In this classic noir novel, a private eye from St. Louis, who likes his steak rare, his liquor hard, and his women fallen, arrives at the small town of Paulton to protect his wealthy client's daughter from a suspicious religious cult. Throughout the span of the case, he confronts Paulton's mob boss, avenges his partner's death, and falls for a classic femme fatale named Princess.

    For one thing, one of his dealers, Max ("the Money Man") Waxman, has just ripped him off. For another, his partner, Carmine Falcone, is in jail and threatening to cooperate with the government unless Masters gets him out fast.Then there are the Feds who have been trying to nail Masters for years. Two Treasury agents, John Vukovich and Richard Chance, are breathing down his neck. Chance is a reckless hotshot who doesn't believe in playing by the rules; he'll get evidence anyway he can. If he catches Masters and makes it stick, he's a hero. But if Chance is caught he's finished - unless he's willing to sacrifice Vukovich to save himself.

    Two delinquents and a girl encounter real trouble when professionals take over their planned robbery.The novel was adapted by Jean-Luc Godard for his film Bande à part (Band of Outsiders, 1964).

    So how did she wind up shot to death on the roof of New York s seediest strip club? It s up to detective John Blake to uncover his ex-girlfriend s secret life as a striptease queen. But the deeper he digs, the darker the secrets he uncovers, until a shattering face-off in an East Village tenement changes his life forever. First time in paperback--a stunning debut novel from an author whose stories have been selected for BEST MYSTERY STORIES OF THE YEAR and THE YEAR S BEST HORROR STORIES, as well as short-listed for the Shamus Award by the Private Eye Writers of America.

    The police found the babysitter unconscious, and a ransom note from the Pied Piper demands eight million dollars. Steve's global investment firm puts up the money, but when they go to retrieve the twins, only Kelly is in the car. The dead driver's suicide note says he inadvertently killed Kathy.At the memorial, Kelly tugs Margaret's arm and says: Mommy, Kathy is very scared of that lady. She wants to come home right now. At first, only Margaret believes that the twins are communicating and that Kathy is still alive. But as Kelly's warnings become increasingly specific and alarming, FBI agents set out on a desperate search.

    If one of them can shoot like me... the odds are a damn sight better."In the course of his line of business, the man who calls himself Roy Martin has robbed a bank in Phoenix, killed three men, and caught a bullet in his arm. Safety--and one half of $178,000--awaits him on the other side of the country. All that separates "Martin" from his destination are two thousand treacherous miles and three lethal temptations: to trust the wrong friend, to love the right woman, and to start believing that a man like himself can ever be safe.The Name of the Game is Death combines a narrative as taut as a hangman's rope with chillingly authentic insights into the psychology of casual murder.

    One of Cornell Woolrich's most famous novels, this classic noir tale of a con man struggling with his ability to see the future is arguably the author's best in its depiction of a doomed vision of predestination.

    In achieving for himself the opulent life that he was denied as a child, Ripley shows himself to be a master of illusion and manipulation and a disturbingly sympathetic combination of genius and psychopath. As Highsmith navigates the mesmerizing tangle of Ripley's deadly and sinister games, she turns the mystery genre inside out and takes us into the mind of a man utterly indifferent to evil.The Talented Mr. RipleyIn a chilling literary hall of mirrors, Patricia Highsmith introduces Tom Ripley. Like a hero in a latter-day Henry James novel, is sent to Italy with a commission to coax a prodigal young American back to his wealthy father. But Ripley finds himself very fond of Dickie Greenleaf. He wants to be like him--exactly like him. Suave, agreeable, and utterly amoral, Ripley stops at nothing--certainly not only one murder--to accomplish his goal. Turning the mystery form inside out, Highsmith shows the terrifying abilities afforded to a man unhindered by the concept of evil.Ripley Under GroundIn this harrowing illumination of the psychotic mind, the enviable Tom Ripley has a lovely house in the French countryside, a beautiful and very rich wife, and an art collection worthy of a connoisseur. But such a gracious life has not come easily. One inopportune inquiry, one inconvenient friend, and Ripley's world will come tumbling down--unless he takes decisive steps. In a mesmerizing novel that coolly subverts all traditional notions of literary justice, Ripley enthralls us even as we watch him perform acts of pure and unspeakable evil.Ripley's GameConnoisseur of art, harpsichord aficionado, gardener extraordinaire, and genius of improvisational murder, the inimitable Tom Ripley finds his complacency shaken when he is scorned at a posh gala. While an ordinary psychopath might repay the insult with some mild act of retribution, what Ripley has in mind is far more subtle, and infinitely more sinister. A social slight doesn't warrant murder of course-- just a chain of events that may lead to it.

    The last don is Domenico Clericuzio, a wise and ruthless man who is determined to see his heirs established in legitimate society but whose vision is threatened when secrets from the family's past spark a vicious war between two blood cousins.This is a mesmerizing tale that takes us inside the equally corrupt worlds of the mob, the movie industry, and the casinos - where beautiful actresses and ruthless hit men are ruled by lust and violence, where sleazy producers and greedy studio heads are drunk with power, where crooked cops and desperate gamblers play dangerous games of betrayal, and where one man controls them all.

    And as if this didn’t present enough problems for the Ystad police Inspector Kurt Wallander, the dying woman’s last word is foreign, leaving the police the one tangible clue they have–and in the process, the match that could inflame Sweden’s already smoldering anti-immigrant sentiments. Unlike the situation with his ex-wife, his estranged daughter, or the beautiful but married young prosecuter who has piqued his interest, in this case, Wallander finds a problem he can handle. He quickly becomes obsessed with solving the crime before the already tense situation explodes, but soon comes to realize that it will require all his reserves of energy and dedication to solve.--back cover

    and The Power of the Dog now gives us a fierce and funny new novel—and a blistering new take on the Mafia story.Frank Machianno is a late-middle-aged ex–surf bum who runs a bait shack on the San Diego waterfront when he’s not juggling any of his other three part-time jobs or trying to get a quick set in on his longboard. He’s a stand-up businessman, a devoted father to his daughter, and a beloved fixture in the community.Frank’s also a hit man. Specifically: a retired hit man. Back in the day, when he was one of the most feared members of the West Coast Mafia, he was known as Frankie Machine. Years ago Frank consigned his Mob ties to the past, which is where he wants them to stay. But a favor being called in now by the local boss is one Frank can’t refuse, and soon he’s sucked back into the treacherous currents of his former life. Someone from the past wants him dead. He has to figure out who, and why, and he has to do it fast.The problem is that the list of candidates is about the size of his local phone book and Frank’s rapidly running out of time.And then things go really bad.

    When you hire someone to kill your wife, don’t hire a psychopath.2. Drano is not the best tool for getting rid of a dead body.3. Those locks on hotel room doors? Not very secure.4. A curly blond wig isn’t much of a disguise.5. Secrets can kill.

    He's also a knight errant who's wary of credit cards, retirement benefits, political parties, mortgages, and television. He only works when his cash runs out and his rule is simple: he'll help you find whatever was taken from you, as long as he can keep half.

    Now she’s set her eyes on a backwater burg—where, while posing as an innocent (albeit drop-dead gorgeous) newcomer to town, she means to sniff out old grudges and engineer new opportunities, deftly playing different people and different interests against each other the better, as always, to make a killing. But then something snaps: the master manipulator falls prey to a pure and wayward passion.Aimée has become the avenging angel of her own nihilism, exacting the destruction of a whole society of destroyers. An unholy original, Jean-Patrick Manchette transformed the modern detective novel into a weapon of gleeful satire and anarchic fun. In Fatale he mixes equal measures of farce, mayhem, and madness to prepare a rare literary cocktail that packs a devastating punch.

    He operates in the Soho of the 1930s, a metropolitan tangle of dodgy geezers, prostitutes, spivs and strong-arm men. Twice filmed, Night and the City is a seminal low-life novel, which presents a vivid glimpse of a lost London. It also marks the return of a lost London author, Gerald Kersh, a maverick character whose life was as colourful as those of his most flamboyant creations.