One follows Joanna Aronson as she cares for her father, Clyde, during his latest struggle with cancer while butting heads with her stepmother, Brenda, a cold woman whom Joanna suspects of neglecting him and even trying to kill him. Interspersed are Joanna’s memories of growing up in suburban Baltimore with her sister and parents in the ’60s, a life that seems idyllic yet seethes with subterranean discontents. Clyde, an English teacher, dominates the family with his charisma but undermines it with his affairs, including a liaison with one of Joanna’s teenage acquaintances. Joanna’s mother, Evie, feels trapped in housewifery and longs for the fulfillment she felt as a Communist Party activist. Joanna, though drawn like Clyde to the life of the mind, feels slighted because of his wish that she had been a boy. A colleague of her father’s seduces her at age 14. Threading through the story is Clyde’s memoir of growing up with his brother, Harry, in New York’s National Hebrew Orphan Home after his father abandoned the family and his mother placed the two boys there in 1924. It’s a Dickensian story of cold, hunger, loneliness, frequent beatings, and sexual abuse, but it’s lit with friendships and intellectual ambitions. Cherubin’s bittersweet tale is an epic and indelible character study of Clyde from frightened cub to kvetching lion in winter, with overtones of King Lear and an occasional queasily incestuous vibe. She writes in evocative prose that mixes astringent reality with glowing reverie. (“I sized up the three agents,” recalls Evie of a visit from the FBI during the Joseph McCarthy era. “Cold, smug, and bored. They could not begin to understand how alive I was during the war, how urgent and meaningful my life was thanks to the CP. How engaged I was with the world… I still miss those days.”) As Joanna grapples with her clan’s vexed legacy, the author shows how both betrayal and forgiveness can propagate across generations.An alternately dark and luminous, wounded and affectionate portrait of a family in crisis.

    Then, a chance meeting with a young French immigrant turns Rose's world upside down, its once bearable strictures suddenly tightening like a noose around her neck. In rebellion, she begins to live a secret life – a life that shocks her parents when it is discovered. With nowhere else to turn, and an overwhelming desire to be reconciled with those she loves, Rose tries to bow to her parents' demands that she agree to an arranged marriage. But pushed to the edge, she commits an act so unforgivable, it will exile her forever from her innocent young sister, her family, and all she has ever known.Forty years later, pious Pearl's sheltered young daughter Rivka suddenly discovers the ugly truth about her Aunt Rose, the outcast, who has moved on to become a renowned photographer. Inspired, but naïve and reckless, Rivka sets off on a dangerous adventure that will stir up the ghosts of the past, and alter the future in unimaginable ways for all involved.Powerful, page-turning and deeply moving, Naomi Ragen's The Sisters Weiss is an unforgettable examination of loyalty and betrayal; the differences that can tear a family apart and the invisible bonds that tie them together.

    Set in Israel between the Six Day War and the assassination of Yitzhak Rabin, 'If You Awaken Love' is an intensely moving story of a stormy and spiritual young girl and her love-hate relationships with her childhood sweetheart, with her father, and with God.

    Knowing how hard Lil's life is, Annie willingly helps her out, lending her dresses and make-up and, when Annie is asked out on a smart date by the landlord's son Peter Barrett, suggesting Lil come along to make up a foursome. But it is a shock when Lil gets on famously with Peter's swanky friend Julian whilst Annie feels much less sure of the smooth Peter. Soon Lil is busy earning money from pub singing spots set up for her by Julian, and Annie, no longer needed by her friend, feels more isolated than ever. It is then that she notices shy Will Hobbs from Fisher's engineering works. Before long Annie and Will are engaged, with plans for a home of their own in Surrey. But a dreadful accident at Fisher's and the looming shadow of World War II mean that life for Annie of Albert Mews is not so predictable - or secure - as she once thought it was ...

    Two men, aided by her father, hustle her mother away without a word, leaving a stunned Sarah staring after them. Thus begins Sarah’s journey into a world of secrets, a world of great responsibility and little guidance. Along the way, “The Blue Car,” set in western North Carolina in 1952, explores when to keep a promise and when to break it, and whether people can really change. Book club discussion questions included.

    It ends with a promise. On her deathbed Frances extracts it from her three daughters—the utterly capable homemaker Alice; the recalcitrant Allegra, a recovering alcoholic; and bohemian Edie, who shrinks in the face of any commitment: their promise to “look after Libba.” As if the formidable, tough-minded Libba Charles, author of ten books, a literary celebrity, needed looking after. Yet when they are summoned by Libba to Creek Cabin, their mother’s summer hideaway in the Blue Ridge Mountains of North Carolina, they go. None of them is prepared, though, for what they will discover there—about their mother, about Libba, about themselves—in this poignant, adroit rendering of reunions and farewells.

    The guard who has watched over him a dozen years. An American waitress in Paris. A young Palestinian man in Berlin who strikes up an odd friendship with a wealthy Canadian businessman. And The General, Israel's most controversial leader, who lies dying in a hospital, the only man who knows of the prisoner's existence.From these vastly different lives Nathan Englander has woven a powerful, intensely suspenseful portrait of a nation riven by insoluble conflict, even as the lives of its citizens become fatefully and inextricably entwined--a political thriller of the highest order that interrogates the anguished, violent division between Israelis and Palestinians, and dramatizes the immense moral ambiguities haunting both sides. Who is right, who is wrong--who is the guard, who is truly the prisoner?

    But he is also conflicted about the possibility of having to monitor the occupied Palestinian territories, a concern that grows deeper and more urgent when he meets Nimreen and Laith — the twin daughter and son of his mother’s friend.From that winter morning on, the three become inseparable: wandering the streets on weekends, piling onto buses toward new discoveries, laughing uncontrollably. They share joints on the beach, trading snippets of poems, intimate secrets, family histories, resentments, and dreams. But with his draft date rapidly approaching, Jonathan wrestles with the question of what it means to be proud of your heritage and loyal to your people, while also feeling love for those outside of your own tribal family. And then that fateful day arrives, the one that lands Jonathan in prison and changes his relationship with the twins forever.Powerful, important, and timely, Sadness Is a White Bird explores one man’s attempts to find a place for himself, discovering in the process a beautiful, against-the-odds love that flickers like a candle in the darkness of a never-ending conflict.

    He is the villain of five marriages and the father of a daughter so obsessed that she has been writing a book about him for years. Hamilton Stark is a boor, a misanthrope, a handsome man: funny, passionately honest, and a good dancer. The narrator, a middle-aged writer, decides to write about Stark as a hero whose anger and solitude represent passion and wisdom. At the same time that he tells Hamilton Stark's story, he describes the process of writing the novel and the complicated connections between truth and fiction. As Stark slips in and out of focus, maddeningly elusive and fascinatingly complex, this beguiling novel becomes at once a compelling meditation on identity and a thoroughly engaging story of life on the cold edge of New England.

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    Hired as a promising young historian, he soon becomes a leading expert on Nazi methods of extermination at concentration camps in Poland during World War II and guides tours through the sites for students and visiting dignitaries. He hungrily devours every detail of life and death in the camps and takes pride in being able to recreate for his audience the excruciating last moments of the victims’ lives. The job becomes a mission, and then an obsession. Spending so much time immersed in death, his connections with the living begin to deteriorate. He resents the students lost in their iPhones, singing sentimental songs, not expressing sufficient outrage at the genocide committed by the Nazis. In fact, he even begins to detect, in the students as well as himself, a hint of admiration for the murderers—their efficiency, audacity, and determination. Force is the only way to resist force, he comes to think, and one must be prepared to kill. With the perspicuity of Kafka’s The Trial and the obsessions of Delillo’s White Noise, The Memory Monster confronts difficult questions that are all too relevant to Israel and the world today: How do we process human brutality? What makes us choose sides in conflict? And how do we honor the memory of horror without becoming consumed by it?

    In a fit of preemptive grief and magical thinking, she sets out for a hike in the Galilee, leaving no forwarding information for the “notifiers” who might darken her door with the worst possible news. Recently estranged from her husband, Ilan, she drags along an unlikely companion: their former best friend and her former lover Avram, once a brilliant artistic spirit. Avram served in the army alongside Ilan when they were young, but their lives were forever changed one weekend when the two jokingly had Ora draw lots to see which of them would get the few days’ leave being offered by their commander—a chance act that sent Avram into Egpyt and the Yom Kippur War, where he was brutally tortured as POW. In the aftermath, a virtual hermit, he refused to keep in touch with the family and has never met the boy. Now, as Ora and Avram sleep out in the hills, ford rivers, and cross valleys, avoiding all news from the front, she gives him the gift of Ofer, word by word; she supplies the whole story of her motherhood, a retelling that keeps Ofer very much alive for Ora and for the reader, and opens Avram to human bonds undreamed of in his broken world. Their walk has a “war and peace” rhythm, as their conversation places the most hideous trials of war next to the joys and anguish of raising children. Never have we seen so clearly the reality and surreality of daily life in Israel, the currents of ambivalence about war within one household, and the burdens that fall on each generation anew. Grossman’s rich imagining of a family in love and crisis makes for one of the great antiwar novels of our time.

    The Supreme Court has ordered the state to desegregate its public schools; on the heels of the failed "massive resistance" movement, the county has instead voted to close them. With only a few weeks in which to establish a private, whites-only system, most of Ben's family is involved in the effort: his grandfather, Daddy Cary, has the ringleaders making speeches at his sixty-fifth birthday party; his father and his older brother "borrow" Farmville High's lights for the new football field; his mother volunteers at the library book drive. Come September, the Negro children will have no schools to attend, and that includes Ben's close friend Burghardt, the son of the hired hand who works on Daddy Cary's farm. Ben has always known that the lives of Negroes and whites are separated by a "color line," but none of what he has known seems to make sense anymore. When events lead to an explosive climax, Ben finds himself facing choices beyond his years; it will be a long time before he begins to understand all he learns that summer-one of the hottest on record, and, for him, the longest and most important.In this, his fifth and finest book, Dennis McFarland evokes, with his customary art and compassion, a wrenching chapter in our nation's history.

    The author of the award-winning Blue Angel now offers the trenchant, bitingly funny adventures of a Haitian au pair in an eccentric upper-class Hudson Valley household.

    When he refuses to back down from a contrary but principled stand regarding the West Bank settlements, his political opponents expose his affair with a mistress decades his junior. He and the fierce young Leora flee the scandal for Yalta, where, in an unexpected turn of events, he comes face-to-face with the former friend who denounced him to the KGB almost 40 years earlier.In a mere 24 hours, Kotler must face the ultimate reckoning, both with those who have betrayed him and with those whom he has betrayed, including a teenage daughter, a son facing his own ethical dilemmas in the Israeli army, and the wife who stood by his side through so much.In prose that is elegant, sly, precise, and devastating, David Bezmozgis has rendered a story for the ages, an inquest into the nature of fate and consequence, love and forgiveness.