Orphaned and unmarried in a time when women are legal property of their fathers, husbands, and guardians, she finds herself at the mercy of an anonymous guardian who plans to establish her as a servant in far-off Scotland.With two months to devise a better plan, Julia’s first choice to marry her childhood sweetheart is denied. But when a titled dowager offers to introduce Julia into society, a realm of possibilities opens. However, treachery and deception are as much a part of Victorian society as titles and decorum, and Julia quickly discovers her present is deeply entangled with her mother’s mysterious past. Before she knows what’s happening, Julia finds herself a pawn in a deadly game between two of the country’s most powerful men. With no laws to protect her, she must unravel the secrets on her own. But sometimes truth is elusive and knowledge is deadly.

    Charlotte's letters have been uncharacteristically melancholy, and her claims that nothing is wrong ring false, so Abigail heads west to Fort Laramie, Wyoming. When her stagecoach is attacked, Wyoming promises to be anything but boring. Luckily, the heroics of another passenger, Lieutenant Ethan Bowles, save the day.Abigail plans to marry when she returns to Vermont, just as soon as she attends to her sister. As the summer passes, she finds herself drawn to this rugged land and to a certain soldier determined to persuade her to stay. When summer ends, will she go back East, or will she find her heart's true home?

    She is determined to find a husband this season. He just wants the large fee her father will pay him to help his ailing sister. After a series of dire mishaps, both their desires are thwarted, but each discovers that no matter what, God is in charge.

    Now widowed with three young children, she faces mounting debts and the realization it is all up to her. But she has no idea how she will run an orchard alone.When a stranger appears at her doorstep, Eliza guesses he is no different than the other out-of-luck characters searching for work during the Depression. But the familiarity with which Gabe tends to the farm raises unanswered questions. With a vulnerable heart, she is unwittingly drawn to his gentle ways. But Eliza also fears that Gabe hides a past and motives that could jeopardize all she has fought to attain for herself and her children....

    Her assignment: find the culprit behind the theft of silver shipped from the mines near Pickford, Arizona. Disguised as Lavinia Stewart, a middle-aged widow, Ellie begins her investigation. Soon she finds she must also pose as the dazzling young Jessie Monroe, whose vivacious personality encourages people to talk. Mine owner Steven Pierce is about to lose his business after the theft of several bullion shipments--until hope arrives in the unlikely form of Lavinia Stewart, who offers to invest in Steven's mine. In his wildest dreams, Steven never expected to be rescued by an inquisitive gray-haired widow . . . or to fall head over heels for Lavinia's captivating niece, Jessie. But then the thieves come after both Lavinia and Jessie. Ellie isn't safe no matter which character she plays! Will she be forced to reveal her true identity before the criminals are caught? What will Steven do when he discovers the woman he loves doesn't exist?

    Expected to marry an up-and-coming banker from a respected family, Lucy fears she will be forced to abandon her charity work--and the classes she is secretly taking at the newly opened University of Chicago. When she meets an unconventional young architect who is working on plans for the upcoming 1893 World's Fair, Lucy imagines a life lived on her own terms. Can she break away from her family's expectations? And will she ever be loved for who she truly is? Readers will love being swept away into a world of mansions, secrets, and romance as they follow Lucy through the streets of the Windy City during one of the most exciting times in the city's history. From opulent upper-class homes to the well-worn rooms of an orphanage, Olivia Newport breathes life and romance into the pages of history--and everyone is invited.

    Stranded in America and penniless, Sydney contacts a relative in Texas who, mistaking her male-sounding name, invites his "nephew" to join him on his ranch. "Big Tim" Creighton, however, is appalled when this mincing fop arrives at Forsaken. He determines he'll turn Fancy Pants Hathwell into a man before the boss returns home. From the get-go, he has "the kid" mucking stalls, clearing and plowing a field, and assisting with a difficult calving. But when Sydney's true identity is uncovered, Tim resents being deceived. Yet in time, he also finds that he doesn't like all the attention Sydney garners now that she's wearing pretty gowns...Together Sydney and Tim will discover the importance of family and what it means to be a man--and a woman--of God.

    However, Rosalind is not there just to earn a living and support her family-she's at Sloane House determined to discover the truth about her sister's mysterious disappearance.Reid Armstrong is the handsome heir to a silver fortune. However, his family is on the periphery of Chicago's elite because their wealth comes from "new money" obtained from successful mining. Marriage to Veronica Sloane would secure his family's position in society-the lifelong dream of his ailing father.When Reid begins to realize that Rosalind's life may be in danger, he stops thinking of marriage prospects and concentrates on helping Rosalind. Dark things are afoot in Chicago and, he fears, in Sloane House. If he's not vigilant, Rosalind could pay the price.Set against the backdrop of Chicago's Gilded Age and the 1893 World's Fair, Secrets of Sloane House takes us on a whirlwind journey of romance and mystery.

    A haunted young man. A forbidden instrument. Can the love of music bring them together . . . or will it tear them apart?Bath, England—1810At twenty-eight, Alethea Sutherton is past her prime for courtship; but social mores have never been her forté. She might be a lady, but she is first and foremost a musician.In Regency England, however, the violin is considered an inappropriate instrument for a lady. Ostracized by society for her passion, Alethea practices in secret and waits for her chance to flee to the Continent, where she can play without scandal. But when a thief’s interest in her violin endangers her and her family, Alethea is determined to discover the enigmatic origins of her instrument . . . with the help of the dark, brooding Lord Dommick.Scarred by war, Dommick finds solace only in playing his violin. He is persuaded to help Alethea, and discovers an entirely new yearning in his soul. Alethea finds her reluctant heart drawn to Dommick in the sweetest of duets . . . just as the thief’s desperation builds to a tragic crescendo . . .

    Will She Let Him Steal Her Heart as Well?It's all her uncle's fault. For years Charlotte Withersby has been free to pursue her love of plants and flowers by assisting her botanist father. But now that she's reached the old age of twenty-two, an intrusive uncle has convinced her father that Charlotte's future--the only proper future for a woman--is to be a wife and mother, not a scholar. Her father is so dependent on her assistance that Charlotte believes he'll soon change his mind...and then Edward Trimble shows up. A long-time botany correspondent in the South Pacific, Trimble arrives ready to step in as assistant so that Charlotte can step out into proper society--a world that baffles her with its unwritten rules, inexplicable expectations, and confounding fashion. Things aren't perfectly smooth between Trimble and her father, so Charlotte hatches a last gasp plan. She'll pretend such an interest in marriage that the thought of losing her will make her father welcome her back. Only things go quickly awry, and she realizes that the one man who recognizes her intelligence is also the person she's most angry with: Edward Trimble, her supposed rival. Suddenly juggling more suitors than she knows what to do with, Charlotte is caught in a trap of her own making. Will she have no choice but to leave her beloved flowers behind?

    Entering her fourth Season and approaching spinsterhood in the eyes of society, she pours her innermost feelings out not in a diary but in letters to her brother's old school friend, a duke--with no intention of ever sending these private thoughts to a man she's heard stories about but never met. Meanwhile, she also finds herself intrigued by Marlow, her brother's new valet, and although she may wish to break free of the strictures that bind her, falling in love with a servant is more of a rebellion than she planned.When Marlow accidentally discovers and mails one of the letters to her unwitting confidant, Miranda is beyond mortified. And even more shocked when the duke returns her note with one of his own that initiates a courtship-by-mail. Insecurity about her lack of suitors shifts into confusion at her growing feelings for two men--one she's never met but whose words deeply resonate with her heart, and one she has come to depend on but whose behavior is more and more suspicious. When it becomes apparent state secrets are at risk and Marlow is right in the thick of the conflict, one thing is certain: Miranda's heart is far from all that's at risk for the Hawthornes and those they love.

    They would stake a claim of their own on the new frontier, and build a home for themselves and their family.But just after they'd arrived and Clem had chosen the perfect setting for their new home, an accident took his life...leaving Marty alone and pregnant. Then, on the day of his funeral, Clark Davis came along...and asked Marty to marry him!Marty was infuriated -- but with no money, no shelter, and a baby on the way, what choice did she have? Besides, Clark said he only wanted her to be a mama to his baby girl, Missie. If Marty was still unhappy come spring, he would pay for her ticket back East.Determined not to be a burden to Clark, and intending only to earn her keep. Marty threw herself into her new role of "Mama." But she had never been anyone's mama before, and she didn't even know how to keep a house! If only she could do right by this lonely man and his daughter just long enough to earn her train fare back home...Now, Marty must learn wholeness and love through patience and faith

    Worse, she is told by his bankers that he gambled away their fortune. Now, the family's hope rests on The Larkspur, an old abandoned coaching inn in the quaint village of Gresham.Driven by dread and her desire to provide for her children, Julia decides to turn the dilapidated inn into a lodging house. But can she--who was accustomed to servants attending to every need--do what needs to be done and cope when boarders begin arriving? And then an eligible new vicar moves into town...

    After the death of her father, Crystal is relieved to be leaving the troubles of her Georgia life behind to visit her aunt's cattle ranch. Despite being raised as a proper Southern belle, Crystal is determined to hold her own in this wild land—even if a certain handsome foreman named Luke doubts her abilities.Just when she thinks she's getting a handle on the constant male attention from the cowhands and the catty barbs from some of the local young women, tragedy strikes. And saving the ranch from a greedy neighboring landowner means Crystal must take charge of a cattle drive, ready or not. Can she rise to the challenge? Or will she head back to Georgia defeated?

    Outgoing naval officer Ensign Jim Avery escorts British convoys across the North Atlantic in a brand-new destroyer, the USS Atwood. Back on shore, Boston Navy Yard secretary Mary Stirling does her work quietly and efficiently, happy to be out of the limelight. Yet, despite her reserved nature, she never could back down from a challenge. When evidence of sabotage on the Atwood is found, Jim and Mary must work together to uncover the culprit. A bewildering maze of suspects emerges, and Mary is dismayed to find that even someone close to her is under suspicion. With the increasing pressure, Jim and Mary find that many new challenges--and dangers--await them.