Here is the familiar outer world of family summers at remote lakes, winters of political activism, and seasons of exotic friends, mundane lives, and unexpected loves. But here too is the inner world of hidden places and all that emerges from them-the intimately personal, the fantastic, the shockingly real...whether it's what lives in a mysterious locked room or the secret feelings we all conceal. In this dramatic and far-ranging collection, Margaret Atwood proves why she is a true master of the genre.

    Here are attempts at human connection, both depraved and sublime, by people in all stages of life: one-night stands in communal apartments, poignantly awkward couplings, office trysts, schoolgirl crushes, elopements, tentative courtships, and rampant infidelity, shot through with lurid violence, romantic illusion, and surprising tenderness.A murky fate --The fall --The goddess parka --Like Penelope --Ali-baba --Two deities --Father and mother --The impulse --Hallelujah, family! --Give her to me --Milgrom --Clarissa's story --Tamara's baby --Young berries --The adventures of Vera --Eros's way --A happy ending

    Not everyone can. Who decides? Desperate to save his daughter from a mysterious sickness, Daniel applies for the Methuselah Treatment. If she gets it, his daughter won’t just recover, she’ll live forever. But the drug is tightly controlled, and only the special, the talented, and the truly deserving ever receive it. There is nothing special about Daniel’s destitute ten- year-old girl—or is there?

    For the boy inside the pages . . From Charles: I am often asked about my childhood. How I grew up. Where. What informed me as a writer, man and child of God. Starting with some of my earliest memories, these are stories of that place in me. That kid in me. In here you will find honest admission of my mistakes, failures, successes. Note: these are not fiction and this is not a novel.These stories are as true as I can remember. In these pages, you will hear the beginnings of my voice as a writer, the things that were troubling me — things I didn’t know how to voice out my mouth so they bubbled up and out my fingers. You will also hear my unshakable and childlike faith in a sovereign and good Heavenly Father.I wrote most all of these stories between my sophomore year in high school and my senior year in college so my temptation here and now was to edit them. To make them sound like me today, the writer I’ve become after almost thirty years with this keyboard on my lap. For the record, I have not done that. What you read today, is what I wrote then. (That doesn’t mean they’re sloppy. I’ve cleaned them up a bit.) But, as a result, you hear my early voice. And while it is ripe with mistakes and a wordiness long since edited out of me, there’s also an innocence and purity that I cherish.For those of you looking for my next novel, this is not it. But, it will give you insight into the novels you have read or might read. I’ve entitled them, “River Road,” because I grew up there. Because that hallowed ground along the St. Johns River holds a tender place in my heart. Because the valiant, sweaty kid I knew back then is still running around with Tom Sawyer and Huck Finn and he holds an absolute faith that fishing is a more noble pursuit than school, that he can play in the NFL, that men don’t die of hiccups, that he can still cat-walk his Schwin Mag Scrambler over sixty nine parking spaces, that swallowing Levi Garrett chewing tobacco won’t hurt him and that girls actually think it’s cool, that throwing tangerines at cars is good training for arm strength, that being a bully to a buddy hurt his heart, that a pellet to the gonads is excruciatingly painful, that when my praying mother hit her knees next to a wrecked car and bleeding man that she towered over the men around her, that forgiveness is the toughest thing that kid will ever offer another and that God can and will kill the devil. Enjoy.

    

    Gabriel Kane goes from a struggling architect to one of the most powerful men in the world; Armonía Solorsano -- a young Hispanic girl who grew up in a dilapidated suburban McMansion-turned-tenement -- invents one of the most important and influential pieces of technology in history; a non-profit organization goes from a charity to a decentralized domestic terrorist group; and the greatest democracy in the world finds itself falling into the ever-tightening grip of a dictator.As five people come together with the shared goal of changing the world, they discover that their approaches are fundamentally and irreconcilably at odds. Their partnership becomes a bitter political and high-tech rivalry from which only one of them can emerge.This novella by Christian Cantrell (about 16,000 words) portrays an intersection of politics and technology which is both extremely relevant, and frighteningly feasible.

    The second collection drawn together by editor Wendy Martin, these twenty-four exquisite examples of contemporary writing feature stories by Joyce Carol Oates, Margaret Atwood, Mary Gaitskill, Alice Munro, Sandra Cisneros, and Lorrie Moore (to name a few).We Are the Stories We Tell is also available from Pantheon.

    She’s drawn into a stranger’s murder in this SHORT STORY featuring characters from the Maggie Sullivan mystery novels. A job offer from a blonde at a dime store lunch counter lures the detective to a still-warm corpse in an alley. His gold watch and cufflinks are still on him, but not his shoes and socks. A night of grilling by homicide cops does nothing to improve Maggie’s mood, which deteriorates further when they laugh off a lead she gives them and imply she solves cases by batting her eyes instead of using her brains. Aided by a ragtag newsboy, Maggie baits a trap for the killer. He shows up with a knife. But Maggie wields a .38 as expertly as she does an emery board — and she doesn’t back down for thugs or authorities when she’s after answers. A woman sleuth like none you’ve met and historical atmosphere meet in the streets of a small Ohio city, capturing a 20th century America before cell phones or carry-out coffee cups in this short story reminiscent of the golden age of private eyes.

    Can you imagine Draupadi in a Brothel house? How did she end there and who is responsible for that? Read this short story to meet her and know about her life.

    In “Books and Roses” one special key opens a library, a garden, and clues to at least two lovers’ fates. In “Is Your Blood as Red as This?” an unlikely key opens the heart of a student at a puppeteering school. “‘Sorry’ Doesn’t Sweeten Her Tea” involves a “house of locks,” where doors can be closed only with a key—with surprising, unobservable developments. And in “If a Book Is Locked There’s Probably a Good Reason for That Don't You Think,” a key keeps a mystical diary locked (for good reason).  Oyeyemi’s tales span multiple times and landscapes as they tease boundaries between coexisting realities. Is a key a gate, a gift, or an invitation?

    Sort of. When Brad Williams is offered a lot of money to take on a case for sly banker Jonas Baxter, he is in no position to refuse. Jonas has been charged with the attempted murder of local prostitute Tina Jade, but it quickly becomes evident that it is not the reason why the prosecution wants Jonas behind bars. So why are they still pressing ahead with the charges? What is Jonas guilty of? This thrilling legal short story will take you for a ride through the courtroom and leave you with twists and turns that you didn’t see coming.

    She never overcame her humble beginnings and when Willie Eubanks rescued her from the orphanage by marrying her, she ended up right back where she started. Living in the same cabin, she was born in twelve and a half years earlier. However, she grew to love Willie and was determined that she and Willie were not going to end up as her parents had. In addition, she wanted to make sure her children were not going to have to suffer through the same experiences she had.

    The lurking wolf in Little Red Riding Hood, the gingerbread house that lures Hansel and Gretel, the beauty asleep in her castle—these fables represent some of our deepest, most primeval fears and satisfy our longing for good to win out over evil (preferably in the most gruesome way possible). In this captivating new collection, critically acclaimed author Jean Thompson takes the classic fairy tale and brings it into the modern age with stories that capture the magic and horror in everyday life. The downtrodden prevail, appearances deceive, and humility and virtue triumph in The Witch, as lost children try to find their way home, adults cursed by past unspeakable acts are fated to experience their own horror in the present, and true love—or is it enchantment?—conquers all. The Witch and Other Tales Re-Told is a haunting and deeply entertaining collection, showcasing the inimitable Thompson at the height of her storytelling prowess.

    And despite all of the above, the absolute necessity of it, no matter its consequences. Whether it’s a college student undone by the boy who leaves her, or the boyfriend intent on leveling old scores from high school for his lover, or the husband who discovers—in the grocery store—the woman he should have been with all along, every character, no matter how off track, wants to believe in debt and credit and payback and making the messy world—and the messy world of love—turn out neatly.

    G. Wodehouse's most beloved character, Jeeves. This collection brings together all the stories found in the book "My Man Jeeves" as well as four other early stories. Contained in this volume you will find the following hilarious tales: Leave it to Jeeves, Jeeves and the Unbidden Guest, Jeeves and the Hard-boiled Egg, Absent Treatment, Helping Freddie, Rallying Round Old George, Doing Clarence a Bit of Good, The Aunt and the Sluggard, Extricating Young Gussie, Jeeves Takes Charge, Jeeves and the Chump Cyril, and Jeeves in the Springtime.