Who has it. Who doesn’t. How you get it. How you don’t.In Refund, Bender creates an award-winning collection of stories that deeply explore the ways in which money and the estimation of value affect the lives of her characters. The stories in Refund reflect our contemporary world—swindlers, reality show creators, desperate artists, siblings, parents — who try to answer the question: What is the real definition of worth?In “Theft,” an eighty-year-old swindler, accustomed to tricking people for their money, boards a cruise ship to see if she can find something of true value—a human connection. In “Anything for Money,” the creator of a reality show is thrown into the real world when his estranged granddaughter reenters his life in need of a new heart; and in the title story, young artist parents in downtown Manhattan escape the attack on 9/11 only to face a battle over their subletted apartment with a stranger who might have lost more than only her deposit.Set in contemporary America, these stories herald a work of singular literary merit by an important writer at the height of her power.

    Among them: a middle-aged Aeschylus taking his place at Marathon, still vying for parental approval. A maddeningly indefatigable Victorian explorer hauling his expedition, whaleboat and all, through the Great Australian Desert in midsummer. The first woman in space and her cosmonaut lover, caught in the star-crossed orbits of their joint mission. Two Texas high school football players at the top of their food chain, soliciting their fathers’ attention by leveling everything before them on the field. And the rational and compassionate chief executioner of Paris, whose occupation, during the height of the Terror, eats away at all he holds dear.Brimming with irony, compassion, and withering humor, these eleven stories are at once eerily pertinent and dazzlingly exotic, and they showcase the work of a protean, prodigiously gifted writer at the height of his form. Reading Jim Shepard, according to Michael Chabon, “is like encountering our national literature in microcosm.”

    The author's characters are unforgettable, while their predicaments are funny, improbably logical, and almost affecting as Africa itself.

    Combining interrelated novels, stories, and novellas, Dixon's multilayered and frequently hilarious family epic—the story of Howard Tetch, his ancestors, his parents, his children, and the generations that follow—"reassures us that whatever is precious can never be completely lost" (The Baltimore Sun).

    Resourcefully, doggedly, Jacky nurtures his spirit of independence, his capacity to love, and his faith in a nation's dream in a journey that takes him from Wichita to Corpus Christi and from poverty to possibility.

    Etched on all three gravestones is the same date of death: May 28, 1939. Home from the Hill is the story of that tragic day and the dramatic events leading up to it. The biggest landowner in the county, Captain Wade Hunnicutt was a charismatic war hero whose legendary hunting skills extended to the wives of his friends and neighbors. Humiliated by her husband’s philandering, Hannah grew to despise Captain Wade but was too proud to ask for a divorce; instead, she devoted herself to her only child. Torn between his mother’s adoration and an overwhelming need to win his father’s approval, Theron tried to become his own man. And he might have succeeded if he hadn’t fallen in love with the beautiful and innocent Libby Halstead.

    Henley weaves her clear and powerful prose with an unforgettable story of a human heart unbinding itself in the most unjust of worlds.

    As was well known at the time, Richter had spent several years in the Southwest, where he collected the material for his first successful book, Early Americans and Other Stories, but by 1933, he had returned to live in his hometown, Pine Grove, Pennsylvania. John Donner, the main protagonist in The Waters of Kronos, traces a similar route from west to east, although he finds that his family home and native town have been submerged under the deep waters of a lake formed by the construction of a hydroelectric dam. As Richter narrates his alter ego's efforts to salvage his past, he moves beyond "semi-autobiography" to offer what are widely recognized as his most haunting reflections upon the power of family history, the fragility of human memory, and art's role in structuring the communal ethos. David McCullough, a fellow Pulitzer Prize winner, met and befriended Richter in the 1960s and has called him "an American master," praising The Waters of Kronos as "his most beautiful book."

    Warren’s inspirational bestseller What a Sista Should Do are older—but are they wiser?...Once successful, Pam Lyon’s husband, Troy, has blown their fortune. Now he’s hustling to make a comeback. But his partner, Logan, is more interested in connecting with Pam—and soon he crosses a line that will challenge Pam’s marriage…Taylor Oldman’s ex, Luke, is finally out of prison and wants a relationship with their eleven-year-old son. But newly remarried Taylor doesn't want Luke in her life. The problem is, the boy is acting out—and Luke is the only one who can reach him. Can Taylor forgive Luke for the sake of their child?... Recently divorced, Yvonne Hastings is lonely for the first time in years. She finds solace by befriending new church member Eva Logan. Eva is trying to leave behind her scandalous past, but it seems she can’t let go of everything. And when her behavior starts to affect Yvonne, she’ll have to reflect on what it means to be a good friend in and out of church…As their personal lives test them like never before, can these three women find a way to keep the faith—and their friendship?...

    Now it is a novel, stuffed full of the gruesome and horrible. Taken from the mythologies and histories of humankind, it follows the trail of the Mother Spririt of the worst that the world is capable of producing. From the catacombs of ancient Rome where a blasphemous sect twisted the message of the early Christians--to modern America with its obsession with violence, deities and saints and the reincarnations of beasts battle over sublime and profane, where the very reasons for existence for us all may lie in the unthinkable.Edward Lee (author of CITY INFERNAL, MONSTROSITY, INCUBI, and SUCCUBI) says in his introduction to this new novel-length version, "What's most unique of all here (and jealously fascinating) are the creative guts of the author. If there's an ultimate dichotomy in the horror genre, it's got to be Jacob...armed with a talent to write the most beautiful prose yet using that talent to examine the most unspeakable and detestable horror. ...It's one of my all time favorite novels in the field."

    After being impregnated in a fertility ritual of ancient ofigin, she leaves Mexico to work in the Rio Grande Valley of Texas as a housemaid for Mrs. Eddie Hatch, a woman with a strong will and a narrow worldview. Their complex relationship-by turns mystical and pragmnatic, serious and comic-reveals the many ways human beings can wound one another, the nautre of love and sacrifice, and the possibility of forgiveness.The River Beyond the World is a 1996 National Book Award Finalist for Fiction.

    The past: the suicides of his father, wife and daughter, the murder of his son-in-law, a brutal rape, and subsequent mutiny at sea. The present: caring for his granddaughter on a "northern" island where he works as an artificial inseminator of cows, and attempts to reclaim the innocence with which he faced the tragedies of his earlier life. Combining unflinching descriptions of suffering with his sense of beauty, Hawkes is a master of nimble and sensuous prose who makes the awful and mundane fantastic, and occasionally makes the fantastic surreal.

    We see him on his travels to Russia, to Bulgaria, and in the beds of his various mistresses. This is a funny, witty book about the world of writers and the quest for success.

    Winner of the Prix de Rome and the National Jewish Book Award, these ten stories and the title novella, "Ellis Island," exhibit tremendous range and versatility of style and technique, yet are closely unified in their beauty and in their concern with enduring and universal questions.

    It richly chronicles one man's rise to wealth, power, and prominence - and the haunting sense of failure at his heart.