Based on Clifford’s own harrowing experience with drugs as a rock ’n’ roll wannabe in the 1990s, the book draws on the best of Kerouac & the Beats, injecting a heavy dose of pulp fiction as it threads a rollicking narrative through a doomed love triangle, lit up by the many strange characters he meets along the way. Part road story, part resurrection tale, Junkie Love finds a way to laugh in one’s darkest hour, while never abandoning its heart in search of a home.

    An inspired fusion of fact and invention, this beautifully realized, hard-bitten, lyrical book is not only Elizabeth Hardwick's finest fiction but one of the outstanding contributions to American literature of the last fifty years.

    In many ways, it is a cross between Mary Karr's The Liar's Club and James Frey's A Million Little Pieces. Dina's grandfather and father were alcoholics. Her grandmother was a pill addict. Dina is an alcoholic and pill addict, and all three of her daughters struggle with alcohol and drug addiction, including her youngest daughter, who started using heroin at age fourteen. Dina's household also includes her husband and his unemployed identical twin, a mother who has Parkinson's Disease, a grandson who has cerebral palsy, and various other friends and family members who drift in and out of the household depending on their employment situation and rehab status. On top of all that, Dina is trying to make it as a stand-up comic and author so she can quit her crummy job as a grocery store clerk. Through it all, Dina does her best to hold her family together, keep her faith, and maintain her sense of humor. The story opens with Dina on stage, competing on the "Funniest Mom in America" TV show. She's performed hundreds of times, but this time she freezes because she's flashing back to her teenage daughter's harrowing hospital stay following a suicide attempt. From there, it's a rollercoaster ride that includes stories of parental neglect, drug overdoses, a priest who masturbates while hearing confessions, a tragic childbirth, a teen who finds out via videotape that she was raped while she was high on crystal meth, a stay in a mental ward, a surprisingly redemptive trip to Disneyland, and more relapses and rehabs than you can keep track of. It's a story that is brutally honest -- shocking at times -- yet still funny and full of hope. As you might imagine, a story filled with alcoholics and drug addicts includes a number of horrific events. But in the end, Everything I Never Wanted to Be is an uplifting story that contains valuable lessons for parents and teens alike, and a strong message about the need to address the epidemic of teen drug addiction in our nation. It's a book that can change behavior and save lives and make you laugh along the way."Raw and funny." -- Joel Stein, Time Magazine columnist"Like a maelstrom." -- Gary Klinga, ForeWord Review"So absolutely over the top that it makes readers laugh out loud and thank God it is not them." -- Robin Martin, San Francisco Book Review"Malcolm in the Middle meets Cops." -- Jenny Mounfield, The Compulsive Reader"Open and honest." -- Charline Ratcliff, Rebecca's Reads"You are a good writer. No doubt." James Frey to Dina Kucera

    Our narrator must piece together the history of his blighted existence and discover the agents of its cruel end. What he doesn’t expect is that digging for the truth will demand plenty of lying.

    He must be a complete man and a common man and yet an unusual man. This is the Code of the Private Eye as defined by Raymond Chandler in his 1944 essay 'The Simple Act of Murder.' Such a man was Philip Marlowe, private eye, an educated, heroic, streetwise, rugged individualist and the hero of Chandler's first novel, The Big Sleep. This work established Chandler as the master of the 'hard-boiled' detective novel, and his articulate and literary style of writing won him a large audience, which ranged from the man in the street to the most sophisticated intellectual.

    Offering a different perspective from the bestselling Slash, Adler chronicles his life with the band, and own intense struggle with addiction, as seen on Dr. Drew’s Celebrity Rehab and Sober House.

    The marathon dance craze flourished during the 1930s, but the underside was a competition and violence unknown to most ballrooms—a dark side that Horace McCoy's classic American novel powerfully captures."Were it not in its physical details so carefully documented, it would be lurid beyond itself." —Nation

    But Miss Wonderley is in fact the beautiful and treacherous Brigid O'Shaughnessy, and when Spade's partner Miles Archer is shot while on Thursby's trail, Spade finds himself both hunter and hunted: can he track down the jewel-encrusted bird, a treasure worth killing for, before the Fat Man finds him?

    I was a very ugly child. My appearance has not improved so I guess it was a lucky break when he was attracted by my youthfulness." So begins the wrenching diary of Minnie Goetze, a fifteen-year-old girl longing for love and acceptance and struggling with her own precocious sexuality. Minnie hates school and she wants to be an artist, or maybe a speleologist, or a bartender. She sleeps with her mother's boyfriend, and yet is too shy to talk with boys at school. She forges her way through adolescence, unsupervised and unguided, defenseless, and yet fearless.The story unfolds in the libertine atmosphere of the 1970s San Francisco, but the significance of Minnie's effort to understand herself and her world is universal. This is the story of an adolescent troubled by the discontinuity between what she thinks and feels and what she observes in those around her. The Diary of a Teenage Girl offers a searing comment on adult society as seen though the eyes of a young woman on the verge of joining it.In this unusual novel, artist and writer Phoebe Gloeckner presents a pivotal year in a girl's life, recounted in diary pages and illustrations, with full narrative sequences in comics form.

    She was a successful model married to a successful rock star—Stone Temple Pilots and Velvet Revolver frontman Scott Weiland—and a world traveler with a home and two beautiful children. But it wasn’t until her rampage in a Los Angeles hotel room and the resulting media frenzy that the world got a glimpse into Mary’s inner turmoil, self-destructive behavior, bipolar disorder, and drug abuse.In Fall to Pieces, she reveals the extreme highs and lows of her life, the volatilty of which long hinted at her bipolar disorder. Weiland tells her story with refreshing candor, unflinching detail, and more than a little humor. Reminiscent of celebrity memoirs from Tatum O’Neill, Brooke Shields and Valerie Bertinelli, Weiland offers a window into the world of modeling and rock’n’roll celebrity while at the same time providing deep insights into a serious and misunderstood mental illness.Co-written with veteran journalist Larkin Warren, Fall to Pieces is a blistering, eye-opening memoir of Hollywood meltdown.

    Selby's second novel is a claustrophobic descent into the tormented soul of a man trapped in a loveless society.

    A young writer uncertain of what he wants to say, the man moves through tableaus of life in one of the most dynamic cities in the world: he hears the muezzin's call to prayer in the early morning light, and listens to John Coltrane during the late afternoon heat. He witnesses teenagers diligently perpetrating e-mail frauds from internet cafes, longs after a woman reading Michael Ondaatje on a public bus, and visits the impoverished National Museum. Along the way, he reconnects with old school friends and his family, who force him to ask himself profound questions of personal and national history. Over long, wandering days, the narrator compares present-day Lagos to the Lagos of his memory, and in doing so reveals changes that have taken place in himself.

    She used those attributes to survive a divorce in 1940s America with two children and to claw her way out of poverty, becoming a successful businesswoman. But Mildred also had two weaknesses: a yen for shiftless men and an unreasoning devotion to her monstrous daughter.Out of these elements, Cain created a novel (later made into a film noir classic) of acute social observation and devastating emotional violence—and a heroine whose ambitions and sufferings are never less than recognizable.

    She's traded in her law degree for her old private investigating license, struggling to keep Mars Investigations afloat on the scant cash earned by catching cheating spouses until she can score her first big case.Now it's spring break, and college students descend on Neptune, transforming the beaches and boardwalks into a frenzied, week-long rave. When a girl disappears from a party, Veronica is called in to investigate. But this is not a simple missing person's case. The house the girl vanished from belongs to a man with serious criminal ties, and soon Veronica is plunged into a dangerous underworld of drugs and organized crime. And when a major break in the investigation has a shocking connection to Veronica's past, the case hits closer to home than she ever imagined.

    Burroughs wrote Junky, his first novel. It is a candid eye-witness account of times and places that are now long gone, an unvarnished field report from the American post-war underground. Unafraid to portray himself in 1953 as a confirmed member of two socially-despised under classes (a narcotics addict and a homosexual), Burroughs was writing as a trained anthropologist when he unapologetically described a way of life - in New York, New Orleans, and Mexico City - that by the 1940's was already demonized by the artificial anti-drug hysteria of an opportunistic bureaucracy and a cynical, prostrate media. For this fiftieth-anniversary edition, eminent Burroughs scholar Oliver Harris has painstakingly recreated the author's original text, word by word, from archival typescripts and places the book's contents against a lively historical background in a comprehensive introduction. Here as well, for the first time, are Burroughs' own unpublished introduction and an entire omitted chapter, along with many "lost" passages, as well as auxiliary texts by Allen Ginsberg and others.