstaking detail, here is a fascinating historical epic and Namita Gokhale’s most ambitious novel yet.

    True to his dark premonitions, bad luck soon starts cascading into his life. At twenty-six, he decides to narrate his story to an imaginary audience, and skeletons tumble out of every cupboard in the Bungalow.The Blind Lady’s Descendants is an utterly compelling and haunting family saga, brimming with intense heartache and wry humour, confirming Anees Salim’s reputation as one of our most outstanding storytellers.The Blind Lady’s Descendants is an utterly compelling and haunting family saga, brimming with intense heartache and wry humour, that confirms Anees Salim as one of our most outstanding storytellers.

    Virmati, a young woman born in Amritsar into an austere and high-minded household, falls in love with a neighbour, the Professor--a man who is already married. That the Professor eventually marries Virmati, installs her in his home (alongside his furious first wife) and helps her towards further studies in Lahore, is small consolation to her scandalised family. Or even to Virmati, who finds that the battle for her own independence has created irrevocable lines of partition and pain around her.

    When Ramchand is sent to show his wares to a wealthy family preparing for their daughter's wedding, he is jolted out of the rhythm of his narrow daily life. His glimpse into a different world gives him an urgent sense of possibility. And so he attempts to recapture the hope that his childhood had promised, arming himself with two battered English grammar books, a fresh pair of socks, and a bar of Lifebuoy soap. But soon these efforts turn his life upside down, bringing him face to face with the cruelties on which his very existence depends. Reading group guide included.

    Piya Roy, a young American marine biologist of Indian descent, arrives in this lush, treacherous landscape in search of a rare species of river dolphin and enlists the aid of a local fisherman and a translator. Together the three of them launch into the elaborate backwaters, drawn unawares into the powerful political undercurrents of this isolated corner of the world that exact a personal toll as fierce as the tides.

    This novel describes a day in the life of Bakha, sweeper and toilet-cleaner, as he searches for a meaning to the tragic existence he has been born into - and comes to an unexpected conclusion.

    So she is elated to learn she is to become the second wife of a wealthy Sikh landowner in a union beneficial to both. For Sardaji’s first wife, Satya, has failed to bear him children. Roop believes that she and Satya, still very much in residence, will be friends. But the relationship between the older and younger woman is far more complex. And, as India lurches toward independence, Sardarji struggles to find his place amidst the drastic changes.Meticulously researched and beautifully written, What the Body Remembers is at once poetic, political, feminist, and sensual.

    Army captain, arrives at the princely state of Rudrakot in May of 1942, it is on a personal quest to find his missing brother. But Sam's mission is soon threatened by the unlikeliest of sources -- he falls hopelessly in love with Mila, daughter of the local political agent. And Mila, unexpectedly attracted to Sam, finds herself torn between loyalty to her family and the man she loves. A sweeping and poignant story of forbidden love, The Splendor of Silence opens twenty-one years later with Olivia, Sam's daughter, receiving a trunk of treasures from India, along with an anonymous letter that finally fills the silences of her childhood. She finally learns the heartrending story of her parents' passionate and enduring love affair -- throwing them in the path of racial prejudice, nationalist intrigue, and the explosive circumstances of a country on the brink of independence from British rule.

    Tiloka, Rano's husband, is murdered leaving her with four children to look after and a hostile mother-in-law to contend with. Helpful friends and the village elders decide that Mangal, Tiloka's younger brother, should offer her protection in the form of marriage. And so a wedding of reluctant partners takes place.

    But when their firstborn son dies in a terrible accident, tragedy transforms their marriage into a bleak landscape. As the pair starts fresh in a heartbroken old villa by the sea, they are joined by Nandini, a dazzling and devious artist with a trace of leopard blood in her veins. While Nandini flamboyantly takes on Bombay’s art scene, the couple attempts to mend their marriage, eventually discovering that real love, mercurial and many-hued, is given and received in silence. Sensuous and electric, achingly moving and wickedly funny, The Last Song of Dusk is a tale of fate that will haunt your heart like an old and beloved song.“A cornucopia of life at full tilt and high color . . . Shanghvi–who’s been compared to Arundhati Roy, Zadie Smith, and Vikram Seth–combines ribald humor with prose poetry.”–Sunday Oregonian“Few first novelists achieve such perfection, such control, in their performance.”–India Today“A gorgeous novel . . . written with a youthful twinkling eye.”–Los Angeles Times Book Review“Lush, witty . . . sassy prose . . . moves like a carnival ride.”–San Francisco Chronicle

    Her familiar existence disrupted, her husband's reputation in question and their future as a family in jeopardy, Jaya, a failed writer, is haunted by memories of the past. Differences with her husband, frustrations in their seventeen-year-old marriage, disappointment in her two teenage children, the claustrophia of her childhood—all begin to surface. In her small suburban Bombay flat, Jaya grapples with these and other truths about herself—among them her failure at writing and her fear of anger. Shashi Deshpande gives us an exceptionally accomplished portrayal of a woman trying to erase a 'long silence' begun in childhood and rooted in herself and in the constraints of her life.