She's on a plane when the flight attendant makes an announcement: prepare for a crash landing. She braces herself as thoughts flash through her mind. The shocking thing is, the thoughts are not of her husband, but a man she last saw fifteen years ago: Wyatt Armstrong.Dawn, miraculously, survives the crash, but so do all the doubts that have suddenly been raised. She has led a good life. Back in Boston, there is her husband, Brian, her beloved daughter, and her work as a death doula, where she helps ease the transition between life and death for patients in hospice.But somewhere in Egypt is Wyatt Armstrong, who works as an archaeologist unearthing ancient burial sites, a job she once studied for, but was forced to abandon when life suddenly intervened. And now, when it seems that fate is offering her second chances, she is not as sure of the choice she once made.After the crash landing, the airline ensures the survivors are seen by a doctor, then offers transportation wherever they want to go. The obvious option for Dawn is to continue down the path she is on and go home to her family. The other is to return to the archaeological site she left years before, reconnect with Wyatt and their unresolved history, and maybe even complete her research on The Book of Two Ways--the first known map of the afterlife. As the story unfolds, Dawn's two possible futures unspool side by side, as do the secrets and doubts long buried beside them. Dawn must confront the questions she's never truly asked: What does a life well-lived look like? When we leave this earth, what do we leave behind? Do we make choices...or do our choices make us? And who would you be, if you hadn't turned out to be the person you are right now?

    Golden Richards, husband to four wives, father to twenty-eight children, is having the mother of all midlife crises. His construction business is failing, his family has grown into an overpopulated mini-dukedom beset with insurrection and rivalry, and he is done in with grief: due to the accidental death of a daughter and the stillbirth of a son, he has come to doubt the capacity of his own heart. Brady Udall, one of our finest American fiction writers, tells a tragicomic story of a deeply faithful man who, crippled by grief and the demands of work and family, becomes entangled in an affair that threatens to destroy his family's future. Like John Irving and Richard Yates, Udall creates characters that engage us to the fullest as they grapple with the nature of need, love, and belonging. Beautifully written, keenly observed, and ultimately redemptive, The Lonely Polygamist is an unforgettable story of an American family—with its inevitable dysfunctionality, heartbreak, and comedy—pushed to its outer limits.

    Her disappearance destroys her mother, who spends the rest of her life at the lake house, hoping in vain that her favorite daughter will walk out of the woods. Emily’s two older sisters stay, too, each keeping her own private, decades-long vigil for the lost child. Sixty years later Lucy, the quiet and watchful middle sister, lives in the lake house alone. Before she dies, she writes the story of that devastating summer in a notebook that she leaves, along with the house, to the only person to whom it might matter: her grandniece, Justine. For Justine, the lake house offers a chance to escape her manipulative boyfriend and give her daughters the stable home she never had. But it’s not the sanctuary she hoped for. The long Minnesota winter has begun. The house is cold and dilapidated, the frozen lake is silent and forbidding, and her only neighbor is a strange old man who seems to know more than he’s telling about the summer of 1935.Soon Justine’s troubled oldest daughter becomes obsessed with Emily’s disappearance, her mother arrives with designs on her inheritance, and the man she left behind launches a dangerous plan to get her back. In a house steeped in the sorrows of the women who came before her, Justine must overcome their tragic legacy if she hopes to save herself and her children.

    Her childhood home is packed solid with useless junk, her mother’s presence already fading. But within this mess, she discovers a small stash of letters—and ultimately, the truth. Forty years earlier, a young woman stumbles from a remote stone house, the night quiet except for the constant wind that encircles her as she hurries deeper into the darkness away from the cliffs and the sea. She has no sense of where she is going, only that she must keep on.

    I was wowed by Keane’s writing and narrative skill—and by what she knows about trouble.” —Stephen King How much can a family forgive? Francis Gleeson and Brian Stanhope, rookie NYPD cops, are neighbors in the suburbs. What happens behind closed doors in both houses—the loneliness of Francis’s wife, Lena, and the instability of Brian’s wife, Anne, sets the stage for the explosive events to come.In Mary Beth Keane's extraordinary novel, a lifelong friendship and love blossoms between Kate Gleeson and Peter Stanhope, born six months apart. One shocking night their loyalties are divided, and their bond will be tested again and again over the next thirty years. Heartbreaking and redemptive, Ask Again, Yes is a gorgeous and generous portrait of the daily intimacies of marriage and the power of forgiveness.

    When her sister Beatrice disappeared from her home in the dark woods of Co. Meath, it was 13-year-old Eithne who uncovered the forlorn evidence of her life: a string of pearls, a pink beret, a compact and her beloved sketchbook. Their mother, Sarah, was so grief-stricken that she did not speak for five years, and her father Joe, sank further into drink-filled rage.Now, as an adult, Eithne is an artist, and tries to remember her sister in her sketches of the dark wooded bogs behind her house. For there was something else about Beatrice that was rarely spoken of in the household, a dark, guilty secret that her disappearance only made worse. And now, almost twenty years later, all could be revealed when a stranger appears . . .Framed by Eithne's journey to discover the truth about her sister, with the magic and beauty of art running through it, this is a richly compelling, haunting story of family secrets, passion and ultimately redemption.'Vivid and powerful, BEATRICE is a novel told in gleaming moments, like a string of pearls brought one by one out of the dark. It has the compelling power of a detective story, following a trail of ghosts into the past'NIALL WILLIAMS'It totally grips the reader's attention quite literally to the very final paragraph . . . it marks the debut of a deeply mature and skilful voice . . . 'DERMOT BOLGER, THE SUNDAY INDEPENDENT

    What happened all those years ago, and what is it she so desperately needs him to find? The old villa in Sonoma holds the answers, but it is now owned by a young woman who neither knows nor cares about his mission. But Rese Barret is a force to contend with, and her own impending storm could sweep him up as their sparring creates a fierce and uncomfortable attraction. From bestselling author Kristen Heitzmann.

    Predictably, and almost immediately, his name retreated to the footnotes of history. And yet, as Wayne Johnston makes plain in his epic and affectionate fifth novel, The Colony of Unrequited Dreams, Smallwood's life was endearingly emblematic, an instance of an extraordinary man emerging at a propitious moment. The particular charm of Johnston's book, however, lies not merely in unveiling a career that so seamlessly coincided with the burgeoning self-consciousness of Newfoundland itself, but in exposing a simple truth--namely, that history is no more than the accretion of lived lives. Born into debilitating poverty, Smallwood is sustained by a bottomless faith in his own industry. His unabashed ambition is to "rise not from rags to riches, but from obscurity to world renown." To this end, he undertakes tasks both sublime and baffling--walking 700 miles along a Newfoundland railroad line in a self-martyring union drive; narrating a homespun radio spot; and endlessly irritating and ingratiating himself with the Newfoundland political machine. His opaque and constant incitement is an unconsummated love for his childhood friend, Sheilagh Fielding. Headstrong and dissolute, she weaves in and out of Smallwood's life like a salaried goad, alternately frustrating and illuminating his ambitions. Smallwood is harried as well by Newfoundland's subtle gravity, a sense that he can never escape the tug of his native land, since his only certainty is the island itself--that "massive assertion of land, sea's end, the outer limit of all the water in the world, a great, looming, sky-obliterating chunk of rock." The Colony of Unrequited Dreams bogs down after a time in its detailing of Smallwood's many political intrigues and in the lingering matter of a mysterious letter supposedly written by Fielding. However, when he speculates on the secret motives of his peers, or when he reveals his own hyperbolic fantasies and grandiose hopes--matters no one would ever confess aloud--the novel is both apt and amiable. Best of all is to watch Smallwood's inevitable progress toward a practical cynicism. It seems nothing less than miraculous that his countless disappointments pave the way for his ascension, that his private travails ultimately align with the land he loves. This is history resuscitated. --Ben Guterson

    He’s always hungered for the love of the girl’s self-obsessed mother; after she throws him out, their troubles turn deadly.Lulu’s mother warned her to never let him in, but when he shows up, he’s impossible to ignore. He bullies his way past ten-year-old Lulu, who obeys her father’s instructions to open the door, then listens in horror as her parents struggle. She runs for help and discovers upon her return that he’s murdered her mother, stabbed her sister, and tried to kill himself. For thirty years, the sisters try to make sense of what happened. Their imprisoned father is a specter in both their lives, shadowing every choice they make. Though one spends her life pretending he’s dead, while the other feels compelled to help him, both fear that someday their imprisoned father’s attempts to win parole may meet success.http://us.macmillan.com/themurderersd...

    As dawn's shimmering light drenches the humid Iowa air, two families awaken to find their little girls have gone missing in the night.Seven-year-old Calli Clark is sweet, gentle, a dreamer who suffers from selective mutism brought on by tragedy that pulled her deep into silence as a toddler.Calli's mother, Antonia, tried to be the best mother she could within the confines of marriage to a mostly absent, often angry husband. Now, though she denies that her husband could be involved in the possible abductions, she fears her decision to stay in her marriage has cost her more than her daughter's voice.Petra Gregory is Calli's best friend, her soul mate and her voice. But neither Petra nor Calli has been heard from since their disappearance was discovered. Desperate to find his child, Martin Gregory is forced to confront a side of himself he did not know existed beneath his intellectual, professorial demeanor.Now these families are tied by the question of what happened to their children. And the answer is trapped in the silence of unspoken family secrets.

    The Green Road is a tale of family and fracture, compassion and selfishness—a book about the gaps in the human heart and how we strive to fill them.Spanning thirty years, The Green Road tells the story of Rosaleen, matriarch of the Madigans, a family on the cusp of either coming together or falling irreparably apart. As they grow up, Rosaleen's four children leave the west of Ireland for lives they could have never imagined in Dublin, New York, and Mali, West Africa. In her early old age their difficult, wonderful mother announces that she’s decided to sell the house and divide the proceeds. Her adult children come back for a last Christmas, with the feeling that their childhoods are being erased, their personal history bought and sold.A profoundly moving work about a family's desperate attempt to recover the relationships they've lost and forge the ones they never had, The Green Road is Enright's most mature, accomplished, and unforgettable novel to date.

    Around her revolves a vividly drawn cast of characters: her mother Adele; Misha, a Polish Jew; the willful, bitter Mother Superior; and her powerfully intelligent twin brothers, who sleep beside a map of the world they long to explore. Brilliantly imagined and buoyed by the clear-eyed perceptions of youth, it is an eloquent and profound story from a gifted writer.

    One tequila-soaked night at a comics convention, the usually level-headed graphic novelist is swept off her barstool by a handsome and anonymous Batman. It turns out the caped crusader has left her with more than just a nice, fuzzy memory. She's having a baby boy - an unexpected but not unhappy development in the thirty-eight year-old's life. But before Leia can break the news of her impending single-motherhood (including the fact that her baby is biracial) to her conventional, Southern family, her step-sister Rachel's marriage implodes. Worse, she learns her beloved ninety-year-old grandmother, Birchie, is losing her mind, and she's been hiding her dementia with the help of Wattie, her best friend since girlhood.Leia returns to Alabama to put her grandmother's affairs in order, clean out the big Victorian that has been in the Birch family for generations, and tell her family that she's pregnant. Yet just when Leia thinks she's got it all under control, she learns that illness is not the only thing Birchie's been hiding. Tucked in the attic is a dangerous secret with roots that reach all the way back to the Civil War. Its exposure threatens the family's freedom and future, and it will change everything about how Leia sees herself and her sister, her son and his missing father, and the world she thinks she knows.

     Years ago, a sweet girl from Utah was swept off her feet by a handsome Italian. Today, the sweet girl from Utah is a wife and mother living in Italy. And she's about to be swept off her feet all over again...

    Two years after their twin daughters died in a flash flood, Terry and Laura Sheldon, a Vermont state trooper and his wife, take in a foster child. His name is Alfred; he is ten years old and African American. And he has passed through so many indifferent families that he can’t believe that his new one will last. In the ensuing months Terry and Laura will struggle to emerge from their shell of grief only to face an unexpected threat to their marriage; Terry’s involvement with another woman. Meanwhile, Alfred cautiously enters the family circle, and befriends an elderly neighbor who inspires him with the story of the buffalo soldiers, the black cavalrymen of the old West. Out of the entwining and unfolding of their lives, The Buffalo Soldier creates a suspenseful, moving portrait of a family, infused by Bohjalian’s moral complexity and narrative assurance.