Told in the odd and unforgettable voice of its protagonist, "Cornbread" is the tale of a matricidal Arkansas woman bringing about the final days of her marriage. At turns darkly comical and deeply tragic, it's a story that lingers long after it's finished, like the smell of fresh baked cornbread or discharged gunpowder...

    Shot on a shoe-string budget of $175,000 in black-and-white 16mm, the film was made with Spike Lee's persistence and talent plus the help of family and friends. It grossed $8 million at the box office and proved to be a major hit with both critics and audiences. Now Spike Lee reveals how he did it, mapping out the entire creative and production processes-from early notebook jottings to film festival awards. Spike Lee's Gotta Have It is a unique document in film literature - it's funny, absorbing, and fresh as the hit film itself.

    This plant is used exclusively to comply with the extremely complicated ritual laws set down in the Tablets of Enku.

    The Short Stories, introduced here with a revealing preface by the author, chronicles Hemingway's development as a writer, from his earliest attempts in the chapbook Three Stories and Ten Poems, published in Paris in 1923, to his more mature accomplishments in Winner Take Nothing. Originally published in 1938 along with The Fifth Column, this collection premiered "The Capital of the World" and "Old Man at the Bridge," which derive from Hemingway's experiences in Spain, as well as "The Short Happy Life of Francis Macomber" and "The Snows of Kilimanjaro," which figure among the finest of Hemingway's short fictions.

    Lovecraft is one of America's giants of the horror genre. Now, in this second volume of annotated tales, Lovecraft scholars S. T. Joshi and Peter Cannon provide another rare opportunity to look into the mind of a genius. Their extensive notes lift the veil between real events in the writer's life—such as the death of his father—and the words that spill out onto the page in magnificent grotesquerie. Mansions, universities, laboratories, and dank New England boneyards appear also as the haunts where Lovecraft's characters confront the fabulous and fantastic, or—like the narrator in "Herbert West—Reanimator"—dig up fresh corpses. Richly illustrated and scrupulously researched, this extraordinary work adds exciting levels of meaning to Lovecraft's chilling tales... and increases our wonder at the magic that transforms life into a great writer's art.

    Of his latest play, The New York Times has written, "Uproarious ... wall-to-wall laughs ... Mr. Busch has swum straight into the mainstream and stays comfortably afloat there." Busch is the author of such plays as Vampire Lesbians of Sodom -- one of the longest-running plays in Off-Broadway history -- and Psycho Beach Party, a cross between Gidget and Spellbound. After a successful Off-Broadway run at New York City's Manhattan Theater Club, Busch moves to Broadway with The Tale of the Allergist's Wife, a hilarious comedy about a self-absorbed Upper West Side doctor's wife whose life is devoted to mornings at the Whitney, afternoons at the Museum of Modern Art, and evenings at the Brooklyn Academy of Music. Her world is shaken and transformed when a childhood friend makes an unexpected visit.

    Includes:Deja DeadDeath Du JourDeadly DecisionsFatal VoyageGrave SecretsBare BonesMonday MourningCross BonesBreak No BonesBones to AshesDevil Bones206 BonesSpider Bones

    In Leonard's first original e-book, U.S. Marshal Raylan Givens (featured in Pronto and Riding the Rap) returns to the Eastern Kentucky coal-mining country of his youth. When Boyd Crowder, a mail-order-ordained minister who doesn't believe in paying his income taxes, decides to blow up the IRS building in Cincinnati, Givens is asked by the local marshal to intervene. This sets up an inevitable confrontation between two men on opposite sides of the law who still have a lingering respect for each other. Throw into the mix Boyd's sister-in-law, Ava, who carries a torch for Raylan along with a deer rifle, and you've got a funny, adrenaline-charged novella only Leonard could have written.

    Drawn from her long-running, award-winning public radio show, this new collection features in-depth interviews with the bright, shining wits of our time. One of the nation’s leading interviewers, Gross is incisive, respectful, and always well-informed. She puts her guests at ease, which makes for rewarding listening. Insights abound and the humor is unstoppable.

    From the Kafka-esque "Scars" to a ballad like tale of erotic obsession in "The Crossing, " to the mother-daughter bond given a fatal twist in "Death Mother" the stories in The Collector of Hearts illuminate the mysteries of the human experience -- both intellectual and visceral. It is a stunning and richly diverse anthology of mood and menace -- haunting, elegiac, and compulsively readable.

    W. Norton changed the way world literature is taught by introducing The Norton Anthology of World Masterpieces, Expanded Edition. Leading the field once again, Norton is proud to publish the anthology for the new century, The Norton Anthology of World Literature, Second Edition. Now published in six paperback volumes (packaged in two attractive slipcases), the new anthology boasts slimmer volumes, thicker paper, a bolder typeface, and dozens of newly included or newly translated works from around the world. The Norton Anthology of World Literature represents continuity as well as change. Like its predecessor, the anthology is a compact library of world literature, offering an astounding forty-three complete longer works, more than fifty prose works, over one hundred lyric poems, and twenty-three plays. More portable, more suitable for period courses, more pleasant to read, and more attuned to current teaching and research trends, The Norton Anthology of World Literature remains the most authoritative, comprehensive, and teachable anthology for the world literature survey.

    This collection brings together twenty-one of Lardner’s best pieces, including the six Jack Keefe stories that comprise You Know Me, Al, as well as such familiar favorites as “Alibi Ike,” “Some Like Them Cold,” and “Guillible’s Travels.”

    You passed her on the street with a surreptitious glance, though she was well worth looking at-in her furs and laces and plumes. She had the only full-length mink coat in our town, and Ganz's shoe store sent to Chicago for her shoes. Hers were the miraculously small feet you frequently see in stout women. Usually she walked alone; but on rare occasions, especially round Christmastime, she might have been seen accompanied by some silent, dull-eyed, stupid-looking girl, who would follow her dumbly in and out of stores, stopping now and then to admire a cheap comb or a chain set with flashy imitation stones-or, queerly enough, a doll with yellow hair and blue eyes and very pink cheeks. But, alone or in company, her appearance in the stores of our town was the signal for a sudden jump in the cost of living. The storekeepers mulcted her; and she knew it and paid in silence, for she was of the class that has no redress. She owned the House with the Closed Shutters, near the freight depot-did Blanche Devine.

    Banks learns that one of the young men he has seen occasionally about the house is about to become his son-in-law. Daughter Kay announces the engagement out of nowhere. Mrs. Banks and her sons are happy, but Mr. Banks is in a dither. The groom-to-be, Buckley Dunstan, appears on the scene and Mr. Banks realizes that the engagement is serious. Buckley and Kay don't want a "big" wedding just a simple affair with a few friends! We soon learn, however, that the "few" friends idea is out. Then trouble really begins. The guest list grows larger each day, a caterer is called in, florists, furniture movers and dressmakers take over, and the Banks household is soon caught in turmoil.