This includes his Greek parents, who bankroll his glorious isolation in London. This includes his career as a consultant, his clients, his boss, the majority of his colleagues and people he sees on the way to work. This includes the dumb model boyfriend of the American girl that he has decided to fall in love with. This includes her also. When Maine fails to obliterate himself through drug overdoses, the obsessive changing of his legal name and half-hearted thoughts of suicide, it falls to his central nervous system to pick up the challenge of trying to kill him off. Can Maine survive with his lack of values intact?

     Changing Trains is a fictionalised memoire that will transport you back to the glorious 1980s - that time just before mobile devices, the internet and social media changed the world - and one working class boy's journey of discovery and sexual self awareness.

    Luck has begun to shine in her favor and Tanisha Jordan has finally found love!Although Marcus happens to be everything Tanisha could want in a man, unfortunately Tanisha is living a lie. A lie she is willing to protect BY ANY MEANS NECESSARY! She would've loved to have told Marcus the truth, but she knew he would never understand. Whether he would place judgement on her like the inmates of Hampton Roads Regional Jail, Or feel sorry for her like her so called friend Crystal... Both of those thoughts were a chance Tanisha wasn't willing to take. Therefore it was only right of her to lie.Now that Tanisha finally found love... That deep desire which fuels her soul... Something her heart been yearning for her entire life... You will see there are no limitations to her madness and exactly how far she's willing to go to cover up her lies in the name of love!

    He has troubling news and is asking Charles for help. Charles is not sure that he can, but he is willing to try.Helping involves traveling north to the Sioux Valley. Gray Wolf and Swimming Otter insist on riding with him if he goes.Charles has problems at home that need to be dealt with, but the pleading of the warrior to prevent a war weighs heavily on his heart.Charles is warned by many not to go, and reverts to prayer to get his answer.

    Marshal, into the fray. Vicious, selfish, and desperate men own Nevada’s capitol city sheriff, and pay handsomely members of the legislature to get their way. Death rides the sagebrush range, and Chance gets help from the Virginia City sheriff.

    She is excited about her reunion with Sam McGuire, the father who abandoned her as a child. On the ship she is devastated to learn the meeting will never happen - Sam is dead. His sugar plantation is now hers. Island life weaves its seductive spell over her, but there are questions Kate seeks answers to. Was her father's death an accident? Why is someone so eager to buy the land? What are the secrets threatening her own life? And then the approaching cyclone hits…Anglo-Irish actress Carol Drinkwater is still well-known for her award-winning portrayal of Helen Herriot in the BBC series All Creatures Great and Small. A popular and acclaimed author and film-maker as well, Carol has published twenty books for both the adult and young adult markets. She is currently at work on her twenty-first title.When she purchased a rundown property overlooking the Bay of Cannes in France, she discovered almost seventy 400-year-old olive trees. Along with her French husband, Michel, Carol reclaimed the land and began producing top-quality olive oil. Her series of memoirs recounting their experiences on the farm (The Olive Farm, The Olive Season, The Olive Harvest and Return to the Olive Farm) have become international bestsellers, and the related travel books,The Olive Route and The Olive Tree, inspired the five-part documentary film series, The Olive Route.Carol's first Kindle Single, The Girl in Room Fourteen, reached the number one position in the Singles charts in both the United States and the UK.

    The Standish family are poor but the eldest boy, Tommy, desires wealth and position and will do anything in pursuit of his dream regardless of the misery he causes anyone who dares to step in his way. His ambitions realised, a terrible secret from his past threatens his very existence. THE WIDOW MAKERS 1842-1860 Review the Welsh Books Council www.gwales.com Mead's novel is inspiring reading; a classic tale, full of all the ingredients which make the finest novels. My only criticism was that it ended too soon; I felt bereft! A sequel please. THE WIDOW MAKERS; STRIFE 1860-1874 Review Historical Novel Society The author is a wonderful storyteller who uses authentic well-written language. A page turner. The story stays with you after the book is finished. THE WIDOW MAKERS; STRIFE 1860-1874 Review Welsh Books Council www.gwales.com Jean Mead sweeps you along with her vivid descriptions of 19th century life. A compelling vivid account that leaves you finishing the last page with regret and hoping for more.

    

    

    But watch your back, because not everyone is riding for justice. Get it now!

    The device had the power to make anyone that it was aimed at do the bidding of the holder. What sounded like a unique opportunity for Dax actually becomes more trouble than he bargains for as people around him keep coming after him and the device.

    Unwilling to give up, you pursued life relentlessly. This time you planned for love and happiness meticulously keeping it in the most secure cabinet of your body while you waited to welcome it with bated breath. Lo! the cabinet lock is broken, and you are left alone again.Do you have the right to give up now, lose hope and become a mental health case or will life give love and happiness another unprecedented chance? Read the story of Nimisha, Nitin, Pari and Jhumki embroiled with unconditional love, inevitable misfortunes, unexpected blessing and the unfolding of a divine decree or preordained fate.

    

    

    Further political machinations have secured a command for this new officer. It is now up to the new Lieutenant Charles Mullins to make a success of his new command on his own.