An Aborigine artist, a Holocaust survivor, a beatific washerwoman, and a childlike heiress are each blessed—and stricken—with visionary experiences that may or may not allow them to transcend the machinations of their fellow men. Tender and lacerating, pure and profane, subtle and sweeping, Riders in the Chariot is one of the Nobel Prize winner's boldest books.

    This masterpiece of modern fiction tells the gripping tale of renegade talmudic sage Elisha ben Abuyah's struggle to reconcile his faith with the allure of Hellenistic culture. Set in Roman Palestine, As a Driven Leaf draws readers into the dramatic era of Rabbinic Judaism. Watch the great Talmudic sages at work in the Sanhedrin, eavesdrop on their arguments about theology and Torah, and agonize with them as they contemplate rebellion against an oppressive Roman rule. But Steinberg's classic novel also transcends its historical setting with its depiction of a timeless, perennial feature of the Jewish experience: the inevitable conflict between the call of tradition and the glamour of the surrounding culture. In his illuminating foreword, specially commissioned for this edition, Chaim Potok stresses the contemporary relevance of As a Driven Leaf: This novel of ideas and passions... retains its ability to enter the heart of pious and seeking Jew alike. Synagogues everywhere are adopting As a Driven Leaf for group study.

    Here sisters Ada, Vivie, and Bec assemble at their beloved family cottage, with children in tow and weekend-only husbands who arrive each Friday in time for the Sabbath meal.During the weekdays, freedom reigns. Ada, the family beauty, relaxes and grows more playful, unimpeded by her rule-driven, religious husband. Vivie, once terribly wronged by her sister, is now the family diplomat and an increasingly inventive chef. Unmarried Bec finds herself forced to choose between the family-centric life she's always known and a passion-filled life with the married man with whom she's had a secret years-long affair.But when a terrible accident occurs on the sisters' watch, a summer of hope and self-discovery transforms into a lifetime of atonement and loss for members of this close-knit clan. Seen through the eyes of Molly, who was twelve years old when she witnessed the accident, this is the story of a tragedy and its aftermath, of expanding lives painfully collapsed. Can Molly, decades after the event, draw from her aunt Bec's hard-won wisdom and free herself from the burden that destroyed so many others?Elizabeth Poliner is a masterful storyteller, a brilliant observer of human nature, and in As Close to Us as Breathing she has created an unforgettable meditation on grief, guilt, and the boundaries of identity and love.

    One of the results of its publication in the West was Pasternak's complete rejection by Soviet authorities; when he was awarded the Nobel Prize for Literature in 1958 he was compelled to decline it. The book quickly became an international best-seller.Dr. Yury Zhivago, Pasternak's alter ego, is a poet, philosopher, and physician whose life is disrupted by the war and by his love for Lara, the wife of a revolutionary. His artistic nature makes him vulnerable to the brutality and harshness of the Bolsheviks. The poems he writes constitute some of the most beautiful writing featured in the novel.

    In 1946, Walter Westhaus, a German Jew who spent the war years at Tagore’s ashram in India, arrives at the Jewish Theological Seminary in New York City, where he meets Sol Kerem, a promising rabbinical student. A brilliant nonbeliever, Walter is the perfect foil for Sol’s spiritual questions—and their extraordinary connection is too wonderful not to share with Sol’s free-spirited fiancée Rosalie. Soon Walter and Rosalie are exchanging notes, sketches, and secrets, and begin a transcendent love affair in his attic room, a temple of dusty tomes and whispered poetry. Months later they shatter their impossible bond, retreating to opposite sides of the country—Walter to pursue an academic career in Berkeley and Rosalie and Sol to lead a congregation in suburban New York. A chance meeting years later reconnects Walter, Sol, and Rosalie—catching three hearts and minds in a complex web of desire, heartbreak, and redemption. With extraordinary empathy and virtuosic skill, The Beautiful Possible considers the hidden boundaries of marriage and faith, and the mysterious ways we negotiate our desires.

    The central character, Bimala, is torn between the duties owed to her husband, Nikhil, and the demands made on her by the radical leader, Sandip. Her attempts to resolve the irreconciliable pressures of the home and world reflect the conflict in India itself, and the tragic outcome foreshadows the unrest that accompanied Partition in 1947. This edition includes an introduction by Anita Desai.

    The sole voice of reason among the advisers to Tsar Nikolai II, Stolypin died at the hands of the anarchist Mordko Bogrov, and with him perished Russia's last hope for reform. Translated by H.T. Willetts."August 1914" is the first volume of Solzhenitsyn's epic, "The Red Wheel; "the second is "November 1916." Each of the subsequent volumes will concentrate on another critical moment or "knot," in the history of the Revolution. Translated by H.T. Willetts.

    . . until now.What if there was a town that history missed?For decades, the tiny Jewish shtetl of Kreskol existed in happy isolation, virtually untouched and unchanged. Spared by the Holocaust and the Cold War, its residents enjoyed remarkable peace. It missed out on cars, and electricity, and the internet, and indoor plumbing. But when a marriage dispute spins out of control, the whole town comes crashing into the twenty-first century.Pesha Lindauer, who has just suffered an ugly, acrimonious divorce, suddenly disappears. A day later, her husband goes after her, setting off a panic among the town elders. They send a woefully unprepared outcast named Yankel Lewinkopf out into the wider world to alert the Polish authorities. Venturing beyond the remote safety of Kreskol, Yankel is confronted by the beauty and the ravages of the modern-day outside world – and his reception is met with a confusing mix of disbelief, condescension, and unexpected kindness. When the truth eventually surfaces, his story and the existence of Kreskol make headlines nationwide. Returning Yankel to Kreskol, the Polish government plans to reintegrate the town that time forgot. Yet in doing so, the devious origins of its disappearance come to the light. And what has become of the mystery of Pesha and her former husband? Divided between those embracing change and those clinging to its old world ways, the people of Kreskol will have to find a way to come together . . .  or risk their village disappearing for good.

    Brooks has an uncanny ability to hear and transform characters from history, and this beautifully written, unvarnished saga of faith, desire, family, ambition, betrayal, and power will enthrall her many fans.

    When he refuses to back down from a contrary but principled stand regarding the West Bank settlements, his political opponents expose his affair with a mistress decades his junior. He and the fierce young Leora flee the scandal for Yalta, where, in an unexpected turn of events, he comes face-to-face with the former friend who denounced him to the KGB almost 40 years earlier.In a mere 24 hours, Kotler must face the ultimate reckoning, both with those who have betrayed him and with those whom he has betrayed, including a teenage daughter, a son facing his own ethical dilemmas in the Israeli army, and the wife who stood by his side through so much.In prose that is elegant, sly, precise, and devastating, David Bezmozgis has rendered a story for the ages, an inquest into the nature of fate and consequence, love and forgiveness.

    Hired as a promising young historian, he soon becomes a leading expert on Nazi methods of extermination at concentration camps in Poland during World War II and guides tours through the sites for students and visiting dignitaries. He hungrily devours every detail of life and death in the camps and takes pride in being able to recreate for his audience the excruciating last moments of the victims’ lives. The job becomes a mission, and then an obsession. Spending so much time immersed in death, his connections with the living begin to deteriorate. He resents the students lost in their iPhones, singing sentimental songs, not expressing sufficient outrage at the genocide committed by the Nazis. In fact, he even begins to detect, in the students as well as himself, a hint of admiration for the murderers—their efficiency, audacity, and determination. Force is the only way to resist force, he comes to think, and one must be prepared to kill. With the perspicuity of Kafka’s The Trial and the obsessions of Delillo’s White Noise, The Memory Monster confronts difficult questions that are all too relevant to Israel and the world today: How do we process human brutality? What makes us choose sides in conflict? And how do we honor the memory of horror without becoming consumed by it?

    As he strives to establish himself, he becomes closely involved with the fluid and dangerous politics of the newly-dependent state.

    Jewish shops have been ransacked and looted, synagogues destroyed. As storm troopers pound on his door, Otto Silbermann, a respected businessman who fought for Germany in the Great War, is forced to sneak out the back of his own home. Turned away from establishments he had long patronized, and fearful of being exposed as a Jew despite his Aryan looks, he boards a train.And then another. And another . . . until his flight becomes a frantic odyssey across Germany, as he searches first for information, then for help, and finally for escape. His travels bring him face-to-face with waiters and conductors, officials and fellow outcasts, seductive women and vicious thieves, a few of whom disapprove of the regime while the rest embrace it wholeheartedly.Clinging to his existence as it was just days before, Silbermann refuses to believe what is happening even as he is beset by opportunists, betrayed by associates, and bereft of family, friends, and fortune. As his world collapses around him, he is forced to concede that his nightmare is all too real.Twenty-three-year-old Ulrich Boschwitz wrote The Passenger at breakneck speed in 1938, fresh in the wake of the Kristallnacht pogroms, and his prose flies at the same pace. Taut, immediate, infused with acerbic Kafkaesque humor, The Passenger is an indelible portrait of a man and a society careening out of control.

    His new novel is considered internationally to be his most accomplished and entertaining work yet.Winner of the prestigious Bernstein Award, Second Person Singular centers on an ambitious lawyer who is considered one of the best Arab criminal attorneys in Jerusalem. He has a thriving practice in the Jewish part of town, a large house, speaks perfect Hebrew, and is in love with his wife and two young children. One day at a used bookstore, he picks up a copy of Tolstoy’s The Kreutzer Sonata, and inside finds a love letter, in Arabic, in his wife’s handwriting. Consumed with suspicion and jealousy, the lawyer hunts for the book’s previous owner—a man named Yonatan—pulling at the strings that hold all their lives together.With enormous emotional power, and a keen sense of the absurd, Kashua spins a tale of love and betrayal, honesty and artifice, and questions whether it is possible to truly reinvent ourselves. Second Person Singular is a deliciously complex psychological mystery and a searing dissection of the individuals that comprise a divided society.

    But six weeks later, a second examination revealed there was no cancer -- he had won "a reprieve from death." Faced with a repressive cultural environment and the threat of a spell in a prison farm, Gao fled Beijing and began a journey of 15,000 kilometers into the remote mountains and ancient forests of Sichuan in southwest China. The result of this epic voyage of discovery is Soul Mountain.Bold, lyrical, and prodigious, Soul Mountain probes the human soul with an uncommon directness and candor and delights in the freedom of the imagination to expand the notion of the individual self.