Great job, really good hair, loyal friends, loving family. It’s only her succession of lame duck boyfriends that ruin the picture.Oh, and the world-famous rock-star father she’s never met, who won’t even acknowledge her existence.Then Ellie’s perfect life is smashed to pieces when her secret is sold to the highest bidder and her name, face (and pictures of her bottom) are splashed across the tabloids. Suddenly everyone thinks she’s a gold-digging, sex-crazy, famewhore.Enter David Gold. Charming and handsome David Gold. On paper he’s even more perfect than Ellie, if only he wasn’t her father’s ruthlessly ambitious lawyer whose job is to manage the crisis – and her. He certainly doesn’t think that Ellie’s the innocent party and she doesn’t trust him at all. So why is it that every time they’re alone together, damage limitation is the last thing on their minds?

    Pel leads an uneventful life—quietly bluffing his way through his job and discovering new things to argue about with Ursula. But when his boss mysteriously disappears, Pel steps innocently into his shoes and his life spirals out of control in a chaotic whirl of stolen money, missing colleagues, and Chinese mafiosi.Its fractured thriller plot punctuated by blazingly hilarious set-piece arguments between the hapless Pel and the unflappable Ursula, Things My Girlfriend and I Have Argued About is a brilliant comic novel examining the unique warfare in long-term relationships.

    She's got a great job in PR, her boss loves her, and her best girlfriends Dominique and Erin think she's great. More important than anyone's opinion is that of her flatmate, and oldest friend in the world, Henry. For twenty years they've been inseparable: beauty and the geek. Henry thinks the world of Lucy. So why does she feel the need to lie outrageously on dates? From rock-climbing to Chekov: when it comes to prospective boyfriends, Lucy is compelled to embellish her C.V. with unlikely porkies that always backfire - with hilarious results. Henry can't understand it. Lucy is so loveable: why can't she just be herself? But when Lucy turns the spotlight on Henry, he wishes he'd never brought it up. With a penchant for jumpers and NHS-style specs, Lucy decides that Henry is in need of a makeover - big time. Enlisting the help of Dom and Erin, it's not long before the girls have Henry out of the flat, and into the Topman changing rooms. A new haircut, contact lenses, a flirting master-class from Dom ...poor Henry doesn't know what's hit him. But nothing can prepare them for the surprise results! Before long, Lucy realises that their lives will never be the same again

    But worn down by years of trying to live the Seattle life she never wanted, Ms. Fox is on the brink of a meltdown. And after a school fundraiser goes disastrously awry at her hands, she disappears, leaving her family to pick up the pieces--which is exactly what Bee does, weaving together an elaborate web of emails, invoices, and school memos that reveals a secret past Bernadette has been hiding for decades. Where'd You Go Bernadette is an ingenious and unabashedly entertaining novel about a family coming to terms with who they are and the power of a daughter's love for her mother.

    Now that she’s marrying the man of her dreams, she’s sure this is the life she’ll get. Then Marnie meets Blix Holliday, her fiancé’s irascible matchmaking great-aunt who’s dying, and everything changes—just as Blix told her it would.When her marriage ends after two miserable weeks, Marnie is understandably shocked. She’s even more astonished to find that she’s inherited Blix’s Brooklyn brownstone along with all of Blix’s unfinished “projects”: the heartbroken, oddball friends and neighbors running from happiness. Marnie doesn’t believe she’s anything special, but Blix somehow knew she was the perfect person to follow in her matchmaker footsteps.And Blix was also right about some things Marnie must learn the hard way: love is hard to recognize, and the ones who push love away often are the ones who need it most.

    In the brooding moors above a humble Yorkshire village stood Fairley Hall. There, Emma Harte, its oppressed but resourceful servant girl, acquired a shrewd determination. There, she honed her skills, discovered the meaning of treachery, learned to survive, to become a woman, and vowed to make her mark on the world.In the wake of tragedy she rose from poverty to magnificent wealth as the iron-willed force behind a thriving international enterprise. As one of the richest women in the world Emma Harte has almost everything she fought so hard to achieve--save for the dream of love, and for the passion of the one man she could never have. Through two marriages, two devastating wars, and generations of secrets, Emma's unparalleled success has come with a price. As greed, envy, and revenge consume those closest to her, the brilliant matriarch now finds herself poised to outwit her enemies, and to face the betrayals of the past with the same ingenious resolve that forged her empire.

    Duncan loves Annie, but then, all of a sudden, he doesn’t. Duncan really loves Tucker Crowe, a reclusive Dylanish singer-songwriter who stopped making music ten years ago. Annie stops loving Duncan, and starts getting her own life.In doing so, she initiates an e-mail correspondence with Tucker, and a connection is forged between two lonely people who are looking for more out of what they’ve got. Tucker’s been languishing (and he’s unnervingly aware of it), living in rural Pennsylvania with what he sees as his one hope for redemption amid a life of emotional and artistic ruin—his young son, Jackson. But then there’s also the new material he’s about to release to the world: an acoustic, stripped-down version of his greatest album, Juliet—entitled, Juliet, Naked.What happens when a washed-up musician looks for another chance? And miles away, a restless, childless woman looks for a change? Juliet, Naked is a powerfully engrossing, humblingly humorous novel about music, love, loneliness, and the struggle to live up to one’s promise.

    What begins as an earnest spring clean of unwanted household debris - a never-touched omelette maker here, a hideous collection of chintz ornaments there - soon spirals out of control. Before long Lou is hiring giant skips, in which to dump the copious amounts of junk she never knew she had. Lou's loved ones grow concerned - and not a little disgruntled. Where has all this energy come from, her husband Phil wonders? Why is clearing out cupboards suddenly more important than making his breakfast? And since when does quiet, meek, down-trodden Lou snap rude retorts at his sister, her mother, and even Phil himself? The truth is, the more skips Lou fills, the more rubbish she lets go off, the more light and air can get to those painful, closed-up places at the centre of her house: a lovingly prepared room for a baby she would never have; an empty space her best friend Deb once occupied; and a gaping wound left by her husband's affair three years ago.Even lovely Tom Broom, the man who delivers Lou's skips, starts to grow worried about his best customer. But Lou is a woman on a mission, and not even she knows where it will end ...

    It's supposed to be a chance for her to pull herself together again, but when she discovers that her brother's even-more-annoying best friend is also coming on the trip, she can't imagine how it will be anything other than a disaster. Thus begins the strangest adventure of Helen's well-behaved life: three weeks in the remotest wilderness of a mountain range in Wyoming where she will survive mosquito infestations, a surprise summer blizzard, and a group of sorority girls.Yet, despite everything, the vast wilderness has a way of making Helen's own little life seem bigger, too. And, somehow the people who annoy her the most start teaching her the very things she needs to learn. Like how to stand up for herself. And how being scared can make you brave. And how sometimes you just have to get really, really lost before you can even have a hope of being found.

    Eve, fresh out of Harvard Business School, has fired “the gray hairs,” put the managing editor in a supply closet, stopped using the landlines, and hired a bevy of manicured and questionably attired underlings who text and tweet their way through meetings. Imogen, darling of the fashion world, may have Alexander Wang and Diane von Furstenberg on speed dial, but she can’t tell Facebook from Foursquare and once got her iPhone stuck in Japanese for two days. Under Eve’s reign, Glossy is rapidly becoming a digital sweatshop—hackathons rage all night, girls who sleep get fired, and “fun” means mandatory, company-wide coordinated dances to Beyoncé. Wildly out of her depth, Imogen faces a choice—pack up her Smythson notebooks and quit, or channel her inner geek and take on Eve to save both the magazine and her career. A glittering, uproarious, sharply drawn story filled with thinly veiled fashion personalities, The Knockoff is an insider’s look at the ever-changing world of fashion and a fabulous romp for our Internet-addicted age.

    But so far, all she has to show for her efforts is a single line in an ad for ugly Christmas sweaters and a degrading waitressing job. She lives in Brooklyn with two roommates - Jane, her best friend from college, and Dan, a sci-fi writer, who is very definitely not boyfriend material - and is struggling with her feelings for a suspiciously charming guy in her acting class, all while trying to find a hair-product cocktail that actually works. Meanwhile, she dreams of doing "important" work, but only ever seems to get auditions for dishwashing liquid and peanut butter commercials. It's hard to tell if she'll run out of time or money first, but either way, failure would mean facing the fact that she has absolutely no skills to make it in the real world. Her father wants her to come home and teach, her agent won't call her back, and her classmate Penelope, who seems supportive, might just turn out to be her toughest competition yet. Someday, Someday, Maybe is a funny and charming debut about finding yourself, finding love, and, most difficult of all, finding an acting job.

    Tomorrow they must go their separate ways.So where will they be on this one day next year? And the year after that?And every year that follows?--back cover

    Emily Aulenbach is thirty-two, a lawyer married to a lawyer, working in Manhattan. An idealist, she had once dreamed of representing victims of corporate abuse, but she spends her days in a cubicle talking on the phone with vic­tims of tainted bottled water—and she is on the bottler’s side. And it isn’t only work. It’s her sister, her friends, even her husband, James, with whom she doesn’t connect the way she used to. She doesn’t connect to much in her life, period, with the exception of three things—her computer, her BlackBerry, and her watch. Acting on impulse, Emily leaves work early one day, goes home, packs her bag, and takes off. Groping toward the future, uncharacteristically following her gut rather than her mind, she heads north toward a New Hampshire town tucked between mountains. She knows this town. During her college years, she spent a watershed summer here. Painful as it is to return, she knows that if she is to right her life, she has to start here.

    Nora, at first, recounts nothing that Effie really wants to hear--like who her real father was. Effie tells various versions of her life at college, where in fact she lives in a lethargic relationship with Bob, a student who never goes to lectures, seldom gets out of bed, and to whom Klingons are as real as Spaniards and Germans.But as mother and daughter spin their tales, strange things are happening around them. Is Effie being followed? Is someone killing the old people? And where is the mysterious yellow dog?In a brilliant comic narrative which explores the nonsensical power of language and meaning, Kate Atkinson has created another magical masterpiece.

    Megan Vandemeer meant to tell her parents about her broken engagement, but a month and a half later she finds herself boarding a plane home to her wedding. Having stretched avoidance to its limits, it's time to come clean--a terrifying prospect since her mother is sure to blame her rather than her cheating, emotionally frigid ex. A couple of drinks and two Dramamine later, Megan finds herself spilling her sob story to the tall, dark, and handsome stranger in the seat next to her. With only one week left to save his business, Josh McMillan boards a plane to Kansas City in a last-ditch effort, leaving the details to chance. An unexpected answer is delivered in the form of the beautiful brunette beside him. Though she’s completely loopy, her honesty, openness, and humor charm him. So when she passes out before landing, he helps her off the plane--a good deed that leads to a colossal misunderstanding. Her parents assume he’s her fiancé. In a twist of fate, the mix-up might help Josh save his business, so he plays along, figuring he can help Megan too. All he has to do is stage a public break up convincing enough to appease her mother. Josh is only supposed to be a substitute groom, but the more time he and Megan spend together, the more their pretend engagement starts to feel real…and the less they want to break it off. Can a relationship that began as a farce turn into happily ever after?