But all boundaries vanish when Thomas experiences first love with Alice, his new history teacher, a woman eight years his senior—and when he meets Shiloh, a misfit vagabond and anarchist who becomes his new role model. Fleeing to rural Vermont, this unlikely trio boldly pursues freedom, intimacy, and seclusion, unfettered by commitments and rules. But a life apart from the world does not ensure a life apart from the past—and for one of them, the past that emerges will threaten tragedy.

    Olivia Harker Cross owns a strip of mountain in Pope County, Kentucky, a land where whites and blacks eke out a living in separate, tattered kingdoms and where silver-faced wolves howl in the night. But someone is killing the wolves of Big Foley Mountain–and Olivia is beginning to realize how much of her own bitter history she’s never understood: Her mother’s madness, building toward a fiery crescendo. Her daughter’s flight to California, leaving her to raise Will’m, her beloved grandson. And most of all, her town’s fear, for Olivia has real and dangerous enemies. Now this proud, lonely woman will face her mother and daughter, her neighbors and the wolf hunters of Big Foley Mountain. And when she does, she’ll ignite a conflict that will embroil an entire community–and change her own life in the most astonishing of ways.

    “Jews Don’t Expel Jews” she cried along with the Zionist activists seeking to stop what they called “The Expulsion.” Once she is dragged out of her home by the Jewish army she had once idolized–and to which her brother lost his life–she decides: Screw it. Screw God. Screw the country. Screw the Jewish people. She sets off for Israel’s big city, Tel Aviv, seductively fertile ground for a religious rebel. The colorful lights and sizzling music of Tel Aviv's world-famous nightclub, Atlantis, ignite her love for dance. Despite herself, she is drawn to its charismatic, liberal owner, Ziv Harel. He's intrigued by the prospect of transforming a “religious settler” into a nightlife queen.Their tortured romance forces both to confront their deep-seated values, but how far will Sarah go to question who she is and what she believes—and at what cost?

    in the wake of one of the most notorious and incendiary trials of the 1990s.At 3:15 p.m. on April 29, 1992, a jury acquitted three white Los Angeles Police Department officers charged with using excessive force to subdue a black man named Rodney King, and failed to reach a verdict on the same charges involving a fourth officer. Less than two hours later, the city exploded in violence that lasted six days. In nearly 121 hours, fifty-three lives were lost. But there were even more deaths unaccounted for: violence that occurred outside of active rioting sites by those who used the chaos to viciously settle old scores.A gritty and cinematic work of fiction, All Involved vividly re-creates this turbulent and terrifying time, set in a sliver of Los Angeles largely ignored by the media during the riots. Ryan Gattis tells seventeen interconnected first-person narratives that paint a portrait of modern America itself—laying bare our history, our prejudices, and our complexities. With characters that capture the voices of gang members, firefighters, graffiti kids, and nurses caught up in these extraordinary circumstances, All Involved is a literary tour de force that catapults this edgy writer into the ranks of such legendary talents as Dennis Lehane and George V. Higgins.

    Parveen Shamsa, a college senior in search of a calling, feels pulled between her charismatic and mercurial anthropology professor and the comfortable but predictable Afghan-American community in her Northern California hometown. When she discovers a bestselling book called Mother Afghanistan, a memoir by humanitarian Gideon Crane that has become a bible for American engagement in the country, she is inspired. Galvanized by Crane's experience, Parveen travels to a remote village in the land of her birth to join the work of his charitable foundation.When she arrives, however, Crane's maternity clinic, while grandly equipped, is mostly unstaffed. The villagers do not exhibit the gratitude she expected to receive. And Crane's memoir appears to be littered with mistakes, or outright fabrications. As the reasons for Parveen's pilgrimage crumble beneath her, the U.S. military, also drawn by Crane's book, turns up to pave the solde road to the village, bringing the war in their wake. When a fatal ambush occurs, Parveen must decide whether her loyalties lie with the villagers or the soldiers - and she must determine her own relationship to the truth.Amy Waldman, who reported from Afghanistan for the New York Times after 9/11, has created a taut, propulsive novel about power, perspective, and idealism, brushing aside the dust of America's longest-standing war to reveal the complicated truths beneath. A Door in the Earth is the rarest of books, one that helps us understand living history through poignant characters and unforgettable storytelling.

    Desperate and afraid of her feelings for an Irish priest with whom she has been working, she spends eight days on the run, encountering a variety of characters along the way: a cynical Englishman who helps her out; a suspicious Peruvian police officer who takes her in for questioning; and two American Peace Corps workers who befriend her. As Kate traverses this dangerous physical journey through Peru, she also embarks upon an interior journey of self-discovery―one that leads her somewhere she never could have expected.

     Relying on recent disclosures about what instigated the greatest Mideast war, “The Jerusalem Inception” tells the story of courageous yet imperfect men and women engaged in a race against a national calamity. It starts in Neturay Karta, a fiercely anti-Zionist Orthodox sect in Jerusalem, and continues through the corridors of power and the annals of covert operations as the Jewish state is caught in a titan match between the U.S. and the Soviet Union. Faced with the most dangerous moment in Israel’s short history, the agents of the Mossad and its sister spy agencies will stop at nothing to prevent a second Holocaust. “The dramatic outcome of the 1967 war continues to dominate the Middle East. If you want to know what really happened (and at the same time fall in love with a striking cast of unforgettable characters) then ‘The Jerusalem Inception’ is for you. In the best tradition of ‘Eye of the Needle’ and ‘The Bourne Identity,’ this one is a hit!” —Stephen J. Wall, author of ‘The Morning After’ and ‘On the Fly.’

    In it Malamud, usually appreciated for his unerring portrayals of postwar Jewish life, took on very different material—the story of a superbly gifted "natural" at play in the fields of the old daylight baseball era—and invested it with the hardscrabble poetry, at once grand and altogether believable, that runs through all his best work. Four decades later, Alfred Kazin's comment still holds true: "Malamud has done something which—now that he has done it!—looks as if we have been waiting for it all our lives. He has really raised the whole passion and craziness and fanaticism of baseball as a popular spectacle to its ordained place in mythology."

    Now one of her most endearing classics is being reissued for a new generation of readers. China Court is the story of the hours and days of a country house in Wales and five generations of the family who inhabited it.

    Jackson, Vivvie’s husband, was shot and killed 30 years ago, and the ramifications have splintered the family into their own isolated remembrances and recriminations.This deeply personal, hauntingly melancholy look at the damages families inflict on each other – and the healing that only they can provide – is filled with flinty, flawed and complex people stumbling towards some kind of peace. Like Elizabeth Strout and Kazuo Isiguro, Deborah Reed understands a story and its inhabitants reveal themselves in the subtleties: the space between the thoughts, the sigh behind the smile, and the unreliable lies people tell themselves that ultimately reveal the deepest truths.