They should never have stopped. Waiting for them are three heartless men just escaped from prison — each with nothing to lose. And now, with the girls as their hostages, they have everything to gain. They make their stand in an abandoned slaughterhouse, and it is there that Lou Handy, a murderer and the convicts’ ringleader, announces his terms: to kill one captive an hour unless his demands are met.What follows is a twelve-hour siege of noose-tight tension — and a war of nerves between Handy and the FBI’s senior hostage negotiator, Arthur Potter.Dead Silence, based on A Maiden’s Grave, was made into a movie, starring James Garner and Marlee Matlin. It was filmed by HBO in 1997.

    From the acclaimed master of mystery and suspense comes the story of a self-imposed outcast who must refresh his detection skills in order to save himself and his family.

    He has an improbable amount of cash secreted in a purse around his neck. He is a devout Muslim. Or is he? He says his name is Issa. Annabel, an idealistic young German civil rights lawyer, determines to save Issa from deportation, Soon her client's survival becomes more important to her than her own career - or safety. In pursuit of Issa's mysterious past, she confronts the incongruous Tommy Brue, the sixty-year-old scion of Brue Freres, a failing British bank based in Hamburg." Annabel, Issa and Brue form an unlikely alliance and a triangle of impossible loves is born. Meanwhile, scenting a sure kill in the "War on Terror," the rival spies of Germany. England and America converge upon the innocents.

    . . and to maintain an increasingly unbearable life-defining secret. So when her husband is offered a lucrative job in Luxembourg, she jumps at the chance to leave behind her double-life, to start anew.She begins to reinvent herself as an expat, finding her way in a language she doesn’t speak, doing the housewifely things she’s never before done—play-dates and coffee mornings, daily cooking and unending laundry. Meanwhile, her husband works incessantly, doing a job Kate has never understood, for a banking client she’s not allowed to know. He’s becoming distant and evasive; she’s getting lonely and bored.Then another American couple arrives. Kate soon becomes suspicious that these people are not who they claim to be, and terrified that her own past is catching up to her. So Kate begins to dig, to peel back the layers of deception that surround her. She discovers fake offices and shell corporations and a hidden gun; a mysterious farmhouse and numbered accounts with bewildering sums of money; a complex web of intrigue where no one is who they claim to be, and the most profound deceptions lurk beneath the most normal-looking of relationships; and a mind-boggling long-play con threatens her family, her marriage, and her life.

    For Julia Bishop is the partner of his best friend and fellow “smoke jumper,” Ed Tully. Julia loves them both–until a fiery tragedy on Montana’s Snake Mountain forces her to choose between them, and burns a brand on all their hearts.In the wake of the fire, Connor embarks on a harrowing journey to the edge of human experience, traveling the world’s worst wars and disasters to take photographs that find him fame but never happiness. Reckless of a life he no longer wants, again and again he dares death to take him, until another fateful day on another continent, he must walk through fire once more…

    With her hallmark exuberance and cast of characters so sassy, resilient, and full of life that they breathe, dream, and shout right off the page.

    In return, they each agree to a 'favour', payable on her release from prison.Twenty years later Megan is free.Let the games begin . . .Richard & Judy bestseller Sharon Bolton is back, with her twistiest thriller yet.

    Jamie Morton looks up to see a striking man, the new minister. Charles Jacobs, along with his beautiful wife, will transform the local church. The men and boys are all a bit in love with Mrs Jacobs; the women and girls – including Jamie’s mother and beloved sister – feel the same about Reverend Jacobs. With Jamie, the Reverend shares a deeper bond, based on their fascination with simple experiments in electricity.Then tragedy strikes the Jacobs family; the preacher curses God, mocking all religious belief, and is banished from the shocked town.Jamie has demons of his own. In his mid-thirties, he is living a nomadic lifestyle of bar-band rock and roll. Addicted to heroin, stranded, desperate, he sees Jacobs again – a showman on stage, creating dazzling ‘portraits in lightning’ – and their meeting has profound consequences for both men. Their bond becomes a pact beyond even the Devil’s devising, and Jamie discovers that revival has many meanings. Because for every cure there is a price…This rich and disturbing novel spans five decades on its way to the most terrifying conclusion Stephen King has ever written. It’s a masterpiece from King, in the great American tradition of Nathaniel Hawthorne and Edgar Allan Poe.

    As only he could, Updike recasts a tale of medieval violence and presents the case for its central couple that Shakespeare only hinted at. Gertrude's warmth and lucidity, Claudius's soldierly yet peaceable powers of command are seen afresh against a background of fond intentions and familial dysfunction, on a stage darkened by the ominous shadow of a sullen, disaffected prince.

    Henry Prize winner Jan Ellison delivers a brilliantly paced, beautifully written debut novel about one woman's reckoning with a youthful mistake. Named one of the best books of the year by San Francisco ChronicleAt nineteen, Annie Black trades a bleak future in a washed-out California town for a London winter of drinking and abandon. Twenty years later, she is a San Francisco lighting designer and happily married mother of three who has put her reckless youth behind her. Then a photo from that distant winter in Europe arrives inexplicably in her mailbox, and an old obsession is awakened. Past and present collide, Annie's marriage falters, and her son takes a car ride that ends with his life hanging in the balance. Now Annie must confront her own transgressions and fight for her family by untangling the mysteries of the turbulent winter that drew an invisible map of her future. Gripping, insightful, and lyrical, A Small Indiscretion announces the arrival of a major new voice in literary suspense as it unfolds a story of denial, passion, forgiveness—and the redemptive power of love.

    At first it is just a game, but then Ellie refuses to swap back. Forced into her new identity, Helen develops a host of behavioural problems, delinquency and chronic instability. With their lives diverging sharply, one twin headed for stardom and the other locked in a spiral of addiction and mental illness, how will the deception ever be uncovered? Exploring questions of identity, selfhood, and how other people's expectations affect human behaviour, this novel is as gripping as it is psychologically complex.

    . . but can she dream? For forty-one years, Samson Brown has been caring for Hannah, the lone elephant at the down-at-the-heels Max L. Biedelman Zoo. Having vowed not to retire until an equally loving and devoted caretaker is found to replace him, Sam rejoices when smart, compassionate Neva Wilson is hired as the new elephant keeper. But Neva quickly discovers what Sam already knows: that despite their loving care, Hannah is isolated from other elephants and her feet are nearly ruined from standing on hard concrete all day. Using her contacts in the zookeeping world, Neva and Sam hatch a plan to send Hannah to an elephant sanctuary--just as the zoo's angry, unhappy director launches an aggressive revitalization campaign that spotlights Hannah as the star attraction, inextricably tying Hannah's future to the fate of the Max L. Biedelman Zoo. A charming, poignant, and captivating novel certain to enthrall readers of Water for Elephants, Diane Hammond's Hannah's Dream is a beautifully told tale rich in heart, humor, and intelligence.

    The charge is murder. Before all of this, she was happily married, a successful scientist, a mother of two. Now she's a suspect, squirming under fluorescent lights and the penetrating gaze of the alleged accomplice who's sitting across from her, watching: a man who's also her lover. As Yvonne faces hostile questioning, she must piece together the story of her affair with this unnamed figure who has charmed and haunted her. This is a tale of sexual intrigue, ruthless urges, and danger, which has blindsided her from a seemingly innocuous angle. Here in the courtroom, everything hinges on one night in a dark alley called Apple Tree Yard.

    On track for a much-needed promotion, she’s developed a system for identifying Russian agents, seemingly normal people living in plain sight.After accessing the computer of a potential Russian operative, Vivian stumbles on a secret dossier of deep-cover agents within America’s borders. A few clicks later, everything that matters to her—her job, her husband, even her four children—are threatened.Vivian has vowed to defend her country against all enemies, foreign and domestic. But now she’s facing impossible choices. Torn between loyalty and betrayal, allegiance and treason, love and suspicion, who can she trust?

    When Leila discovers the Web site Red Pill, she feels she has finally found people who understand her. A sheltered young woman raised by her mother, Leila has often struggled to connect with the girls at school; but on Red Pill, a chat forum for ethical debate, Leila comes into her own, impressing the Web site's founder, a brilliant and elusive man named Adrian. Leila is thrilled when Adrian asks to meet her, flattered when he invites her to be part of "Project Tess." Tess is a woman Leila might never have met in real life. She is beautiful, urbane, witty, and damaged. As they e-mail, chat, and Skype, Leila becomes enveloped in the world of Tess, learning every single thing she can about this other woman—because soon, Leila will have to become her. An ingeniously plotted novel of stolen identity, Kiss Me First is brilliantly frightening about the lies we tell—to ourselves, to others, for good, and for ill.