With the turn of every page, Sea of Strangers invites you to go beyond love and loss to explore themes of self-discovery and empowerment as you navigate your way around the human heart.

    As Warren once said, "I got to be Jim Morrison a lot longer than he did."I'll Sleep When I'm Dead is an intimate and unusual oral history of one of our most original and distinctive rock-and-roll antiheroes. Narrated by his former wife and longtime co-conspirator, Crystal Zevon, the book draws on over eighty interviews with the likes of Bruce Springsteen, Stephen King, Billy Bob Thornton, Jackson Browne, Bonnie Raitt, and countless others who came under his mischievous spell. The result is a raucous and moving tale of love and obsession, creative genius and epic bad behavior. Told in the words and images of the friends, lovers, and legends who knew him best, I'll Sleep When I'm Dead captures Warren Zevon in all his turbulent glory.

    The scene is an Atlanta bar. The music is loud and the dance floor is packed. The good-looking brother picks up a girl. But when dark deeds ensue out in the parking lot, what happens next can only be described in two words: vintage Slaughter.

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    It follows him during the year he plunged to rock bottom and his courageous decision to pick himself up and start living again."

    The book is divided into three parts: The first section, "Walking the Chasm,” written in the form of a poem, epitomizes Rollins’s beautifully stark, hard-hitting style. The second part, "Ended," is a series of short prose pieces reminiscent of Solipsist. Finally, the biting humor and social commentary Rollins is renowned for is on full display in "To Ann Hitler with Love," a series of mock love letters to a fictional woman who bears a striking resemblance to conservative pundit Ann Coulter.

    Edward J. Delaney is an enormously gifted writer.” —ROBERT OLEN BUTLER"In Edward J. Delaney's South Boston little is lost, nothing forgotten. Old sins, old wounds haunt his characters, young and old, and reverberate throughout his wonderfully complicated plot. Broken Irish is an enthralling, satisfying novel." —MARGOT LIVESEY"An entire community is on the brink. Hope is the only hope. And faith cannot scrub the grime off its hands. With Broken Irish, Edward J. Delaney delivers a gripping epic." —ADAM BRAVERAs the millennium approaches, “Southie” is still a place where little distinguishes mob bosses from pillars of industry, the bullied from the bullies, and the pious from the pitiful. In this tough Boston neighborhood, six lives are about to converge... Jimmy, an alcoholic writer, whose life is unalterably changed after witnessing an accident; Jeanmarie, a teenage runaway, whose quest for independence leads down a dark path; Christopher, a young Catholic school dropout with a gnawing secret; Colleen, a war widow whose grief has blinded her to the needs of her son; Father John, a priest on the eve of forced retirement; and Rafferty, a wealthy businessman who hires a ghostwriter to tell his story.In Broken Irish, Delaney trains his journalist’s ear, his filmmaker’s eye, and his writer’s heart on each of their stories—creating a driven and deeply human narrative that pierces the heart of the American experience. He also gives us a captivating portrait of late-1990s South Boston at the crossroads—a time when “Whitey Bulger has evaporated into the ether but his boys still kick around on the street corners... waiting for Whitey’s Second Coming.”

    I emerged onto the balcony. The sunlight was so blinding to my eyes that had been locked closed from insanity and pain or the weight of the Seroquel that I did not take in the whole scene at first. I looked at the sky. It was blue with small hints of grey, and the breeze was still while the clouds were large and puffy. The sky was calm and peaceful and fucking gorgeous. My eyes squinted from brightness and slight nausea; I looked down from the second floor of the raised old house and realized the streets had morphed into rivers. I looked on with both disbelief and amazement."As the whispers of Hurricane Katrina swirled through New Orleans, I did not even consider evacuating. The reason is simple. I did not have enough heroin to make it very far out of the city, without facing the impending doom of dope sickness. This is my story of the storm of the century. Follow me, sloshing through the storm's flood waters, searching for my next fix, with the slow realization that things will never be the same again.

    This story of three closely related Oxfordshire communities - a hamlet, the nearby village and a small market town - is based on the author's experiences during childhood and youth. It chronicles May Day celebrations and forgotten children's games, the daily lives of farmworkers and craftsmen, friends and relations - all painted with a gaiety and freshness of observation that make this trilogy an evocative and sensitive memorial to Victorian rural England.With a new introduction by Richard Mabey

    M. Homes has been among the boldest and most original voices of her generation, acclaimed for the psychological accuracy and unnerving emotional intensity of her storytelling. Her keen ability to explore how extraordinary the ordinary can be is at the heart of her touching and funny new novel, her first in six years. Richard Novak is a modern-day Everyman, a middle-aged divorcé trading stocks out of his home. He has done such a good job getting his life under control that he needs no one- except his trainer, nutritionist, and housekeeper. He is functionally dead and doesn't even notice until two incidents-an attack of intense pain that lands him in the emergency room, and the discovery of an expanding sinkhole outside his house-conspire to hurl him back into the world. On his way home from the hospital, Richard forms the first of many new relationships: He meets Anhil, the doughnut shop owner, an immigrant who dreams big. He finds a weeping housewife in the produce section of the supermarket, helps save a horse that has fallen into the sinkhole, daringly rescues a woman from the trunk of her kidnapper's car, and, after the sinkhole claims his house and he has to relocate to a Malibu rental, he befriends a reluctant counterculture icon. In the end, Richard is also brought back in closer touch with his family-his aging parents, his brilliant brother, the beloved ex-wife whom he still desires, and finally, before the story's breathtaking finale, with his estranged son Ben. The promised land of Los Angeles-a surreal city of earthquakes, wildfires, mudslides, and feral Chihuahuas-is also very much a character in This Book Will Save Your Life. A vivid, revealing novel about compassion, transformation, and what can happen if you are willing to lose yourself and open up to the world around you, it should significantly broaden Homes's already substantial audience.

    Published in crime magazines, composed for events, broadcast on radio, they all share the best qualities of his phenomenally popular Rebus novels. 10 years ago, A GOOD HANGING Ian's first short story collection demonstrated this talent and now after nearly a decade at the top of popular fiction, Ian is releasing a follow up. Ranging from the macabre ('The Hanged Man') to the unfortunate ('The Only True Comedian') right back to the sinister ('Someone Got To Eddie') they all bear the hallmark of great crime writing. Of even more interest to his many fans, Ian includes seven Inspector Rebus stories in this new collection ...

    Someone older, patient and wise, who understood you when you were young and searching, and gave you sound advice to help you make your way through it. For Mitch Albom, that person was Morrie Schwartz, his college professor from nearly twenty years ago.Maybe, like Mitch, you lost track of this mentor as you made your way, and the insights faded. Wouldn't you like to see that person again, ask the bigger questions that still haunt you? Mitch Albom had that second chance. He rediscovered Morrie in the last months of the older man's life. Knowing he was dying of ALS - or motor neurone disease - Mitch visited Morrie in his study every Tuesday, just as they used to back in college. Their rekindled relationship turned into one final 'class': lessons in how to live.

    Vikar Jerome steps into the vortex of a cultural transformation: rock ’n’ roll, sex, drugs, and — far more important to him — the decline of the movie studios and the rise of the independent director. Jerome will become a film editor of astonishing vision. Then through encounters with former starlets, burglars, political guerillas, punk musicians, and veteran filmmakers, he discovers the astonishing secret that lies in every movie ever made.

    Little Tree as his grandparents call him is shown how to hunt and survive in the mountains, to respect nature in the Cherokee Way, taking only what is needed, leaving the rest for nature to run its course. Little Tree also learns the often callous ways of white businessmen and tax collectors, and how Granpa, in hilarious vignettes, scares them away from his illegal attempts to enter the cash economy. Granma teaches Little Tree the joys of reading and education. But when Little Tree is taken away by whites for schooling, we learn of the cruelty meted out to Indian children in an attempt to assimilate them and of Little Tree's perception of the Anglo world and how it differs from the Cherokee Way. A classic of its era, and an enduring book for all ages, The Education of Little Tree has now been redesigned for this twenty-fifth anniversary edition.

    A drug that made you focused, charming, fast, even attractive. Eddie Spinola is on such a drug. It's called MDT-48, and it's Viagra for the brain-a designer drug that's redesigning his life. But while MDT is helping Eddie achieve the kind of success he's only dreamed about, it's also chipping away at his sanity-splitting headaches, spontaneous blackouts, violent outbursts. And now that he's hooked and his supply is running low, Eddie must venture into the drug's dark past to feed his habit. What he discovers proves that MDT, once a dream come true, has become his worst nightmare.