In Writing History, Writing Trauma, Dominick LaCapra provides a broad-ranging, critical inquiry into the problem of trauma, notably with respect to major historical events. In a series of interlocking essays, he explores theoretical and literary-critical attempts to come to terms with trauma as well as the crucial role post-traumatic testimonies—particularly Holocaust testimonies—have assumed in recent thought and writing. In doing so, he adapts psychoanalytic concepts to historical analysis and employs sociocultural and political critique to elucidate trauma and its after effects in culture and in people.In the first chapter LaCapra addresses trauma from the perspective of history as a discipline. He then lays a theoretical groundwork for the book as a whole, exploring the concept of historical specificity and insisting on the difference between transhistorical and historical trauma. Subsequent chapters consider how Holocaust testimonies raise the problem of the role of affect and empathy in historical understanding, and respond to the debates surrounding Daniel Jonah Goldhagen's book Hitler's Willing Executioners: Ordinary Germans and the Holocaust. The book's concluding essay, "Writing (About) Trauma," examines the various ways that the voice of trauma emerges in written and oral accounts of historical events. Theoretically ambitious and historically informed, Writing History, Writing Trauma is an important contribution from one of today's foremost experts on trauma.

    Depicting her father’s ascension to command Auschwitz, the most infamous of all concentration camps, the author reveals his relationship with his family, his unceasing love for his mistress, and the very separate life he led as a senior officer of the S.S. Chronicling his capture at the end of the war, this narrative also documents his imprisonment at Dachau and Nuremburg, his sentencing at the Auschwitz Trial in Krakow, and his subsequent execution. Recounting a shocking tale with clarity and without judgment, this riveting autobiography embodies one woman’s unwavering mission to resolve her own past.

    As the 3rd Reich embarked upon its plan of conquest & genocide, IBM & its subsidiaries helped create enabling technologies, step-by-step, from the identification & cataloging programs of the 30s to the selections of the 40s. Only after Jews were identified--a massively complex task Hitler wanted done immediately--could they be targeted for efficient asset confiscation, ghettoization, deportation, enslaved labor & annihilation. It was a cross-tabulation & organizational challenge so monumental, it called for a computer. Of course, in the 30s no computer existed. But IBM's Hollerith punch card technology did exist. Aided by the company's custom-designed & constantly updated Hollerith systems, Hitler was able to automate the persecution of the Jews.Historians were amazed at the speed & accuracy with which the Nazis were able to identify & locate European Jewry. Until now, the pieces of this puzzle have never been fully assembled. The fact is, IBM technology was used to organize nearly everything in Germany & then Nazi Europe, from the identification of the Jews in censuses, registrations & ancestral tracing programs to the running of railroads & organizing of concentration camp slave labor. IBM & its German subsidiary custom-designed complex solutions, anticipating the Reich's needs. They didn't merely sell the machines & walk away. Instead, IBM leased these machines for high fees & became the sole source of the billions of punch cards needed. IBM & the Holocaust details the carefully crafted corporate collusion with the 3rd Reich, as well as the structured deniability of oral agreements, undated letters & the Geneva intermediaries--all undertaken as the newspapers blazed with accounts of persecution & destruction. Just as compelling is the human drama of one of our century's greatest minds, IBM founder Thomas Watson, who cooperated with the Nazis for the sake of profit. Only with IBM's technologic assistance was Hitler able to achieve the staggering numbers of the Holocaust. Edwin Black has now uncovered one of the last great mysteries of Germany's war against the Jews: how Hitler got the names.

    Drawing on a wide variety of films and primary source materials including censorship files, critical reviews, promotional materials, fanzines, men's magazines, and popular news weeklies, the book examines the historical figure of the movie monster in relation to various medical, psychological, religious and social models of homosexuality. While recent work within gay and lesbian studies has explored how the genetic tropes of the horror film intersect with popular culture's understanding of queerness, this is the first book to examine how the concept of the monster queer has evolved from era to era. From the gay and lesbian sensibilities encoded into the form and content of the classical Hollywood horror film, to recent films which play upon AIDS-related fears. Monster in the Closet examines how the horror film started and continues, to demonize (or quite literally "monsterize") queer sexuality, and what the pleasures and "costs" of such representations might be both for individual spectators and culture at large.

    Why is being authentic the ultimate aim in life for so many people, and why does it mean looking inside rather than out? Is it about finding the 'real' me, or something greater than me, even God? And should we welcome what we find?Thought-provoking and with an astonishing range of references, On Being Authentic is a gripping journey into the self that begins with Socrates and Augustine. Charles Guignon asks why being authentic ceased to mean being part of some bigger, cosmic picture and with Rousseau, Wordsworth and the Romantic movement, took the strong inward turn alive in today's self-help culture.He also plumbs the darker depths of authenticity, with the help of Freud, Joseph Conrad and Alice Miller and reflects on the future of being authentic in a postmodern, global age. He argues ultimately that if we are to rescue the ideal of being authentic, we have to see ourselves as fundamentally social creatures, embedded in relationships and communities, and that being authentic is not about what is owed to me but how I depend on others.

    Beginning with one of the foundations of queer theory—his famous meditation on how sex leads to a shattering of the self, “Is the Rectum a Grave?”—this volume charts the inspired connections Bersani has made between sexuality, psychoanalysis, and aesthetics.   Over the course of these essays, Bersani grapples with thinkers ranging from Plato to Descartes to Georg Simmel. Foucault and Freud recur as key figures, and although Foucault rejected psychoanalysis, Bersani contends that by considering his ideas alongside Freud’s, one gains a clearer understanding of human identity and how we relate to one another. For Bersani, art represents a crucial guide for conceiving new ways of connecting to the world, and so, in many of these essays, he stresses the importance of aesthetics, analyzing works by Genet, Caravaggio, Proust, Almodóvar, and Godard.   Documenting over two decades in the life of one of the best minds working in the humanities today, Is the Rectum a Grave? and Other Essays is a unique opportunity to explore the fruitful career of a formidable intellect.

    She was an ordinary German schoolgirl from an average family thrust into the extraordinary circumstances of war. Her memoir vividly describes the price she, her family, and all the German people paid for Hitler's ambition. Relived through her memories, it is truly a story of childhood innocence lost, but also of survival through grit and courage. She endured air raids, bomb shelters, military training, capture, imprisonment, rape and harrowing escape. The author has created a razor-sharp, clear-eyed and tense narrative about her life during this frightening time, as well as the story of her early struggles as a German war bride settling into a new life in America. This is Dorchen, and she is a remarkable woman.

    The place is Nazi Germany. Lilly is not Jewish. She is a typical eight-year-old German girl who is too busy playing in the cemetery her pappa runs to worry about what is going on around her. That is until Hitler and his Nazis interrupt her life. Shadow of the Swastika is based on her life until the end of World War II. Even at a young age, Lilly is a hardheaded girl. She wants her freedom, but the tyranny and oppression of the Third Reich thwarts her desire to do and say as she pleases. Though Lilly grows up in a world of war, hunger, fear and death, she is a survivor and faces each day’s challenges with obstinance, humor, spunk and courage.

    These lectures are based on their seminar course at Columbia University on Western intellectual history augmented by additional lectures by selected "guest" lecturers. Gives a guided tour through 3,000 years of Western thought.In 7 containers (26 cm.).Lectures by Darren M. Staloff, Louis Markos, Jeremy Adams, Phillip Cary, Dennis G. Dalton, Alan Charles Kors, Jeremy Shearmur, Kathleen M. Higgins, Robert Hilary Kane, Robert C. Solomon, Douglas Kellner, and Mark W. Risjord.42 audiocassettes (approximately 2520 min.) : analog, Dolby processed + 7 course guidebooks (22 cm).Contents:pt. 1. Classical origins --pt. 2. Christian age --pt. 3. From the Renaissance to the Age of Reason --pt. 4. Enlightenment and its critics --pt. 5. Age of ideology --pt. 6. Modernism and the age of analysis --pt. 7. Age of modernity.

    Empire of Guns, a rich and ambitious new book by award-winning historian Priya Satia, upends this conventional wisdom by placing war and Britain's prosperous gun trade at the heart of the Industrial Revolution and the state's imperial expansion.Satia brings to life this bustling industrial society with the story of a scandal: Samuel Galton of Birmingham, one of Britain's most prominent gunmakers, has been condemned by his fellow Quakers, who argue that his profession violates the society's pacifist principles. In his fervent self-defense, Galton argues that the state's heavy reliance on industry for all of its war needs means that every member of the British industrial economy is implicated in Britain's near-constant state of war. Empire of Guns uses the story of Galton and the gun trade, from Birmingham to the outermost edges of the British empire, to illuminate the nation's emergence as a global superpower, the roots of the state's role in economic development, and the origins of our era's debates about gun control and the "military-industrial complex" -- that thorny partnership of government, the economy, and the military. Through Satia's eyes, we acquire a radically new understanding of this critical historical moment and all that followed from it. Sweeping in its scope and entirely original in its approach, Empire of Guns is a masterful new work of history -- a rigorous historical argument with a human story at its heart.

    Forty years after his Hitler: A Study in Tyranny set a standard for scholarship of the Nazi era, Lord Alan Bullock gives readers a breathtakingly accomplished dual biography that places Adolf Hitler's origins, personality, career, and legacy alongside those of Joseph Stalin--his implacable antagonist and moral mirror image.

    An urbane Harvard-educated German, Putzi was living in Germany in 1922 when he first heard Hitler speak in Munich. Introducing himself after the speech, Putzi began one of the strangest relationships in twentieth-century politics. As he tried to introduce Hitler to Munich high-society and polish his image in the eyes of the world, Hanfstaengl helped finance Mein Kampf, claimed to have devised the chant of "Sieg Heil," and attempted to set Hitler up with the American ambassador's beautiful young daughter. But he fell out of Hitler's graces, fled to Britain where he was interned, and then transferred to America. There, he worked for his old friend from the Harvard Club, Franklin Delano Roosevelt. The star of Roosevelt's "S-Project," Putzi provided information on four hundred leading Nazis, analyses of Hitler's speeches, and a sixty-eight-page psychological portrait of Hitler. Through newly declassified documents, photographs, interviews with members of Hanfstaengl's family, and original writing by Hanfstaengl, Peter Conradi recounts the remarkable life of history's personal link between Hitler and FDR.

    But when the Germans and Ukrainians obliterated David-Horodok in 1941, killing off all Jewish men in the town, everything changed.Left to fend for themselves, Basia and her mother fled 100 kilometers south, driven into the infamous Sarny ghetto. Tragedy struck again as the Germans liquidated the ghetto in 1942, and Basia went into the first of many hiding places. After years of running from soldiers, changing her identity, and hiding her faith, Basia emerged as a survivor – shepherding the rebirth of her faith and her family in America.

    At first it was made up of small, disorganized groups of men and women working in isolation. But by the time of the liberation of France in 1944 around 400,000 French citizens (nearly 2% of the population) were involved. The Special Operations Executive (SOE) set up by Winston Churchill in 1941 saw its role in France as recruiting and organising guerilla fighters; supplying and training them; and disrupting the invaders by any means, including sabotage, the collection of intelligence and the dissemination of black propaganda designed to demoralise the Germans. The aim of this work was the eventual invasion of Europe by the Allied forces and the liberation of France. As described in Sebastian Faulks’ bestselling book Charlotte Gray, women would play a major role in SOE activities over the coming years of the war, and those in charge of SOE in London believed it necessary and vital to deploy operatives who could speak French and were adept at espionage. The basic SOE unit was a team of three: a leader, a wireless operator and a courier. These teams operated in Resistance circuits and the agents were given random codenames. Now, for the first time, we shed light on what life was really like for these brave women who infiltrated France by moonlight to help bring the downfall of the Nazis. From their selection and training; dropping into Occupied France, their attempts to survive on a day-to-day basis whilst being hunted by the dreaded German Gestapo; to the actions and ultimate achievements of these key women. Some survived by luck through the war, whilst others would be captured, tortured and executed before the Nazis final capitulation. Their stories only coming to light thanks to the dogged detective work of the commanding officer who had sent them on their missions and her determination to find out what happened to her girls.

    In The Mousetrap -- winner of the 2003 San Diego Book Award for an Unpublished Memoir -- she tells the harrowing true story of her experiences as a young Bohemian woman in the years after the Second World War ended. She tells of the understandable brutality with which she and her family and friends were treated after the Germans lost the war. She also tells the story of a mother-daughter relationship that, because of the terrible times in which they lived, threatened to kill them both.At the time of her death, Ruth had nearly completed the next portion of her autobiography, which is currently being prepared for publication.Learn more about Ruth Eigner at TheMousetrapBook.com or find her on page on Facebook -- https://www.facebook.com/TheMousetrap...From the Introduction to The Mousetrap --Now that I have finally brought myself to write of these events, which took place nearly sixty-five years ago in a middle European land which no longer exists, I am faced with the fact that Americans now coming of age, like my own grandchildren, will need some historical background. The country was Czechoslovakia, created in 1918, made up of a hodge-podge of nationalities – Czechs, Slovaks, Germans, Hungarian, Poles and others -- previously ruled by the Austrians, losers of the First World War. My own people, ethnic Germans, had lived in this same territory for almost a thousand years, and since we spoke the same language as the Austrian rulers, I suppose we thought of ourselves as better than our neighbors. Many of us were also excessively proud of our German culture, believing that it was superior to that of the Slavic people who now vastly outnumbered us in the new country. There was great fear among chauvinists and prejudiced Germans that we might lose our national identity and be forced even to give up our language. These people argued and sometimes demonstrated violently for the creation of a new German country. And the uprisings they fomented were sometimes put down with corresponding violence. It was easy, therefore for Adolf Hitler to argue in 1938 that the German citizens of Czechoslovakia needed his protection. To “save” us, as he said, from the persecution of the Czechs, he annexed the part of the country in which we lived. I was only twelve when this happened, but I was old enough to remember that there was much cheering in the streets when the German troops marched in. I remember also that during the next seven years which passed before the defeat of the Nazis, Germans of my group, even boys I grew up with, enlisted or were drafted to fight in Hitler’s army. No doubt many of them joined in the persecution of those who had been our fellow Czechoslovakians for the past twenty years, the descendants of people who had been our neighbors for centuries. Who could blame the Czechs for wanting to get revenge once Hitler was gone, and they were back in power? They felt, that unless we were driven from the country, we would betray them again at the first opportunity. All this was understandable, but it did not lessen the fear of the German Czechoslovakians, both the innocent and the guilty among us, who faced this reciprocal terror. -- Ruth Hanka Eigner