When she meets Adam, a fellow sleuth and collector, they embark on their biggest adventure yet: the Whitson house. The house is a marvel, and its secrets are even stranger than Kendra imagined.Kendra stumbles upon the find of a lifetime. But she may have signed on for more than she bargained. There’s a darkness in the house that wasn’t there before, a pair of eyes in every corner, watching, waiting. And Adam isn’t at all who he claimed to be.

    The favour is returned when the scout is saved by the Cheyenne and given mercy, but when he falls in love with the girl he saved he knows that the tribe will never allow them to be together. They escape, but are forced to abandon their flight when they encounter an omen telling them that she is pledged to another. This frontier tale soon becomes a violent present day manhunt through the Wild West. Part of the Storycuts series, this short story was previously published in the collection The Veteran.

    Literature and film adaptations studies students will find plenty of material to support their courses and essay writing on how the film versions provide different readings of the original text. Focussing on several film versions and adaptations, the book discusses: the literary text in its historical context, key themes and dominant readings of the text, how the text is adapted for screen and how adaptations have changed our reading of the original text. There are many references to the literary text and screenplays and the book also features quotations from directors, critics and others linked with the chosen film and text.

    From the #1 New York Times bestselling author Jan Karon, this is the new ecollection of novels six through nine in the beloved Mitford Years series, plus Home to Holly Springs, the first novel in the Father Tim series. Readers have come to feel at home in Mitford, the little town with the big heart. As this charming mountain village works its magic, you’ll laugh, you’ll cry, and you’ll quickly make friends who feel like family—for the residents of Mitford are the most ordinary people who live the most extraordinary lives. And in Home to Holly Springs, you will travel back with Father Tim to his childhood Mississippi home, where he discovers the awesome power of love and forgiveness.

    Faced with overwhelming odds, Arden enlists the help of the victim’s damaged father, a veteran with a short fuse. Will Arden’s temporary alliance be the solution to her problem or her downfall?

    

    Will Madeleine Hart discover the horrors hidden below, before it's too late?Bestselling writer Madeleine Hart has run away from her life in London and abusive ex Connor. Crumbling Lakeview Hall in the Armboth Valley, abandoned decades earlier, is the perfect Lakeland hideaway for Maddy to make a fresh start, finish her book and disappear from the world.But strange things start to happen. The house is too big and the fear that Connor has tracked her down soon becomes a terrifying reality. Enlisting the help of Seth, who runs the village pub to help solve the mystery of what's happening in the unloved mansion, she doesn't realise that the past and the present are about to collide in a fight to survive.

    

    Thought to be buried somewhere within the Mato Grosso region of the Amazon rainforest, the lure of the vanished riches has long proven deadly to treasure-seekers who brave the forbidding wilderness and mysterious creatures in search of it. Disgraced historian Dr. Hunter Winslow, fired from a lucrative professorship for stealing rare documents in order to gain a competitive edge over his colleagues, thinks the key to Manuscript 512 lies not in its words, but in its paper itself. The only problem is that to confirm his hypothesis means to destroy the document, something the Brazil National Library in Rio de Janeiro will never allow. But old habits die hard, and Hunter knows his way around a Special Collections room. After a brazen theft that triggers an international manhunt, the rogue historian is able to reveal the document’s secrets in a way no one else can, or ever will be able to again—by using its physical properties to reveal missing sections that had supposedly been irreversibly damaged. Armed with this new information, Hunter embarks on an expedition to the deepest Amazon to put to rest the mystery of the lost city once and for all. But while Hunter is looking for the fabled treasure, the long arm of the law is looking for him. Will they catch up to him before he can locate the treasure of a thousand lifetimes, or will he become as lost as the city he seeks?

    But her fantasies about heroic outdoor survival flop as hard as her marriage. Dejected beyond measure, she takes a bus to Montana to visit an old high school suitor–someone she once suspected too sinister to pursue. Turns out her initial suspicions about him were spot-on. She soon finds herself in the exact predicament she'd so long imagined. Only now she must outwit a vast wilderness ... and sheer evil.Marty Clawson's got a big problem: 264 pounds’ worth. Doc warns of dire consequences if something doesn't change, but Marty's already tried every diet on the market plus an endless list of her own concoctions. Still, she devises a NEW PLAN–and unlike the others–this one is terrifying: a rendezvous with the state park, a place she considers the very heart of darkness (and snack-free) where she won't emerge again until she is thin. Hubby Raymond believes the method too dangerous–abandoning his super-sized wife like a broken dresser–and refuses to help with her scheme; his crap attitude, along with everything else, changes when she catches him in bed with an aging porn star. Surviving the backwoods alone is challenging for a seasoned outdoorsman but unthinkable for a woman nearing red-alert obesity; yet, she believes it's her last chance to avoid eating herself to death. Despite Ray's newfound assistance, Marty fails at her plan. Desperate and depressed, she contacts Logan Myers, a peculiar boy from her past. Her hopelessness prompts her to accept his offer of bus fare north into the unforgiving Montana bush where he hunts and traps wild animals.Logan soon reveals himself to be far worse than she remembered. So bad that he tosses her to the elements as punishment for rejecting him. In a wicked and ironic twist, her once farfetched idea morphs into an epic web of repetitious terrain and pure malevolence. Now she needs to make it back to the Greyhound station before nightfall, without getting mauled by a random grizzly or discovered by a roaming psychopath determined to hunt her down.THE CHASE IS ON.

    Is it for children, or for adults? Is it fantasy or a psychological novel? In its great range, it encompasses poetry and farce, comedy and tragedy -and sudden flights of schoolboy humour. White's `footnote to Malory' (his own phrase) resulted in the last major retelling of the story based on Malory's Morte Darthur, and Elisabeth Brewer explores the literary context of White's finest work as wellas considering his aims and achievement in writing it.White's story of Arthur begins with his `enfances', set in an imaginary medieval England, but it is far removed from the conventional historical novel. White was writing in wartime England, a country increasingly absorbed by a need to find an antidote to war. Through the medium of the Arthurian story he found his own voice, his unique contribution to keeping alive the flame of civilisation. Malory's chivalric virtues are rejected in favour of White's own twentieth-century values; the love affair of Lancelot and Guenever is interpreted in terms of modern psychology.The books which eventually made up The Once and Future Kingof 1958 appeared in distinctly different editions. In discussing these, Elisabeth Brewer looks at some of the ways in which White drew on his own personal experience at a deep psychological level, while also incorporating into his story material inspired by his antiquarian pursuits and by his years as a schoolmaster. She completes her study with an account of White's use of historical material, and the relationship of The Once and Future King to the Morte Darthur.ELISABETH BREWER lectured in English at Homerton College, Cambridge. She is the author of books and articles on Chaucer and the Arthurian legends

    Man's longing for paradise.

    Leaving everything behind. What more is there to lose? Katie Donovan soon learns she has much to lose, but even more to gain on the long journey to Oregon in 1850. Two men vie for Katie's affection. Clay Monroe is ready to marry and vows he will win Katie's heart before they reach Oregon. His proposal has her head and her heart spinning. Jason Barnett is attracted to Katie, but her rebellion against God keeps him from pursuing her. As he grows closer to her and her family, can he turn away once they reach the land of their dreams? Cross the wilderness with Katie as she travels The Oregon Trail. Christian inspirational Romance - About 55,000 words

    He's looking forward to learning the craft, renewing last year's friendships, and above all, to seeing Jaime, and finally asking her to be his girlfriend.But before he even gets to see her, one of their own is violently attacked. JB goes on the hunt, and the students learn about his troubled past, which changes their views of him forever. As their project, they create Rabbit in Red's most terrifying and disturbing challenge yet, Hellfire, and use it to recruit a new class of horror students.Then the bodies start piling up, and the mysteries become more and more dangerous. Is this another one of JB's dark games-within-a-game, or will Rabbit in Red--and everyone in it--burn in the end

    The Ironclads are 100-foot-long (30 m) machines with remote controlled guns and accommodation for 42 soldiers, including 7 officers.The story is one of those responsible for Wells' reputation as a "prophet of the future", as the eponymous machines seem to anticipate the tanks of World War I. His rather sketchy battle between countrymen and townsmen also carries echoes of the Boer War and his 1898 novel The War of the Worlds, which also features a struggle between technologically uneven protagonists.***The story opens with a war correspondent and a young lieutenant surveying the calm of the battlefield and reflecting upon the war. The two opposing sides are dug into trenches, each waiting for the other to attack, and the men on the war correspondent's side are confident in their coming victory. They believe that they will win because they are all strong outdoor-types - men who know how to use a rifle and fight - while their enemies are towns people ... "a crowd of devitalized townsmen ... They're clerks, they're factory hands, they're students, they're civilized men. They can write, they can talk, they can make and do all sorts of things, but they're poor amateurs at war." The men agree that their "open air life" produces men better suited to war than their opponents' "decent civilization".In the end, however, it is shown that the "decent civilization", with its men of science and engineers, triumphs over the "better soldiers" who, instead of developing land ironclads of their own, had been practicing shooting their rifles from horseback, a tactic which became obsolete the second the land ironclads appeared on the battlefield. The story ends with the entire army captured by a dozen or so of the land ironclads, and the last scene is of the correspondent comparing his countrymen's "sturdy proportions with those of their lightly built captors", and thinking of the story he is going to write about the experience, noting both that the captured officers are thinking of ways they will defeat what they call the enemy's "ironmongery" with their already-existing weaponry, rather than developing their own land ironclads to counter the new threat, and also noting that the "half-dozen comparatively slender young men in blue pajamas who were standing about their victorious land ironclad, drinking coffee and eating biscuits, had also in their eyes and carriage something not altogether degraded below the level of a man."