Handsome, successful and fabulously wealthy Peter Cory had always assumed he'd make his own good fortune--until a strangely beautiful woman from a distant world revealed the truth.

    Gerald Livingston is an orbital garbage collector. For a hundred years, people have been abandoning things in space, and someone has to clean it up. But there’s something spinning a little bit higher than he expects, something that isn’t on the decades’ old orbital maps. An hour after he grabs it and brings it in, rumors fill Earth’s infomesh about an “alien artifact.” Thrown into the maelstrom of worldwide shared experience, the Artifact is a game-changer. A message in a bottle; an alien capsule that wants to communicate. The world reacts as humans always do: with fear and hope and selfishness and love and violence. And insatiable curiosity.

    In Light Boxes the inhabitants of one closely-knit town are experiencing perpetual February. It turns out that a god-like spirit who lives in the sky, named February, is punishing the town for flying, and bans flight of all kind, including hot air balloons and even children's kites. It's February who makes the sun nothing but a faint memory, who blankets the ground with snow, who freezes the rivers and the lakes. As endless February continues, children go missing and more and more adults become nearly catatonic with depression. But others find the strength to fight back, waging war on February.

    All of that changes when she stumbles upon a ring that transports her to a distant time and place. There she discovers her unexpected talent: She can create luminous, magical illustrations that have the power to influence others' lives. She becomes involved in the fate of kingdoms when her power is brought to bear against an evil king whose mind has been taken over by a golden crown called the Barbed Coil. As in The Book of Words trilogy, J. V. (Julie) Jones imbues every one of her characters with personality, from the dashing mercenary Ravis, who becomes Tessa's protector in this strange new world, to the sailors, innkeepers, soldiers, and others who populate her lush, involving story.

    Shea fails a simulation test, she is given a second chance. She is to play pilot to a minimal-hassle scientific mission which turns out to be mankind's first contact with alien life.

    . . ." The best stories pull readers in and keep them turning the pages, eager to discover more—to find the answer to the question: "And then what happened?" The true hallmark of great literature is great imagination, and as Neil Gaiman and Al Sarrantonio prove with this outstanding collection, when it comes to great fiction, all genres are equal. Stories is a groundbreaking anthology that reinvigorates, expands, and redefines the limits of imaginative fiction and affords some of the best writers in the world—from Peter Straub and Chuck Palahniuk to Roddy Doyle and Diana Wynne Jones, Stewart O'Nan and Joyce Carol Oates to Walter Mosley and Jodi Picoult—the opportunity to work together, defend their craft, and realign misconceptions. Gaiman, a literary magician whose acclaimed work defies easy categorization and transcends all boundaries, and "master anthologist" (Booklist) Sarrantonio personally invited, read, and selected all the stories in this collection, and their standard for this "new literature of the imagination" is high. "We wanted to read stories that used a lightning-flash of magic as a way of showing us something we have already seen a thousand times as if we have never seen it at all." Joe Hill boldly aligns theme and form in his disturbing tale of a man's descent into evil in "Devil on the Staircase." In "Catch and Release," Lawrence Block tells of a seasoned fisherman with a talent for catching a bite of another sort. Carolyn Parkhurst adds a dark twist to sibling rivalry in "Unwell." Joanne Harris weaves a tale of ancient gods in modern New York in "Wildfire in Manhattan." Vengeance is the heart of Richard Adams's "The Knife." Jeffery Deaver introduces a dedicated psychologist whose mission in life is to save people in "The Therapist." A chilling punishment befitting an unspeakable crime is at the dark heart of Neil Gaiman's novelette "The Truth Is a Cave in the Black Mountains." As it transforms your view of the world, this brilliant and visionary volume—sure to become a classic—will ignite a new appreciation for the limitless realm of exceptional fiction.

    Well, there was a US Navy carrier group on his southern horizon, but he was US Navy himself, so he didn't mind. Then came the UFOs, hurtling in from the Outer Black to overfly the carriers at Mach 17. Their impossible aeronautics were bad enough - but then they started shooting at each other. And at the Navy. With nukes. Little ones at first, but winding up with a 500 megatonner at 90 miles that fried every piece of electronics within sight. Richard Ashton thought he was just a ringside observer to these now over-the-horizon events. Until the crippled alien lifeboat came drifting down and homed in on his sailboat; suddenly he had his hands full of an unconscious, critially wounded alien warrior - who just happened to be a gorgeous female, too. And that was when it began to get really interesting...