Growing up, they had difficult home lives, and the summers they spent vacationing together in Montauk were the happiest memories they ever made—campfires on the beach, salt-spray hair and the effervescent excitement of the bright future ahead. Then, the summer after graduation, one terrible night changed everything.Twelve years have passed since that fateful incident, and during that time, their sisterhood has drifted apart, each woman haunted by her own lost innocence. But just as they reunite in Montauk for one last summer together, hoping to heal those wounds and find happiness once more, tragedy strikes again. This time it’ll test them like never before, forcing them to confront decisions they’ve each had to live with and old secrets that refuse to stay buried.Told with lyrical prose and sharp insights into human nature, East Coast Girls unveils the dark truths that can threaten even the deepest friendships and the unconditional love that makes them stronger than ever.

    When devastating news shatters the life of six-year-old Harvey, she finds herself in the care of a veteran social worker, Wanda, and alone in the world save for one relative she has never met—a disabled felon, haunted by a violent past he can't escape.Moving between past and present, Father’s Day weaves together the story of Harvey’s childhood on Long Island and her life as a young woman in Paris. Written in raw, spare prose that personifies the characters, this novel is the journey of two people searching for a future in the ruin of their past.Father's Day is a meditation on the quiet, sublime power of compassion, and the beauty of simple, everyday things—a breakthrough work from one of our most gifted chroniclers of the human heart.

    And then one day this closest of friendships grows into something more.But then we fast forward a decade or so, to find that Ellis is married to Annie, and Michael is nowhere in sight. Which leads to the question, what happened in the years between?This is almost a love story. But it's not as simple as that.

    They got married around the same time, had kids around the same time, and now, fifteen years later, they’ve started getting divorced around the same time, too. With three of the Core Four unions crumbling to dust around them, Jessica and Mitch Butler take a long, hard look at their own marriage. Can it be saved? Or is divorce, like some fortysomething zombie virus, simply inescapable?To maximize their chance at immunity, Jessica and Mitch try something radical. Their friends’ divorces mostly had to do with sex—having it, not having it, wanting to have it with other people—so they decide to relax a few things. Terms are discussed, conditions are made, and together the Butlers embark on the great experiment of taking their otherwise happy, functional marriage and breaking some very serious rules.Jessica and Mitch are convinced they’ve hit upon the next evolution of marriage. But as lines are crossed and hot bartenders pursued, they each start to wonder if they’ve made a huge mistake. What follows is sexy, fun, painful, messy, and completely surprising to them both. Because sometimes doing something bad is the only way to get to the heart of what’s really good.

    Among them: James Bennett, a synaesthetic art critic for The New York Times whose unlikely condition enables him to describe art in profound, magical ways, and Raul Engales, an exiled Argentinian painter running from his past and the Dirty War that has enveloped his country. As the two men ascend in the downtown arts scene, dual tragedies strike, and each is faced with a loss that acutely affects his relationship to life and to art. It is not until they are inadvertently brought together by Lucy Olliason—a small town beauty and Raul’s muse—and a young orphan boy sent mysteriously from Buenos Aires, that James and Raul are able to rediscover some semblance of what they’ve lost.As inventive as Jennifer Egan's A Visit From The Goon Squad and as sweeping as Meg Wolitzer's The Interestings, Tuesday Nights in 1980 boldly renders a complex moment when the meaning and nature of art is being all but upended, and New York City as a whole is reinventing itself. In risk-taking prose that is as powerful as it is playful, Molly Prentiss deftly explores the need for beauty, community, creation, and love in an ever-changing urban landscape.

    She is planning to lose herself in the maze of canals and forget about her ex-husband’s conviction for operating a meth lab on Cleveland’s south side.The legacy of the Bosnian War’s brutal ethnic cleansing has brought journalist Marika Juric to Venice on a single-minded crusade: to gather enough evidence to keep one of the war’s masterminds from becoming Croatia’s next president. And there are those who’ll do anything to stop her.But these two strangers share more than their unexpected arrivals in the City of Masks. They’re mirror images of each other—down to their hair, their smiles, and the same desperation in their eyes. The resemblance isn’t just uncanny. It’s dangerous.When the secrets of Alex’s escape rush headlong into Marika’s obsession, the fates of both women become entwined in a vaporous hall of mirrors. Working together is their only way to survive.

    Will the adults trying to find and protect them reach them before it’s too late?It’s the summer of 1994 in Claypot, Wisconsin, and the lives of ten-year-old Fischer “Fish” Branson and Dale “Bread” Breadwin are shaped by the two fathers they don’t talk about.One night, tired of seeing his best friend bruised and terrorized by his no-good dad, Fish takes action. A gunshot rings out and the two boys flee the scene, believing themselves murderers. They head for the woods, where they find their way onto a raft, but the natural terrors of Ironsforge gorge threaten to overwhelm them.Four adults track them into the forest, each one on a journey of his or her own. Fish’s mother Miranda, a wise woman full of fierce faith; his granddad, Teddy, who knows the woods like the back of his hand; Tiffany, a purple-haired gas station attendant and poet looking for connection; and Sheriff Cal, who’s having doubts about a life in law enforcement.The adults track the boys toward the novel’s heart-pounding climax on the edge of the gorge and a conclusion that beautifully makes manifest the grace these characters find in the wilderness and one another. This timeless story of loss, hope, and adventure runs like the river itself amid the vividly rendered landscape of the Upper Midwest.

    A ranger working along the Blue Ridge Parkway realizes that the dark side of the job, the all too frequent discovery of dead bodies, has taken its toll on her. Haunted by his past, and his future, a tech sergeant reluctantly spends a night with his estranged parents before being deployed to Afghanistan. Nearing fifty and facing new medical problems, a woman wonders if her short stint at the local chemical plant is to blame. A woman takes her husband’s research partner on a day trip to her favorite place on earth, Dollywood, and briefly imagines a different life.In the vein of Bonnie Jo Campbell and Lee Smith, Leah Hampton writes poignantly and honestly about a legendary place that’s rapidly changing. She takes us deep inside the lives of the women and men of Appalachia while navigating the realities of modern life with wit, bite, and heart.

    Not in a bar, but in the emergency room where Alexis sutured a bullet wound in Austin's arm. Six months later, on the brink of falling in love, they travel to Vietnam on a bike tour so that Austin can show her his passion for cycling and he can pay his respects to the place where his father and uncle fought in the war. But as Alexis sips white wine and waits at the hotel for him to return from his solo ride, two men emerge from the tall grass and Austin vanishes into thin air. The only clue he leaves behind is a bright yellow energy gel dropped on the road. As Alexis grapples with this bewildering loss, and deals with the FBI, Austin's prickly family, and her colleagues at the hospital, Alexis uncovers a series of strange lies that force her to wonder: Where did Austin go? Why did he really bring her to Vietnam? And how much danger has he left her in? Set amidst the adrenaline-fueled world of the emergency room, The Red Lotus is a global thriller about those who dedicate their lives to saving people, and those who peddle death to the highest bidder.

    His work bears special resonance for writers and readers, and yet his paintings never tell a story so much as they invite viewers to find for themselves the untold stories within."So says Lawrence Block, who has invited seventeen outstanding writers to join him in an unprecedented anthology of brand-new stories: In Sunlight or In Shadow. The results are remarkable and range across all genres, wedding literary excellence to storytelling savvy.Contributors include Stephen King, Joyce Carol Oates, Robert Olen Butler, Michael Connelly, Megan Abbott, Craig Ferguson, Nicholas Christopher, Jill D. Block, Joe R. Lansdale, Justin Scott, Kris Nelscott, Warren Moore, Jonathan Santlofer, Jeffery Deaver, Lee Child, and Lawrence Block himself. Even Gail Levin, Hopper’s biographer and compiler of his catalogue raisonée, appears with her own first work of fiction, providing a true account of art theft on a grand scale and told in the voice of the country preacher who perpetrated the crime.In a beautifully produced anthology as befits such a collection of acclaimed authors, each story is illustrated with a quality full-color reproduction of the painting that inspired it.

    Each story builds a new world all its own: a group of children steal a haunted doll; a runaway bride encounters a sea monster; a vendor sells toy boxes that seemingly control the passage of time; an insomniac is seduced by the Sandman. These visions of modern life wrestle with themes of death and technological consequence, guilt and sexuality, and unmask the contradictions that exist within all of us.  Mesmerizing, electric, and wholly original, Kim Fu’s Lesser Known Monsters of the 21st Century blurs the boundaries of the real and fantastic, offering intricate and surprising insights into human nature.

    But despite the fact she’s facing a broken marriage and empty nest, and middle age is looming in the distance, memories of happy childhoods on the beach give her reason for hope. She’s determined not to let her husband’s affair with a grad student reduce her to a cliché, or to waste one more minute in a career she doesn’t love, so it becomes clear what Adie Lou must do: rebuild her life and restore her cottage shingle by shingle, on her terms.But converting the beloved, weather-beaten structure into a bed-and-breakfast isn’t quite the efficient home-reno experience she’s seen on TV. Pushback from Saugatuck’s contentious preservation society, costly surprises and demanding guests were not part of the plan. But as the cottage comes back to life, Adie Lou does, too, finding support in unexpected places and a new love story on the horizon. One cottage rule at a time, Adie Lou reclaims her own strength, history and joy by rediscovering the magic in every sunset and sandcastle.

    Who are they, and what brings them to this Tuscan village so far from home? An expat herself and with her own unfinished story, she can't help but question: will they find what they came for? Kit Raine, an American writer living in Tuscany, is working on a biography of her close friend, a complex woman who continues to cast a shadow on Kit's own life. Her work is waylaid by the arrival of three women--Julia, Camille, and Susan--all of whom have launched a recent and spontaneous friendship that will uproot them completely and redirect their lives. Susan, the most adventurous of the three, has enticed them to subvert expectations of staid retirement by taking a lease on a big, beautiful house in Tuscany. Though novices in a foreign culture, their renewed sense of adventure imbues each of them with a bright sense of bravery, a gusto for life, and a fierce determination to thrive. But how? With Kit's friendship and guidance, the three friends launch themselves into Italian life, pursuing passions long-forgotten--and with drastic and unforeseeable results.

    Nicknamed the Last Deb, she was also beautiful, spoiled, and out of control. When she agreed to marry the gorgeous young heir Douglas Fairley-Hulme, her parents breathed a sigh of relief. But within two years, rumors had begun to circulate about Athene's affair with a young salesman.Thirty-five years later, Suzanna Peacock is struggling with her notorious mother's legacy. The only place Suzanna finds comfort is in The Peacock Emporium, the beautiful coffee bar and shop she opens that soon enchants her little town. There she makes perhaps the first real friends of her life, including Alejandro, a male midwife, escaping his own ghosts in Argentina.The specter of her mother still haunts Suzanna. But only by confronting both her family and her innermost self will she finally reckon with the past--and discover that the key to her history, and her happiness, may have been in front of her all along.

    When June arrives on the coast of New England, baby in arms, an untrustworthy man by her side, Mabel—who rents them a cabin—senses trouble. A few days later, the girl and her child are abandoned. June is soon placed with Mabel’s friend, Iris, in town, and her life becomes entwined with a number of locals who have known one another for decades: a wealthy recluse with a tragic past; a widow in mourning; a forsaken daughter returning for the first time in years, with a stranger in tow; a lawyer, whose longings he can never reveal; and a kindly World War II veteran who serves as the town's sage. Surrounded by the personal histories and secrets of others, June finds the way forward for herself and her son amid revelations of the others' pasts, including loves—and crimes—from years ago.