At the tender age of eleven she is given to Bank Roll, who has his hand in every type of hustle, to settle a drug debt for her parents. Bank Roll is much older and once he sees how unique Lexi is, he breeds her to be his special girl, falling in love with her in the process. She loves him as well, but has him ripped away from her life too soon.While many use the ‘molested at a young age’ story as an excuse, Lexi takes the cards she is dealt and learns all she can because she’s a grown woman in a girl’s body. Not one to settle or let life take over her, she uses the gems she has learned over the years and dabbles in everything she can, just like her mentor. A few chance meetings put her in position to use what she has to get what she needs, and while still in her teen years not only is she on top of the world, but she is also running it. Lexi knows that street smarts can get you so far, but can her Savage instincts take her where she wants to be?

    Pearla is a born hustler, and Cash was born to steal. Pearla sets her sights on Cash and motivates him to take his petty crimes to the next level.Together, the two get money throughout the tri-state, while friends and family want to be upgraded without putting in work. At first, the couple makes it rain in the hood, taking care of those they love, but a hustler always knows when to draw the line.Suddenly, Pearla proclaims the ATM closed, and a quiet storm begins to brew. When the beggars can't beg anymore and the borrowers can't borrow anymore, friends become enemies. Words and bullets are exchanged, leaving The House that Hustle Built under attack and at risk of collapse.

    A terrible sacrifice. A second chance... 1952. In the fragile atmosphere of post-war Paris, Sophie Bernot is training as a heart surgeon. A young woman in a man's world, Sophie is determined to bury her past and forge her medical career, whatever the costs.Across the channel, Sebastian Ogilvie is burning with ambition for his first architectural project. As his schemes lead him to France, and to a chance encounter with Sophie, his future seems full of promise.But when Sophie and Sebastian find themselves entangled in a brief, passionate affair, they each face a choice that will change their lives irrevocably, and a secret that will take years to be uncovered... Sweeping from Paris to London, to the snow-capped peaks of the Alps, this is an unforgettable story of passion, heartache and forgiveness. Perfect for fans of Santa Montefiore and Lucinda Riley

    The key witness is a woman whose life seems a world away from theirs. At home, their own lives begin to unravel as every version of the truth is challenged.Consent, Nina Raine’s powerful, painful, funny play, sifts the evidence from every side and puts Justice herself in the dock. It premiered as a co-production between the National Theatre and Out of Joint, directed by Roger Michell at the National Theatre in 2017.

    Boom tells the story of an elderly woman and her property agent son in Singapore, who are struggling over the potential en bloc sale of their home. Their destinies become interwoven with that of an idealistic civil servant, Jeremiah, who is facing the greatest challenge of his career—persuading a reluctant corpse to yield its memories. Boom is a quirky yet poignant tale about the relocation of both dead and living, and how personal stories get left behind in the inexorable march of progress.Written by economist-turned-playwright Jean Tay, Boom was conceptualised at the Royal Court Theatre in London in 2007, and developed and staged by the Singapore Repertory Theatre in September 2008. It was nominated for Best Original Script for The Straits Times’ Life! Theatre Awards in 2009 and is now an O- and N-Level Literature text in Singapore schools.“Jean Tay is one of the most gifted playwrights I have come across in years.” —Gaurav Kripalani, Artistic Director, Singapore Repertory Theatre

    

    Overseas, war is raging in Vietnam, Civil Rights marches are on the streets, and women’s liberation is stirring – but at home in Corrigan Charlie Bucktin dreams of writing the Great Australian Novel. Charlie’s 14 and smart. But when 16-year-old, constantly-in-trouble Jasper Jones appears at his window one night, Charlie’s out of his depth. Jasper has stumbled upon a terrible crime in the scrub nearby, and he knows he’s the first suspect – that goes with the colour of his skin. He needs every ounce of Charlie’s bookish brain to help solve this awful mystery before the town turns on Jasper. Kate Mulvany’s adaptation of Craig Silvey’s award-winning novel is wise and beautiful. A coming-of-age story, Jasper Jones interweaves the lives of complex individuals all struggling to find happiness among the buried secrets of a small rural community.Whether you know the book or not, this piercing adaptation is very much worth seeing for the way it depicts – and shows ways across – some of the deep and enduring divides in our society." - Jason Blake SMH

    After years of childhood abuse, Kylah finds herself grown, single, and scorned, and it isn't until life forces her to break down that she realizes that she must heal from yesterday's trauma's in order to move on to brighter tomorrow's. When Kylah loves, she loves hard, so when her old high school sweetheart walks back into her life only to end up destroying her heart, he validates her cynical view of men. She warns her sister Kyree and best friend Trixie about love, but soon enough, she finds herself falling in love faster than she could ever imagine. Then to make matters worse, her drug addicted mother pops back into her life, spilling secrets that turns Kylah's life upside down. When it's all said and done, Kylah is forced to either face the pain of her yesterday's or risk losing everything and everyone she loves for a past she can't seem to shake. Formerly My Yesterday's Text

    

    Moving from street corner to living room, from bedroom to kitchen, we meet the inhabitants of young, middle-aged, and old, glimpsing their socially and emotionally wretched lives, in this sharp, sad, funny, and angry play.

    A bizarre weather phenomenon... A forgotten civilization... Somethings are better left undiscovered.When an extreme weather condition causes parts of the Greenland ice sheet to melt, archaeologist Zack Cole is determined to join the race of professionals and amateur alike, to find uncovered history and treasure.He's got the knowledge. He's got the money. He's even got the equipment. Now about those permits...Zack turns to his old friend, Father Salvatore Giovanni, curator of the Chicago Museum of Biblical Antiquities to back his expedition. He says yes, with one condition... Researcher Sydney Langtry is coming with him to protect the museum's interests.Plunged together into an icy world of death and darkness, Zack and Sydney make a discovery that will rock the Biblical and archaeological community. But will they make it out alive to share their discovery?From bestselling Christian fiction author Daniel Patterson comes, The Codex, the latest action-packed adventure in his Armour of God Thriller Series.

     Three closely knit people, Karma, Diana & Ghazal meet at the crossroads of life, unaware of the cosmic conspiracy and its comical destiny. Heart is their road, love is their journey and the soul, the final destination. Sailing on the tides of emotions, they encounter deceit, with a tinge of poison and drop of bliss. Forever love; it is a myth? Or a reality? Is it stifling pain or undying love, that makes love eternal? Come, let us explore!

    Poetry. Performance Studies. African & African American Studies. California Interest. Hybrid Genre. Winner of the 2016 Relentless Award from the American Playwriting Foundation. Introduction by Dawn Lundy Martin. Aleshea Harris' IS GOD IS is a classic revenge tale about two sisters that blends tragedy, typography, the Spaghetti Western, hip-hop and Afropunk. In this necessary new play, emotions are laid bare through gaps in language and characters are a window into the canon as well as our own broken times. A rigorous new work that unearths our deepest fears about humanity and who we think we are in relation to ourselves and the divine.--Dawn Lundy Martin Family, as the old tragedians knew, is our first country. Therefore, it's the earth from which we forge our first weapons, the fields of our first wars, the very turf over which we fight. With IS GOD IS, Aleshea Harris audaciously scours tragedy down with the rough edge of a rock. To read this merciless play is to get blood in your eye--and in Harris' sure grip, you'll recall that blood washes and stains, can run hot or cold, means both violence and family.--Douglas Kearney 3 Hole Press is a small press bringing new audiences to new plays in printed formats. The Press publishes titles that expand notions of what a play is, the possibilities that emerge for drama on the page, and the connection between plays and other mediums. Interdisciplinary by design, these books belong outside the drama section.

    From his legendary bayonet charge down the slopes of Little Round Top hill during the Battle of Gettysburg, to the startling calling of Union troops to salute as the defeated Confederate Army surrendered to him at Appomattox, Joshua Lawrence Chamberlain redefined the scale of greatness in this country. Wounded six times in battle, twice assumed to be a fatality, the volunteer officer from Maine continued to lead gallantly until the final shot was fired during the Civil War. Valor's Measure tells the death-defying tale of this Medal of Honor hero and captures his spirit as no autobiography can.