A wunderkind on Madison Avenue in the swinging sixties, Cherry soon found fame as a DJ in clubs in Manhattan and on the French Riviera. She starred in Andy Warhol’s play Pork in London while gaining notoriety as a groupie, sleeping with musicians ranging from Leon Russell to Kris Kristofferson. Working as David Bowie’s PR lady (and occasional lover), she played a major part in introducing him to the U.S. market. She was on the front lines when punk broke, one of the few successful women in the genre; her backing band was the Police, and she released two insouciant albums on RCA. Cherry’s memoir takes us on a journey from the birth of rock to the explosion of punk, exploring every aspect of the music industry during its most electrifying era, with memorable detours through the sexual revolution, the women’s liberation movement, and the theater of the ridiculous. But Cherry’s life wasn’t all excitement and high times. From unwanted pregnancies to poverty and public ridicule, Lick Me also takes us through Cherry’s own problems, including sex addiction and OCD, and reveals how she dealt with them. Lick Me reveals the thrilling life of a woman who pulled herself up from humble beginnings and fearlessly lived her dreams.

    But the famous and infamous have been thrilling, titillating, and outraging us for much longer than we might realise. Whether it was the scandalous Lord Byron, whose poetry sent female fans into an erotic frenzy; or the cheetah-owning, coffin-sleeping, one-legged French actress Sarah Bernhardt, who launched a violent feud with her former best friend; or Edmund Kean, the dazzling Shakespearean actor whose monstrous ego and terrible alcoholism saw him nearly murdered by his own audience - the list of stars whose careers burned bright before the Age of Television is extensive and thrillingly varied.Celebrities could be heroes or villains; warriors or murderers; brilliant talents, or fraudsters with a flair for fibbing; trendsetters, wilful provocateurs, or tragic victims marketed as freaks of nature. Some craved fame while others had it forced upon them. A few found fame as small children, some had to wait decades to get their break. But uniting them all is the shared origin point: since the early 1700s, celebrity has been one of the most emphatic driving forces in popular culture; it is a lurid cousin to Ancient Greek ideas of glorious and notorious reputation, and its emergence helped to shape public attitudes to ethics, national identity, religious faith, wealth, sexuality, and gender roles.In this ambitious history, that spans the Bronze Age to the coming of Hollywood's Golden Age, Greg Jenner assembles a vibrant cast of over 125 actors, singers, dancers, sportspeople, freaks, demigods, ruffians, and more, in search of celebrity's historical roots. He reveals why celebrity burst into life in the early eighteenth century, how it differs to ancient ideas of fame, the techniques through which it was acquired, how it was maintained, the effect it had on public tastes, and the psychological burden stardom could place on those in the glaring limelight. DEAD FAMOUS is a surprising, funny, and fascinating exploration of both a bygone age and how we came to inhabit our modern, fame obsessed society.

    Well…uninhabited by humans, at least. Reports abound of such creatures as flying dinosaurs, goblins, shape shifters, and vicious bloodsuckers. Whether it’s the Mogollon Monsters or the weird Ninimbe (tiny elves anywhere from two inches to three feet tall) Arizona seems to have them, along with killer cacti and the Can Can Merman. Now, that’s weird!

    A tank stood at the end of Raja Shehadeh's road; Israeli soldiers patrolled from the roof toops. Four soldiers took over his brother's apartment and then used him as a human shield as they went through the building, while his wife tried to keep her composure for the sake of their frightened childred, ages four and six.This is an account of what it is like to be under seige: the terror, the frustrations, the humiliations, and the rage. How do you pass your time when you are imprisoned in your own home? What do you do when you cannot cross the neighborhood to help your sick mother?Shehadeh's recent memoir, Strangers in the House: Coming of Age in Occupied Palestine, was the first book by a Palestinian writer to chronicle a life of displacement on the West Bank from 1967 to the present. It received international acclaim and was a finalist for the 2002 Lionel Gelber Prize. When the Birds Stopped Singing is a book of the moment, a chronicle of life today as lived by ordinary Palestinians throughout the West Bank and Gaza in the grip of the most stringent Israeli security measures in years. And yet it is also an enduring document, at once literary and of great political import, that should serve as a cautionary tale for today's and future generations.

    From floral truck bolts and taxi altars to buffalo cart furniture and drinks in a bags, the same exquisite care, craft and improvisation resounds through home and street, bar and wardrobe. Never colonised, Thai culture retains nuanced ancient meaning in the most mundane things. The days are colour coded, lucky numbers dictate prices, window grilles become guardian angels, tattoos entrance the wearer. Philip scoured each region to show how indigenous wisdom both adapts to the present and customises imports, applying Roman architecture to shophouses, morphing rock into festive farm music, turning the Japanese motor-rickshaw into the tuk-tuk. Colour-saturated illustrations help you navigate various social traits, whether white-faced hi-so matrons or Red Bullswilling workers wearing coins in their ear. This is Thai culture as it has never been shown before.

    It’s also a love story that is in no way fictional. A fan letter to the author from a woman named Kim starts a correspondence which details research she’s conducting in one-horse towns throughout Arkansas.In the years of rural decline many of these towns dwindled to church, post office, general store, gas station, and a few rundown houses—but every house has a porch, every porch a rocker, and every rocker an old man or woman with a story.Kim and Don agree to collaborate on a book—this one—creating a unique and enchanting work about towns that will never again be their old selves and towns that never fulfilled the brave dreams of their founders. And at the end of the adventure the author and Kim meet, having learned something of expectation and hope—and love. With photos and maps.

    John "Red" Shea was a top lieutenant in the South Boston Irish mob, rising to this position at the age of twenty-one. Thus began his tutelage under the notorious Irish godfather James "Whitey" Bulger. An ice-cold enforcer with a legendary red-hot temper, Shea was a legend among his Southie peers in the 1980s. From the first delivery truck he robbed at thirteen to the start of his twelve-year federal sentence for drug trafficking at twenty-seven, Shea was a portrait in American crime -- a terror, brutal and ruthlessly ambitious. Drug dealer, loan shark, money launderer, and multimillion-dollar narcotics kingpin, Shea was at the pinnacle of power -- until the feds came knocking and eventually obliterated the legendary mob in a well-orchestrated sweep of arrests, fueled by insider tips to the FBI and DEA. While Bulger's other top men turned informant to save their own hides, Shea alone kept his code of honor and his mouth shut -- loyalty that earned him a dozen years of hard time even as the man he was protecting turned out to be, himself, a rat. For in the end, in a remarkable show of betrayal, Bulger turned out to be the FBI's "main man" and top informant -- tipping off the feds for decades while still managing to operate one of the most murderous and profitable organized crime outfits of all time. In Rat Bastards, Shea brings that mysterious world and gritty urban Irish American street culture into sharp focus by telling his own story -- of his fatherless upbringing, his apprenticeship on the tough streets of Southie, and his love affair with trouble, boxing, and then the gangster life. In prose that is refreshingly honest, personal, and surprisingly tender, Shea tells his harrowing, unflinching, and unapologetic story. A man who did the crime, did the time, and held fast to the Irish code of silence, which he was raised to follow at any cost, Shea remains a man of honor and in doing so has become a living legend. One of the last of a dying breed, a true stand-up guy. Shea expects no forgiveness and makes no excuses for the life he chose. His story is intense, compelling, and in your face.

    In Holland, dogs are caressed more than people. Not as thoroughly, though: that one spot, somewhere down below, generally remains untouched …” Generally, but certainly not always. Kinsey’s research showed that 8 per cent of men and 3.5 per cent of women had had sex with an animal, and that in rural areas the figure for men was closer to 50 per cent. Yet bestiality is almost universally condemned. While our love for animals is extolled as noble and “natural,” all erotic elements in the relationship between humans and other species are vilified and proscribed, thus consigning them to the realm of exotic pornography or crude innuendo.Even so, something remains of physical love for animals. In different forms, sublimated or occasionally celebrated, its traces can be found throughout art and popular culture: in Leda and the Swan, Beauty and the Beast or the Lorelei; in a lubricious menagerie of satyrs and centaurs, wolfmen and vampires, all the way through to King Kong and Fritz the Cat, pony clubs and amorous dolphins, or even advertisements for luxury catfoods.Dearest Pet uncovers and explores those traces, illuminating the ambivalence of human attitudes to cross-species sexuality. Its author, the biologist and broadcaster Midas Dekkers, has analysed bestiality in all its aspects—physical, psychological and legal—and examined its representations in religion and mythology, art and literature, pornography and advertising. Beautifully—and sometimes bizarrely—illustrated, his book is neither drily academic nor pruriently trivial, but erudite, witty and challenging: the first history of the last taboo. A book for animal lovers, and for those who are just their good friends.

    His work continues to influence fields such as Marxist philosophy, sociology, critical theory, and literary studies---Lisa Lieberman's writings on French postwar film and literature and their efforts to come to terms with the Holocaust have appeared in a variety of media.  She is the author of Leaving You: The Cultural Meaning of Suicide, which addresses the suicides of notable Holocaust survivors including Primo Levi, Bruno Bettelheim, and Jean Améry.  Trained as a modern European cultural and intellectual historian, she studied at the University of Pennsylvania and Yale University and has taught at Dickinson College.  She lives in Amherst, Massachusetts.

    Verlyn Klinkenborg chronicles the life of a family-owned restaurant in Buffalo, New York, from its days as a prewar Polish tavern to its reincarnation as George & Eddie's, a swank nightspot serving highballs and French-fried shrimp to a generation of optimistic and prosperous Americans. In the inevitable dimming of the neon sign outside the restaurant, we see both the passing of an old world way of life and the end to the postwar exuberance that was Eddie Wenzek's "last fine time."

    He was the leading spirit in the bloody Lincoln County, New Mexico, war. By the age of twenty-one he had killed twenty-one men. His six years of daring outlawry has never been equalled in the annals of criminal history.

    Ranging through history, literature, folklore, linguistics, and sociology, this is a breezy, straightforward primer of surprising breadth.

    The book is going to search for the deeper roots of American cultural and musical evolution for the past 150 years by studying what the Western European culture learned from African American culture in a historical progression that reaches from the minstrel era to Bob Dylan. The book begins with America’s first great social critic, Henry David Thoreau, and his fundamental source of social philosophy:---his profound commitment to freedom, to abolitionism and to African-American culture. Continuing with Mark Twain, through whom we can observe the rise of minstrelsy, which he embraced, and his subversive satirical masterpiece Huckleberry Finn. While familiar, the book places them into a newly articulated historical reference that shines new light and reveals a progression that is much greater than the sum of its individual parts. As the first post-Civil War generation of black Americans came of age, they introduced into the national culture a trio of musical forms—ragtime, blues, and jazz— that would, with their derivations, dominate popular music to this day. Ragtime introduced syncopation and become the cutting edge of the modern 20th century with popular dances. The blues would combine with syncopation and improvisation and create jazz. Maturing at the hands of Louis Armstrong, it would soon attract a cluster of young white musicians who came to be known as the Austin High Gang, who fell in love with black music and were inspired to play it themselves. In the process, they developed a liberating respect for the diversity of their city and country, which they did not see as exotic, but rather as art. It was not long before these young white rebels were the masters of American pop music – big band Swing.As Bop succeeded Swing, and Rhythm and Blues followed, each had white followers like the Beat writers and the first young rock and rollers. Even popular white genres like the country music of Jimmy Rodgers and the Carter Family reflected significant black influence. In fact, the theoretical separation of American music by race is not accurate. This biracial fusion achieved an apotheosis in the early work of Bob Dylan, born and raised at the northern end of the same Mississippi River and Highway 61 that had been the birthplace of much of the black music he would study. As the book reveals, the connection that began with Thoreau and continued for over 100 years was a cultural evolution where, at first individuals, and then larger portions of society, absorbed the culture of those at the absolute bottom of the power structure, the slaves and their descendants, and realized that they themselves were not free.

    Horrific crimes, depraved witnesses and sordid accounts of FBI agents who gave their allegiance to the mob boss emerged from the muck as families of 19 murder victims endured the presentation of broken skulls and jaws along with photos from the morgue. At center stage was the defendant, who had been listed and protected by the FBI as a secret informant. He claimed the government had given him a free pass, but prosecutors fought to keep the trial away from questions of who made Bulger what he became and how. In an extraordinary measure of their outrage, the families of the victims cheered Bulger’s own attorneys as they savaged the government’s “cover-up” and the deals prosecutors had given to Bulger’s former associates to win testimony.In the first book to explore the trial in a larger context, WBUR investigative reporter David Boeri weaves his daily trial dispatches into the complete backstory of Bulger’s ruthless ascent to power, the men and the agency who made that possible, and the families of victims who were victimized again and again by the government’s protection of the killer. Boeri’s storytelling is informed by 26 years of national award-winning reporting on the Bulger case. He aggressively dug into FBI corruption and tracked the Bureau’s delayed, often inept search for the 16-year fugitive.Years before Bulger was arrested in Santa Monica, Bulger travelled to California to follow his own tips in search of Whitey and showed the lack of FBI effort and enterprise. His investigation of crimes aided and abetted by FBI agents took Boeri to old murder scenes of Bulger victims in Oklahoma, Florida and Massachusetts. He followed detectives in the difficult and painful search for the bones of Bulger victims long ago buried. He sought out the families to learn what they had endured and sought out Bulger’s criminal associates even tracked some down who were in the Witness Protection Program to chronicle Bulger the boss and Bulger the killer. In “Bulger On Trial,” Boeri brings the reader into the same close contact with Bulger’s corrupt FBI handler, the younger brother who made a parallel rise to political power, the families, the criminals and the saga that links them all.

    But the elders are dying, and there is no one left to pass on its remarkable teachings. Renowned Native American expert Thomas Mails was chosen by the last surviving elders to reveal to the outside world the sacred Hopi prophecy and instructions at precisely the time in history when they are most urgently needed. The Hopi Survival Kit is the first full revelation of traditional Hopi prophecy. Many of its predictions have already been realized, but the most shattering apocalyptic events are still to occur. And though this may be a sobering realization, it is also our best defense. For the Hopi teachings give detailed instructions for survival--our actions can alter the pace and intensity of what will happen and help avoid a cataclysmic end.