Failed entrepreneur Stanton Finch moves his family from Adelaide to the remote Coorong area of Southern Australia, in pursuit of his dream to become a farmer.Housed in a driftwood cabin, they try to make the best of their situation. The children roam the beautiful landscape of Salt Creek; visitors are rare but warmly welcomed; a local Indigenous boy becomes almost part of the family. Yet there are daily hardships, and tensions with the Ngarrindjeri people they have displaced; disaster never seems far away.With Mrs Finch struggling to cope, Hester, their perceptive eldest daughter, willingly takes on more responsibility. But as Hester’s sense of duty grows, so does a yearning to escape Salt Creek and make a new life of her own …Lucy Treloar was born in Malaysia and educated in Melbourne, England, and Sweden. Awards for her writing include the 2014 Commonwealth Short Story Prize. Salt Creek is her first novel.

    She seeks solace from her toxic relationship by throwing herself into a new job that she loves, by confiding in her best friend Corina and, most dangerously of all, by spending more and more time with her workmate Owen – who just so happens to be passionate, charming and everything her husband used to be.Then one heat-of-the-moment decision on a business trip to Amsterdam sets off a series of events that will change the course of all their lives forever.

    He and his wife are attempting to escape the stifling conservatism of 1930s Australia by inviting other like-minded artists to live and work with them at their family home. As Lily’s friendship with Eva grows, she becomes infatuated with this makeshift family and longs to truly be a part of it.Looking back on those years later in life, Lily realises that this utopian circle involved the same themes as Evan Trentham’s art: Faustian bargains and terrible recompense; spectacular fortunes and falls from grace. Yet it was not Evan, nor the other artists he gathered around him, but his own daughters, who paid the debt that was owing.The Strays is an engrossing story of ambition, sacrifice and compromised loyalties from an exciting new talent.

    His life has been spent on the banks of the Murrumby River at Prosperous House, on Massacre Plains. Albert is determined to pass on the language of his people and everything that was ever remembered. He finds the words on the wind.August Gondiwindi has been living on the other side of the world for ten years when she learns of her grandfather’s death. She returns home for his burial, wracked with grief and burdened with all she tried to leave behind. Her homecoming is bittersweet as she confronts the love of her kin and news that Prosperous is to be repossessed by a mining company. Determined to make amends she endeavours to save their land – a quest that leads her to the voice of her grandfather and into the past, the stories of her people, the secrets of the river.Profoundly moving and exquisitely written, Tara June Winch’s The Yield is the story of a people and a culture dispossessed. But it is as much a celebration of what was and what endures, and a powerful reclaiming of Indigenous language, storytelling and identity.

    If a man can still ride, if he hasn't totally lost the use of his legs, if he hasn't died to the part of his heart that understands such things, then he should go for a gallop. At the very least he should stand at the road by the river imagining that he's pushing a horse up the steep hill that leads to the house on the farm once known as One Tree.

    " ReadingsA grieving daughter navigates the morning commute, her mind bursting with memories pleading to be shared.A man made entirely of well-cut suits and strictly enforced rules swims his regular morning laps and fantasises about his self-assured promotion.A young lawyer sits in a fluorescent-lit office, typing indecipherable jargon and dreaming of everything she didn't become.A failed news hack hides under the covers from another looming deadline, and from a past that will not relent its pursuit.And a young woman seeking asylum sits tensely on an unmoving train, praying that good news waits at the other end of the line...In this charming, moving and affectionate novel, Claire Varley paints a magical portrait of five ordinary people, and the sometimes heartbreaking power of the stories we make of ourselves.PRAISE FOR THE BIT IN BETWEEN"Tragic, mysterious, insightful, sometimes humorous and often heartbreaking." Daily Telegraph"Varley writes with confidence and brio, and her main characters are believable and loveable." The Age"Full of heart and humour." West Australian

    No one knows where Ben is, but everyone wants to find him – especially The Department. And they should know, the all-seeing government body has fitted the entire population with a universal tracking chip to keep them ‘safe’.But suddenly Ben can’t be tracked. And Mim is questioned, made to surrender her passport and threatened with the unthinkable – her two children being taken into care at the notorious BestLife.Cornered, Mim risks everything to go on the run to find her husband – and a part of herself, long gone, that is brave enough to tackle the journey ahead.From the stark backroads of the Australian outback to a terrifying sea voyage, Mim is forced to shuck off who she was – mother, daughter, wife, sister – and become the woman she needs to be to save her family and herself.

    Almost a century later, two bodies are unearthed in the small Australian country town of Valley View. Following the Armistice, Sergeant Joshua Larkin is sent on a special mission deep into enemy territory in Russia. But when he is ordered to do the unthinkable, he must flee across Europe in order to protect a young woman, Maria, whose family has been executed. With Maria's life under threat from all sides due to her imperial connections, nowhere is safe. Decades later, the discovery of the two skeletons in Valley View poses problems for local policeman Morgan McLean. Who are the victims and why were they killed? Could the rumours of an heir to the Russian throne be true? And what explosive secret is Britain's MI6 desperate to keep hidden by any means necessary? Past and present collide in THE FROZEN CIRCLE, and the fate of two people unleashes a volatile series of events that could reshape the world.

    To which I say something like: ‘People are infinitely complex.’ But I say it in such a way—so pregnant with misanthropy—that it’s obvious I hate her.​Michaela and Eve are two bright, bold women who befriend each other their first year at a residential college at university, where they live in adjacent rooms. They could not be more different; one assured and popular – the other uncertain and eager-to-please. But something happens one night in O-week – a drunken encounter, a foggy memory that will force them to confront the realities of consent and wrestle with the dynamics of power.Initially bonded by their wit and sharp eye for the colleges’ mix of material wealth and moral poverty, Michaela and Eve soon discover how fragile friendship is, and how capable of betrayal they both are.​Written with a strikingly contemporary voice that is both wickedly clever and incisive, issues of consent, class and institutional privilege, and feminism become provocations for enduring philosophical questions we face today.

    It's a game he always thinks he'll win. There was his mother, a deluded snob, who made up large swathes of her past and who ran away with Richard's English teacher, a Tolkien devotee, nudist and stuffed-toy collector. There was his father, a distant alcoholic, who ran through a gamut of wives, yachts and failed dreams. And there was Richard himself, a confused teenager, vulnerable to strange men, trying to find a family he could belong to. As he eventually accepted, the only way to make sense of the present was to go back to the past - but beware of what you might find there. Truth can leave wounds - even if they are only flesh wounds.Part poignant family memoir, part rollicking venture into a 1970s Australia, this is a book for anyone who's wondered if their family is the oddest one on the planet. The answer: 'No'. There is always something stranger out there.'Sad, funny, revealing, optimistic and hopeful.' Jeanette Winterson

    Two years later he was a key man on one of Australia’s greatest cattle drives – the Durack family’s epic journey from Cooper’s Creek, Queensland – to the Kimberley. Drawing on Charlie’s largely unknown story, and filling in the gaps with fiction, the author has created a novel unique in Australian literature. An unprecedented adventure, and a passionate love story – Whistler's Bones is both a celebration of the good things in the settlement of Northern Australia – and a damning indictment of the bad.

    Especially having been through the same rigmarole when he was 11! Needless to say, Luke Ryan is eyeing off 33 warily.There's only one course of action to take after you've fought off cancer twice – stand-up comedy. Growing out of a sell-out show at the Melbourne Comedy Festival, A Funny Thing Happened on the Way to Chemo is a warm-hearted and hilarious memoir from someone who has laughed in the face of more adversity than most of us would face in a lifetime.Luke's is a life marked by cancer, not defined by it. These are stories of growing up, getting sick, getting better, getting sick again, dating while bald, keeping your semen in the freezer and living life to the full.

    The other big event of that year was the outbreak of the Second World War, but for the moment, that did not affect me.' In the first instalment of Clive James's memoirs, we meet the young Clive, dressed in short trousers, and wrestling with the demands of school, various relatives and the occasional snake, in the suburbs of post-war Sydney.

    But darkness is found both in the iconic setting as well as in the disturbing behaviour of one of the family.As he tilted the blinds she saw her mother in her tennis whites, standing at the kitchen bench, staring out into the dark bushland that bordered their houses. That was what Tricia did these days, looked into the bush as though it would attack one of them.On a sweltering day in a cliff-top beach shack, Jack and Lou Bright grow suspicious about the behaviour of their charismatic, unpredictable father, Charlie. A girl they know has disappeared, and as the day unfolds, Jack's eruptions of panic, Lou's sultry rebellions and their little sister Phoebe's attention-seeking push the family towards revelation.Twenty years later, the Bright children have remained close to the cliff edges, russet sand and moody ocean of their childhood. Behind the beautiful surfaces of their daily lives lies the difficult landscape of their past, always threatening to break through. And then, one night in late summer, they return to the house on the cliff...Gripping and evocative, Bluebottle is a story of a family bound by an inescapable past, from the award-winning author of The River Baptists and Hannah and Emil.

    Her characters are exploring new ways of loving and living - and nothing is harder than learning to love lightly. Nora and Javo are trapped in a desperate relationship. Nora's addiction is romantic love; Javo's is hard drugs. The harder they pull away, the tighter the monkey grip. A lyrical, gritty, rough-edged novel that deserves its place as a classic of Australian fiction.