Vulnerable and resilient, openhanded and open-hearted, these women forge their lives in a place that in turn threatens and protects—a common prison and a shared home. Naylor renders both loving and painful human experiences with simple eloquence and uncommon intuition. Her remarkable sense of community and history makes The Women of Brewster Place a contemporary classic—and a touching and unforgettable read.

    When Jacob joins the Northern army, no one anticipates he will not return. Then Caroline gets word that her husband is wounded, and she must find her way alone to Washington City and search among the thousands of casualties to find him.When Jacob succumbs to his injuries, she brings his body home on the eve of the deadliest battle of the war. With troops and looters roaming the countryside, it is impossible to know who is friend and who is foe. Caroline fights to protect those she holds most dear while remaining compassionate to the neediest around her, including two strangers from opposite sides of the fight. Each is wounded… Each is drawn to her beauty, her kindness. Both offer comfort, but only one secretly captures her heart. Still, she must resist exposing her vulnerability in these uncertain times when so much is at risk.In The Yankee Widow, gifted storyteller Linda Lael Miller explores the complexities and heartbreak that women experienced as their men took up arms to preserve the nation and defend their way of life.

    Indeed, the question of duality runs deep through this novel -- not only is Elias a Jew defending the right to oppress a people, but after he helps to commit a horrific crime, he finds himself unexpectedly overtaken by the power of love. Exploring themes of literature, redemption, atonement, and love, this novel delivers a startling dose of moral ambiguity, keen insights into the human condition, and unexpected moments that devastate with their casual simplicity.

    Published in 1938, this was the first book from Wright, who would continue on to worldwide fame as the author of the novels Native Son and Black Boy.

    Trapped in 1877, a historian writes an account of an alternative history of America in which the South won the Civil War. Living in this alternative timeline, he was determined to change events at Gettysburg.When he's offered the chance to return to that fateful turning point his actions change history as he knows it, leaving him in an all too familiar past.

    The sketches, poems, and stories of black rural and urban life that make up Cane are rich in imagery. Visions of smoke, sugarcane, dusk, and flame permeate the Southern landscape: the Northern world is pictured as a harsher reality of asphalt streets. Impressionistic, sometimes surrealistic, the pieces are redolent of nature and Africa, with sensuous appeals to eye and ear.

    In fact, it is a compelling adventure story with richly drawn characters and has earned a place in both literary and American history. Stowe's religious beliefs show up in the novel's final, overarching theme—the exploration of the nature of Christianity and how Christian theology is fundamentally incompatible with slavery.

    But even though this gutsy 14-year-old is seeking vengeance, she is smart enough to figure out she can't go alone after a desperado who's holed up in Indian territory. With some fast-talking, she convinces mean, one-eyed US Marshal "Rooster" Cogburn into going after the despicable outlaw with her.

    A decorated Mississippi sharpshooter, Jones has a vision on the battlefield and, despite the severity of his wounds, believes his life will be spared. But a life without his leg, he can't abide. He compels Elizabeth "Lizzie" Clouston—governess to the McGavock family at the Carnton mansion—to intervene should the surgeon decide to amputate. True to her word, Lizzie speaks on his behalf and saves not only the captain's leg but also his life.When a fourteen-year-old soldier dies in Lizzie's arms that night, the boy's final words, whispered with urgency, demand that Lizzie deliver them to their intended recipient. But all she has is the boy's first name. And, as she soon discovers, there's no record of him ever having enlisted. How can she set out alone across a land so divided by war and hatred to honor her pledge? Even more, does she dare accept Captain Jones's offer to accompany her? As he convalesces at Carnton, romance has blossomed between him and Lizzie—a woman already betrothed to a man she does not love.

    Now Grove Press is proud to reissue this contemporary classic by one of America's most important living writers, in a new edition of 'A Good Scent from a Strange Mountain' that includes two subsequently published stories -- "Salem" and "Missing" -- that brilliantly complete the collection's narrative journey, returning to the jungles of Vietnam.

    D. Salinger, originally published in the January 31, 1948 issue of The New Yorker. It was anthologized in 1949's 55 Short Stories from The New Yorker, as well as in Salinger's 1953 collection, Nine Stories.

    Angela Carter takes real people and literary legends - most often women - who have been mythologized or marginalized and recasts them in a new light. In a style that is sensual, cerebral, almost hypnotic, "The Fall River Axe-Murders" portrays the last hours before Lizzie Borden's infamous act: the sweltering heat, the weight of flannel and corsets, the clanging of the factory bells, the food reheated and reserved despite the lack of adequate refrigeration, the house "full of locked doors that open only into other rooms with other locked doors." In "Our Lady of the Massacre" the no-nonsense voice of an eighteenth-century prostitute/runaway slave questions who is civilized - the Indians or the white men? "Black Venus" gives voice to Charles Baudelaire's Creole mistress, Jeanne Duval: "you could say, not so much that Jeanne did not understand the lapidary, troubled serenity of her lover's poetry but, that it was a perpetual affront to her. He recited it to her by the hour and she ached, raged and chafed under it because his eloquence denied her language." "The Kiss" takes the traditional story of Tamburlaine's wife and gives it a new and refreshing ending. Sometimes disquieting, sometimes funny, always thought-provoking, Angela Carter's stories offer a feminist revision of images that lie deep in the public psyche.

    Her father, Salmon P. Chase, rose to prominence in the antebellum years and was appointed secretary of the treasury in Abraham Lincoln’s cabinet, while aspiring to even greater heights. Beautiful, intelligent, regal, and entrancing, young Kate Chase stepped into the role of establishing her thrice-widowed father in Washington society and as a future presidential candidate. Her efforts were successful enough that The Washington Star declared her "the most brilliant woman of her day. None outshone her." None, that is, but Mary Todd Lincoln. Though Mrs. Lincoln and her young rival held much in common—political acumen, love of country, and a resolute determination to help the men they loved achieve greatness—they could never be friends, for the success of one could come only at the expense of the other. When Kate Chase married William Sprague, the wealthy young governor of Rhode Island, it was widely regarded as the pinnacle of Washington society weddings. President Lincoln was in attendance. The First Lady was not. Jennifer Chiaverini excels at chronicling the lives of extraordinary yet littleknown women through historical fiction. What she did for Elizabeth Keckley in Mrs. Lincoln’s Dressmaker and for Elizabeth Van Lew in The Spymistress she does for Kate Chase Sprague in Mrs. Lincoln’s Rival.

    Army in the 1850s. With his brother in arms, John Cole, Thomas goes on to fight in the Indian Wars—against the Sioux and the Yurok—and, ultimately, the Civil War. Orphans of terrible hardships themselves, the men find these days to be vivid and alive, despite the horrors they see and are complicit in. Moving from the plains of Wyoming to Tennessee, Sebastian Barry’s latest work is a masterpiece of atmosphere and language. An intensely poignant story of two men and the makeshift family they create with a young Sioux girl, Winona, Days Without End is a fresh and haunting portrait of the most fateful years in American history and is a novel never to be forgotten.

    A line of women with a heritage of loss.As a young bride, Susannah Page was rumored to be a Civil War spy for the North, a traitor to her Virginian roots. Her great-granddaughter Adelaide, the current matriarch of Holly Oak, doesn’t believe that Susannah’s ghost haunts the antebellum mansion looking for a pardon, but rather the house itself bears a grudge toward its tragic past.When Marielle Bishop marries into the family and is transplanted from the arid west to her husband’s home, it isn’t long before she is led to believe that the house she just settled into brings misfortune to the women who live there.With Adelaide’s richly peppered superstitions and deep family roots at stake, Marielle must sort out the truth about Susannah Page and Holly Oak— and make peace with the sacrifices she has made for love.