But when she arrives at Gwynedd Castle, she is only a naive girl who cannot control her desire for Prince Owain-- until he decides to murder her child. Now, in a court filled with jealousy and betrayal, Brenda will harbor a dangerous secret-- and daringly become a Druid healer, a woman who steadily gains influence and cunning to protect her son Madoc at any cost. But soon a prophecy that has foreseen him as a messiah for the Druids and the finder of a faraway shore called America, will magnificently, thrillingly unfold...

    This is what I had been told back then, and what I had tried very hard to believe in since." Beside a lake in the northern Ontario wilderness, fifteen-year-old Zachary Tayler lives a lonely life with his father, his only neighbours a leech trapper, an eccentric millionaire and an expert in snow. All Zack has for company is the harsh and moody landscape, which holds both beauty and terror in its depths and whispers with the promise of dark, secret spaces and undiscovered worlds. Summer and life change with the arrival of the mysterious Eva Spiller, who is determined to find the spot where her parents disappeared in a floatplane after flying off from the lake. While trying to navigate between summer and winter, the living and the dead, the past and the present, Zack and Eva grow closer. The people of Sitting Down Lake will have to rely on each other to come to terms with the past and realize that death is never final: something always remains. In his fifth novel, award-winning author Tristan Hughes has created a vivid and poetic coming-of-age story about loss, absence and redemption.

    Describes the indigenous ingredients used in each country's cooking, including meats, fish, and poultry; cheeses; wines, liqueurs, and beers; oils and vinegars; condiments and spices; produce; grains; and breads. Meet master chefs and neighborhood bakers; winegrowers, farmers, fisherman, and home cooks; and others who make each country's cooking traditions and dishes. Outstanding photography (over 2,500 photos in all) and carefully researched commentary describing over 1,700 specialties (with 600 recipes provided) brings to life the foods, customs, and typical character of each country's cuisine. Where else could you learn about the specialties of the Viennese coffeehouse, get the perfect recipe for German's Sauerbraten, visit a French Patisserie or wine country, or learn about the pasta and cheeses of Italy -- all in one place? Truly a culinary tour come true. Fully indexed. Glossary. 11" x 12 1/2".

    Perilous quests, true love, and animals that talk. The traditional stories of Ireland, Scotland, Brittany, and Wales transport us to the fantastical world of Celtic folklore. These timeless tales brim with wit and magic, and each on is brought to life with elegant silhouette art in this special illustrated edition.

    the integrity of vision coruscating; the whole driven by the author's restless experimentation with form. And at least two stories, "Blood" itself and "Fearless", will certainly end up in anthologies: not Best Scottish Writers, or Best Women Writers, but quite simply, Best." - New Statesman and Society"I remember reading a story by Janice Galloway for the first time; its urgency of voice, that certainty of expression, I wondered why I hadn't heard of her before; then discovered that she was altogether new to writing. It was some debut. She really is a fine writer." - James Kelman"A salutary collection... a marvelous revelation. A writer of passion and virtuosity shines through." - Scotland on Sunday"Genuinely unnerving... she is a fierce, troubling new writer." - Observer"Galloway flecks her hard-edged realism with impressionist grace-notes, a potent mixture that confirms her... as one of Scotland's best young writers." - Sunday Telegraph"There is ample proof in Blood of Galloway's unassailable talent. Marvellously funny and beautifully paced." - Glasgow Herald

    They arrive to the open arms of the community, but not all is what it seems and Beth isn’t home for the reason she pretends either. Vicious notes start appearing that reveal harsh truths about the village inhabitants, stirring up ancient past and old loves. Not even local dignitary, the elegant and aloof Lady Melling, is safe from the accusations. But when Beth receives her notes, they aren’t what she expected. Is she being toyed with like the other villagers, or is she being guided to a long-sought truth?

    Arrogant, cold, but a brilliant soldier, FitzStephen commands a castle yet although his mother was a princess his father was a lowly steward. When a Welsh rebellion brings defeat and a crippling siege, his highborn comrades scorn him, betraying him to the enemy. A hostage of his cousin, Prince Rhys, FitzStephen is disgraced, seemingly doomed to a life of obscurity and shame.Then King Diarmait arrives ...Diarmait is the ambitious overlord of an Irish kingdom. Forced to flee by the High King of Ireland, he seeks to reclaim his lands by any means possible and that includes inviting the Normans in. With nothing left to lose and perhaps a great deal to gain FitzStephen agrees to lead the Irishman s armies, and to drive Diarmait s enemies from his kingdom. His price? Acceptance, perhaps ... or perhaps a kingdom of his own?

    Whether he's recording 'Justified and Ancient' with Tammy Wynette; contemplating the dull lunacy of the Turner prize; resisting the urge to paint landscapes; or glorying in the crapness of rock comebacks; he is consistently amusing and thought-provoking, and draws us into his world with the seductive enthusiasm of a born storyteller. An artist with a singular approach to his work, Bill Drummond paused to take stock of his life and a career that spans over twenty-five eventful years. Famously enjoying international success with The KLF and inviting national controversy for burning a million quid with The K Foundation, these days Drummond spends much of his time writing profusely. He avoids and confronts issues, infuriates and inspires those around him, muses and confuses, creates and destroys. He has maintained a penchant for reckless schemes - all this while drinking endless pots of tea.

    A retired couple, Gerry and Stella Gilmore, fly from their home in Scotland to Amsterdam for a long weekend—a holiday to refresh the senses, to do some sightseeing, and generally to take stock of what remains of their lives. Their relationship seems safe, easy, familiar. But over the course of the four days we discover the deep uncertainties that exist between them.Gerry, once an architect, is forgetful and set in his ways. Stella is tired of his lifestyle, worried about their marriage, and angry at his constant undermining of her religious faith. Things are not helped by memories that have begun to resurface of a troubled time in their native Ireland. As their midwinter break comes to an end, we understand how far apart they are—and can only watch as they struggle to save themselves. MacLaverty is a master storyteller, and Midwinter Break is the essential MacLaverty novel: accurate, compassionate observation; effortlessly elegant writing; and a tender, intimate, heartrending story. Yet it is also a profound examination of human love and how we live together, a chamber piece of real resonance and power. Forty years after his first book, MacLaverty has written his masterpiece.

    I cannot promise the reader that at any point he will shake his sides with laughter, but I can promise him a wry pleasure to be derived from the skilful dissection of folly.” Bertrand Russell Professor Mmaa’s Lecture, given to a packed auditorium, deals with the habits, mentality and culture of Homo sapiens. But both the professor and his entire audience are termites; the whole story is set inside a termite mound.Naturally, Themerson’s attempt to comprehend humankind by examining how they would have been understood by insects is very funny. Termites have no sight, just a sense of smell, and can only explain their surroundings and lives through their insects’ angle on the world. The closing scene of the novel reveals what the termites have been researching and what has happened to their mound, giving the whole story an ironic twist.But this novel has much more to offer. Themerson’s heightened expertise and instinct for parodying the language and methods of scholarship, and the morals and manners of the academic world, produces a merciless and comical survey of philosophical views and attitudes. He pillories religion, language, reason and scholarship, as insect thinkers with suspiciously familiar names scuttle through the pages of the novel. A great many cases of dogmatic thinking and narrow-mindedness are exposed to ridicule. The only path that seems to earn the author’s approval is pluralism of ideas. You can see just why Bertrand Russell calls this novel a useful gospel for sceptics.Professor Mmaa’s Lecture is in the tradition of philosophical satire, whose most famous proponents are Voltaire and Swift, and is a rare incidence of light yet deep prose that can be read with great pleasure on several levels.

    Outer Hebrides, 600 acres . . . Puffins and seals. Apply . . . ”.In this radiant and powerful book, Adam describes, and relives, his love affair with this enchantingly beautiful property, which he inherited when he was twenty-one. As the islands grew to become the most important thing in his life, they began to offer him more than escape, giving him “sea room”—a sailing term Nicolson uses to mean “the sense of enlargement that island life can give you.”The Shiants—the name means holy or enchanted islands—lie east of the Isle of Lewis in a treacherous sea once known as the “stream of blue men,” after the legendary water spirits who menaced sailors there. Crowned with five-hundred-foot cliffs of black basalt and surrounded by tidal rips, teeming in the summer with thousands of sea birds, they are wild, dangerous, and dramatic—with a long, haunting past. For millennia the Shiants were a haven for those seeking solitude—an eighth-century hermit, the twentieth-century novelist Compton Mackenzie—but their rich, sometimes violent history of human habitation includes much more. Since the Stone Age, families have dwelled on the islands and sailors have perished on their shores. The landscape is soaked in centuries-old tales of restless ghosts and ancient treasure, cradling the heritage of a once productive world of farmers and fishermen.In passionate, keenly precise prose, Nicolson evokes the paradoxes of island life: cut off from the mainland yet intricately bound to it, austere yet fertile, unforgiving yet bewitchingly beautiful.Sea Room does more than celebrate and praise this extraordinary place. It shares with us the greatest gift an island can bestow: a deep, revelatory engagement with the natural world.

    Aisling, despite her best efforts has failed to become the seer her mother desired, so when her mother dies leaving her alone, she departs Ireland for Wales to be with her brother, Cormac, at the royal court at Gwynedd. There she finds he is joining Prince Madog's voyage to the western lands in order to escape the threatening war. After Madog refuses to let her come with them she stows away, desperate to remain with her brother. A terrible storm arises and she is tossed overboard by a resentful Welshman and washes up on the shores of the Gulf Coast. Caxna, a Tlingit trader and former shaman, finds her and reluctantly agrees to let her join him on a trading journey to the Mayan city of Xicallanca, and later Etowah (in modern day Georgia) in the hopes she might find Madog and her brother. Caxna must succeed in this trading journey in order to free his clan but with Aisling along everything changes ....Gleeson leaves us with a memorable and poignant love story and a vision of a wonderful culture, unique in my experience of literature. Karen Charlton, author of 'The Heiress of Linn Hagh' and 'Catching the Eagle' The underlying sexual tension is all the more powerful for the beautifully restrained writing, which makes the slightest touch electric; a medicinal massage becomes a moment of physical communion.... This is what Kristin Gleeson does best; portraying different cultures and showing how humanity can cross them. Jean Gill, author of 'Song at Dawn' and 'Bladesong'

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    The origins and legends of the Giants, the Ancient Britons, the Picts, the Scots and the English are all explained, in a work aimed at both the specialist and the casual reader. Organised into a simple system based on Robert Graves' classic Greek Myths, Ashe describes the myth or theme first followed by discussion or analysis.

    Starting with an account of his childhood in Ireland at the end of the 19th century, the story moves to Scotland where, tramp then gang-labourer then navvy, Dermond Flynn (as he sometimes calls himself) discovers himself as a writer.