They’re still reeling from his older brother’s death in a gang-related shooting just a few months earlier. Then Lolly’s mother’s girlfriend brings him a gift that will change everything: two enormous bags filled with Legos. Lolly’s always loved Legos, and he prides himself on following the kit instructions exactly. Now, faced with a pile of building blocks and no instructions, Lolly must find his own way forward. His path isn’t clear—and the pressure to join a “crew,” as his brother did, is always there. When Lolly and his friend are beaten up and robbed, joining a crew almost seems like the safe choice. But building a fantastical Lego city at the community center provides Lolly with an escape—and an unexpected bridge back to the world. David Barclay Moore paints a powerful portrait of a boy teetering on the edge—of adolescence, of grief, of violence—and shows how Lolly’s inventive spirit helps him build a life with firm foundations and open doors.

    She knows she’s going to make it big. Campbell, on the other hand, is just trying to keep her head down and get through the year at her new school.When both girls attend the Friday-night football game, what neither expects is for everything to descend into sudden mass chaos. Chaos born from violence and hate. Chaos that unexpectedly throws them together.They aren’t friends. They hardly understand the other’s point of view. But none of that matters when the city is up in flames, and they only have each other to rely on if they’re going to survive the night. This book is perfect for: Sparking conversations about prejudice and the racial tension that exists in America Parents and educators looking for multicultural and African American books for teens Fans of Nic Stone, Angie Thomas, and Jason Reynolds

    She does her best to hide behind her dyed hair and black wardrobe, but it's hard to ignore the bullying of Pip Weston and Principal Pinn. It's even harder to ignore the allure of other girls. As Triinu tumbles headlong into first love and teenage independence, she realizes that the differences that make her a target are also the differences that can set her free. With everyone in town taking sides in the battle for equal rights in Oregon, Triinu must stand up for herself, learn what it is to love and have her heart broken, and become her own woman.

    Fourteen-year-old Ashley is the undisputed “It” girl in her class, but her grades stink. Their worlds are about to collide when Stewart and his dad move in with Ashley and her mom. Stewart is trying to be 89.9 percent happy about it, but Ashley is 110 percent horrified. She already has to hide the real reason her dad moved out; “Spewart” could further threaten her position at the top of the social ladder. They are complete opposites. And yet, they have one thing in common: they—like everyone else—are made of molecules.

    He's exhausted by being at once too black and not black enough for his African American peers and worn down by the expectations of his own Liberian family and community. When his frustration finally spills into violence and his parents send him back to Monrovia to reform school, the story shifts. Like Kollie, readers travel back to Liberia, but also back in time, to the early twentieth-century and the point of view of Togar Somah, an eighteen-year-old indigenous Liberian on the run from government militias that would force him to work the plantations of the Congo people, descendants of the African-American slaves who colonized Liberia almost a century earlier. When Togar's section draws to a shocking close, the novel jumps again, back to America in 1827, to the children of Yasmine Wright, who leave a Virginia plantation with their mother for Liberia, where they're promised freedom and a chance at self-determination by the American Colonization Society. The Wrights begin their section by fleeing the whip and by its close, they are then ones who wield it. With each new section, the novel uncovers fresh hope and resonating heartbreak, all based on historical fact.In Dream Country, Shannon Gibney spins a riveting tale of the nightmarish spiral of death and exile connecting America and Africa, and of how one determined young dreamer tries to break free and gain control of her destiny.

    Everyone picks on him -- until Rob Haynes shows up. Rob, a transfer student with charisma to spare, immediately becomes the undisputed leader of the senior class. And he has plans for Simon. Rob enlists the help of his crew -- wealthy, intellectual Young, ladies' man Bob, and sweet, athletic Coop -- in a mission: Turn sniveling Simon from total freak to would-be prom king. But as Simon rises to the top of the social ranks, he shows a new confidence and a devious side that power-hungry Rob did not anticipate. And when Simon uncovers a dangerous secret, events darken. The result is disquieting, bone-chilling...and brutal.

    Now he has hooks. He chose hooks because they were cheaper. He chose hooks because he wouldn’t outgrow them so quickly. He chose hooks so that everyone would know he was different, so he would scare even himself. Then he meets Aurora. The hooks don’t scare her. They don’t keep her away. In fact, they don’t make any difference at all to her. But to Lucius, they mean everything. They remind him of the beast he is inside. Perhaps Aurora is his Beauty, destined to set his soul free from its suffering. Or maybe she’s just a girl who needs love just like he does.

    There she will spend the summer with her aged relatives Penpen and Tilly, inseparable twins who couldn't look more different from each other. Staying at their secluded house, Ratchet is treated to a passel of strange family history and local lore, along with heaps of generosity and care that she has never experienced before. Also, Penpen has recently espoused a new philosophy - whatever shows up on your doorstep you have to let in. Through thick wilderness, down forgotten, bear-ridden roads, come a variety of characters, drawn to Penpen and Tilly's open door. It is with vast reservations that the cautious Tilly allows these unwelcome guests in. But it turns out that unwelcome guests may bring the greatest gifts. By turns dark and humorous, Polly Horvath offers adolescent readers enough quirky characters and outrageous situations to leave them reeling! "The Canning Season" is the winner of the 2003 National Book Award for Young People's Literature.

    Forget college — she’s marrying her sweetheart from next door. But here comes Ardelia Deen, a glamorous starlet who sweeps Cherry into a world of fast cars and penthouse parties. Now Cherry’s small-town life just seems so . . . small. When Ardelia drops a bomb of an offer — one involving a baby — Cherry knows her life will change forever, no matter what she decides. John M. Cusick focuses his signature wit on Hollywood royalty and the wide-eyed dreams of Small Town, U.S.A. in a novel about discovering who you are . . . and changing your mind.

    With forever friend Kat, a battered copy of Kerouac’s DHARMA BUMS, and a car with a dodgy oil filter, the girls set out on an epic road trip across the USA. Maybe somewhere along the way they’ll prove or disprove the existence of God. Maybe they’ll even get laid . . .It’s a journey both outward and inward. Through the Badlands and encounters with predatory men and buffalo. A crazy bus ride to Mexico with a bunch of hymn-singing missionaries. Facing death, naked in the forest with an enraged grizzly bear . . . Gradually, Anna realizes that this is a voyage of discovery into her own self, her own silent pain – and into the tangled history that she and Kat share. What is love? What is sexual identity? And how do you find a way forward into a new future – a way to declare openly and without fear all that lies within you?

    Or at least make it out of her neighborhood one day. As the daughter of an underground rap legend who died before he hit big, Bri’s got big shoes to fill. But now that her mom has unexpectedly lost her job, food banks and shutoff notices are as much a part of Bri’s life as beats and rhymes. With bills piling up and homelessness staring her family down, Bri no longer just wants to make it—she has to make it.On the Come Up is Angie Thomas’s homage to hip-hop, the art that sparked her passion for storytelling and continues to inspire her to this day. It is the story of fighting for your dreams, even as the odds are stacked against you; of the struggle to become who you are and not who everyone expects you to be; and of the desperate realities of poor and working-class black families.

    Autumn is outgoing and has lots of friends. Adonis is shy and not so eager to connect with people. But even with their differences, the two have one thing in common--they're each dealing with a handicap. For Autumn, who has a learning disability, reading is a painful struggle that makes it hard to focus in class. But as her school’s most aggressive team wrestler, Autumn can take down any problem. Adonis is confined to a wheelchair. He has no legs. He can't walk or dance. But he’s a strong reader who loves books. Even so, Adonis has a secret he knows someone like Autumn can heal.In time, Autumn and Adonis are forced to see that our greatest weaknesses can turn into the assets that forever change us and those we love.Told in alternating voices, Pinned explores issues of self-discovery, friendship, and what it means to be different.

    Maybe you speak your truth and drop the mic, or maybe you take it with you when you leave.This anthology features fictional stories--in poems, prose, and art--that reflect a slice of the varied and limitless ways that readers like you resist every day. TAKE THE MIC's powerful collection of stories features work by literary luminaries and emerging talent alike, including Newbery-winner Jason Reynolds, New York Times bestseller Samira Ahmed, anthologist and contributor Bethany C. Morrow, Darcie Little Badger, Keah Brown, Laura Silverman, L.D. Lewis, Sofia Quintero, Ray Stoeve, Yamile Mendez, and Connie Sun, with cover and interior art by Richie Pope.

    He really only has one friend, his best friend, David. His normally decent grade point average is in limbo due to a slightly violent, somewhat inappropriate claymation film. And girls . . . well, does hanging out with his sister count?When David tells Mitchell he's gay, Mitchell's okay with it—but it still seems to change things. Since David's not out to anyone else, the guys agree to be set up with prom dates. Then, one of the most popular girls in school decides she must date Mitchell, and he's gone from zero to two girlfriends in sixty seconds.From his pending English grade, to his floundering friendship, to his love life—the one thing that's taken a bizarre turn for the better—Mitchell is so confused, he'll be lucky if he lasts another week in high school! And then there's the prom . . .With a wickedly funny voice and a colorful cast of characters, Steven Goldman has written a novel for every reader—even those who like high school!

    Her mom’s a lawyer for the ACLU, her dad’s a political cartoonist, so she’s grown up standing outside the organic food coop asking people to sign petitions for worthy causes. She’s got a terrific younger brother and amazing friends. And she’s got a secret crush on a really smart and funny guy–who spends all of his time with another girl.Then her birth mother contacts her. Simone’s always known she was adopted, but she never wanted to know anything about it. She’s happy with her family just as it is, thank you. She learns who her birth mother was–a 16-year-old girl named Rivka. Who is Rivka? Why has she contacted Simone? Why now? The answers lead Simone to deeper feelings of anguish and love than she has ever known, and to question everything she once took for granted about faith, life, the afterlife, and what it means to be a daughter.