How did she turn into one of the most-read social observers of our generation?The Carrie Diaries opens up in Carrie's senior year of high school. She and her best friends -- Walt, Lali, Maggie, and the Mouse -- are inseparable, amid the sea of Jens, Jocks and Jets. And then Sebastian Kydd comes into the picture. Sebastian is a bad boy-older, intriguing, and unpredictable. Carrie falls into the relationship that she was always supposed to have in high school-until a friend's betrayal makes her question everything. With her high school days coming to a close, Carrie will realize it's finally time to go after everything she ever wanted.Rabid fans of Sex and the City will love seeing Carrie Bradshaw evolve from a regular girl into a sharp, insightful writer. They'll learn about her family background -- how she found her writing voice, and the indelible impression her early friendships and relationships left on her. We'll see what brings Carrie to her beloved New York City, where the next Carrie Diaries book will take place.

    This collection of stories cuts through the hype of modern living, travelling inward to the elusive terrain of dreams and nightmares.

    Carrie Hope Fletcher is that person.* Thanks to her phenomenally popular YouTube videos, Carrie has become an 'honorary big sister' to hundreds of thousands of young people who turn to her for advice, friendship and, most of all, the knowledge that things will get better.Carrie has created a safe and positive space for young people to connect and share their hopes and concerns online, and now she will share her most personal thoughts and experiences in her first book, ALL I KNOW NOW. Part memoir, part advice guide, it will include Carrie's thoughts on some of the topics she's asked about most regularly: bullying, body image, relationships and perhaps the scariest question of all: what does the future hold for me? With warmth, wit and a sprinkling of hard-won wisdom, Carrie will provide the essential tools for growing up gracefully . . . most of the time.*Although she did recently post a video about how to pee in a onesie. So the definition of 'adult' is a bit flexible here . . .

     The traditional writing workshop was established with white male writers in mind; what we call craft is informed by their cultural values. In this bold and original examination of elements of writing—including plot, character, conflict, structure, and believability—and aspects of workshop—including the silenced writer and the imagined reader—Matthew Salesses asks questions to invigorate these familiar concepts. He upends Western notions of how a story must progress. How can we rethink craft, and the teaching of it, to better reach writers with diverse backgrounds? How can we invite diverse storytelling traditions into literary spaces?Drawing from examples including One Thousand and One Nights, Curious George, Ursula K. Le Guin's A Wizard of Earthsea, and the Asian American classic No-No Boy, Salesses asks us to reimagine craft and the workshop. In the pages of exercises included here, teachers will find suggestions for building syllabi, grading, and introducing new methods to the classroom; students will find revision and editing guidance, as well as a new lens for reading their work. Salesses shows that we need to interrogate the lack of diversity at the core of published fiction: how we teach and write it. After all, as he reminds us, "When we write fiction, we write the world."

    Above all, they seek the guidance of Perla Portillo, the shop’s owner. Perla has served the community for years, arming her clients with the tools to overcome all manner of crises, large and small. There is Juan, a man coming to terms with the death of his father; Nancy, a recently married schoolteacher; Shawn, an addict looking for peace in his chaotic life; and Rosa, a teenager trying to lose weight and find herself. But when a customer with a troubled and mysterious past arrives, Perla struggles to help and must confront both her unfulfilled hopes and doubts about her place in a rapidly changing world.Imaginative, inspiring, lyrical, and beautifully written, Still Water Saints evokes the unpredictability of life and the resilience of the spirit through the journeys of the people of Agua Mansa, and especially of the one woman at the center of it all. Theirs are stories of faith and betrayal, love and loss, the bonds of family and community, and the constancy of change.From the Hardcover edition.

    Antonio's Gun and Delfino's Dream, Quinones's second collection of nonfiction tales, does the same for one of the most important issues of our times: the migration of Mexicans to the United States.Quinones has covered the world of Mexican immigrants for the last thirteen years--from Chicago to Oaxaca, Michoacan to southeast Los Angeles, Tijuana to Texas. Along the way, he has uncovered stories that help illuminate all that Mexicans seek when they come north, how they change their new country, and are changed by it.Here are the stories of the Henry Ford of velvet painting in Ciudad Juarez, the emergence of opera in Tijuana, the bizarre goings-on in the L.A. suburb of South Gate, and of the drug-addled colonies of Old World German Mennonites in Chihuahua. Through it all winds the tale of Delfino Juarez, a young construction worker, and modern-day Huckleberry Finn, who had to leave his village to change it.

    Rowling’s script for Fantastic Beasts and Where to Find Them to the screen.  Explore the realm of fantastical creatures that roam the wizarding world and discover the magical cast of characters in pursuit of them.Officially licensed by Warner Bros. Consumer Products, and designed by MinaLima, designers of the graphic props for the Harry Potter films as well as Fantastic Beasts and Where to Find Them, The Case of Beasts delivers an enchanting interactive experience by sharing filmmaking secrets, film photography and artwork, and behind-the-scenes stories from cast and crew. Full of removable, facsimile reproductions of props and paper ephemera from the movie, along with some very special effects, this collectible volume offers a unique look from the talented group who created this movie magic.

    Featuring: Jack Kerouac, Allen Ginsberg, William Burroughs, Gary Snyder, Neal Cassady, Gregory Corso, Diane Di Prima, Bob Dylan, Ken Kesey, Charles Bukowski, Michael McClure, and more.

    Jon Scieszka’s Guys Read initiative was founded on a simple premise: that young guys enjoy reading most when they have reading they can enjoy. And out of this comes a series that aims to give them just that. Ten books, arranged by theme, featuring the best of the best where writing for kids is concerned. Each book is a collection of original short stories, but these aren’t your typical anthologies: each book is edgy, inventive, visual, and one-of-a-kind, featuring a different theme for guys to get excited about. Funny Business is based around the theme of—what else?—humor, and if you’re familiar with Jon and Guys Read, you already know what you’re in store for: ten hilarious stories from some of the funniest writers around. Before you’re through, you’ll meet a teenage mummy; a kid desperate to take a dip in the world’s largest pool of chocolate milk; a homicidal turkey; parents who hand over their son’s room to a biker; the only kid in his middle school who hasn’t turned into a vampire, wizard, or superhero; and more. And the contributor list includes bestselling authors, award winners, and fresh new talent alike: Mac Barnett, Eoin Colfer, Christopher Paul Curtis, Kate DiCamillo (writing with Jon Scieszka), Paul Feig, Jack Gantos, Jeff Kinney, David Lubar, Adam Rex, and David Yoo. Guys Read is all about turning young readers into lifelong ones—and with this book, and each subsequent installment in the series, we aim to leave no guy unturned.

    Compiled by bestselling author Tamora Pierce and folklorist/author Josepha Sherman, Young Warriors includes stories by some of today's most acclaimed and beloved fantasy and science-fiction authors for both adults and young adults.Acts of Faith • (2005) • novelette by Lesley McBainAfterword (Young Warriors: Stories of Strength) • (2005) • essay by Josepha ShermanAn Axe for Men • (2005) • short story by Rosemary EdghillDevil Wind • (2005) • novelette by India EdghillEli and the Dybbuk • (2005) • novelette by Janis IanEmerging Legacy • [Wolverine's Daughter • 1.5] • (2005) • novelette by Doranna DurginHeartless • (2005) • short story by Holly BlackHidden Warriors • (2005) • short story by Margaret MahyIntroduction (Young Warriors: Stories of Strength) • (2005) • essay by Tamora PierceLioness • (2005) • short story by Pamela F. ServiceSerpent's Rock • (2005) • novelette by Laura Anne GilmanStudent of Ostriches • [Song of the Lioness] • (2005) • novelette by Tamora PierceSwords That Talk • (2005) • short story by Brent HartingerThe Boy Who Cried "Dragon!" • (2005) • short story by Mike ResnickThe Gift of Rain Mountain • (2005) • short story by Bruce Holland RogersThe Magestone • (2005) • short story by Janet Stirling and S. M. Stirling [as by Jan Stirling and S. M. Stirling]Thunderbolt • (2005) • short story by Esther M. Friesner [as by Esther Friesner]

    The wardens have given the boy a light workload because he shows talent as a runner. But if he wins the national long-distance running competition as everyone is counting on him to do, Smith will only vindicate the very system and society that has locked him up. “The Loneliness of the Long-Distance Runner” has long been considered a masterpiece on both the page and the silver screen. Adapted for film by Sillitoe himself in 1962, it became an instant classic of British New Wave cinema.    In “Uncle Ernest,” a middle-aged furniture upholsterer traumatized in World War II, now leads a lonely life. His wife has left him, his brothers have moved away, and the townsfolk treat him as if he were a ghost. When the old man finally finds companionship with two young girls whom he enjoys buying pastries for at a café, the local authorities find his behavior morally suspect. “Mr. Raynor the School Teacher” delves into a different kind of isolation—that of a voyeuristic teacher who fantasizes constantly about the women who work in a draper’s shop across the street. When his students distract him from his lustful daydreams, Mr. Raynor becomes violent.   The six stories that follow in this iconic collection continue to cement Alan Sillitoe’s reputation as one of Britain’s foremost storytellers, and a champion of the condemned, the oppressed, and the overlooked.   This ebook features an illustrated biography of Alan Sillitoe including rare images from the author’s estate.

    I am Daniel Handler, the author of this book. Did you know that authors often write the summaries that appear on their book's dust jacket? You might want to think about that the next time you read something like, "A dazzling page-turner, this novel shows an internationally acclaimed storyteller at the height of his astonishing powers.""Adverbs" is a novel about love -- a bunch of different people, in and out of different kinds of love. At the start of the novel, Andrea is in love with David -- or maybe it's Joe -- who instead falls in love with Peter in a taxi. At the end of the novel, it's Joe who's in the taxi, falling in love with Andrea, although it might not be Andrea, or in any case it might not be the same Andrea, as Andrea is a very common name. So is Allison, who is married to Adrian in the middle of the novel, although in the middle of the ocean she considers a fling with Keith and also with Steve, whom she meets in an automobile, unless it's not the same Allison who meets the Snow Queen in a casino, or the same Steve who meets Eddie in the middle of the forest. . . .It might sound confusing, but that's love, and as the author -- me -- says, "It is not the nouns. The miracle is the adverbs, the way things are done." This novel is about people trying to find love in the ways it is done before the volcano erupts and the miracle ends. Yes, there's a volcano in the novel. In my opinion a volcano automatically makes a story more interesting.

    Though their families--both biological and found--create a warm community for them, threats lurk around every corner. And when those threats become all too real, the three teens know they have no choice but to run: for the border, for the hope of freedom, and for their very lives.Crossing from Guatemala through Mexico with their eyes on the U.S. border, they follow the route of La Bestia, a system of trains that promise the hope of freedom--if they are lucky enough to survive the harrowing journey. With nothing but the bags on their backs and the desperation that courses through their very veins, Pulga, Chico, and Pequeña know that there's no turning back, dangerous though the road ahead might be.In this story inspired by real--and current--events, the plight at our southern border is brought to life.

    And not hot-off-the-press, still-drying-in-your-hands ink. Instead, you are holding twelve stories with endings that are still being written--whose next chapters are up to you.Because these stories are meant to be read. And shared.Thirteen of the most accomplished YA authors deliver a label-defying anthology that includes ten short stories, a graphic novel, and a one-act play. This collection will inspire you to break conventions, bend the rules, and color outside the lines. All you need is fresh ink.

    Vladimir's Academy, explore the dark psychology behind Rose and Lissa's spirit bond, and find out even more illicit secrets about Moroi society. This ultimate guide will feature everything readers want and need to go even deeper into the world of Vampire Academy, Frostbite, Shadow Kiss, Blood Promise, Spirit Bound, and Last Sacrifice . . . every heartache, every betrayal, every sacrifice, and so much more!