Because he knows aircraft, Japanese, and is expendable, an untried Navy pilot is assigned to Marine guerrillas during World War II for vital reconnaissance of an enemy-held Pacific island.

    It is a time of war, tyranny and terror. Napoleon Bonaparte wants to conquer all of Europe, and Hessen-Cassel is one of the first kingdoms to fall. Forced to live under oppressive French rule, the Grimm brothers decide to save old tales that had once been told by the firesides of houses grand and small all over the land.Dortchen knows many beautiful old stories, such as Hansel and Gretel, The Frog King and Six Swans. As she tells them to Wilhelm, their love blossoms. Yet the Grimm family is desperately poor, and Dortchen's father has other plans for his daughter. Marriage is an impossible dream.Dortchen can only hope that happy endings are not just the stuff of fairy tales.

    the occasion is a piano lesson, the first of many...

    Sure, they have a purpose, and if one ever stopped a bullet or piece of shrapnel from spearing into my vital organs, I would kiss it, hang it up, and frame it. But that hasn't happened, yet.'For almost ten years Peter Stefanovic was Channel Nine's foreign correspondent in Europe, Africa and the Middle East. During that time he witnessed more than his fair share of death and destruction, and carried the burden of those images - all while putting his own personal safety very much in the firing line.From flak jackets to tuxedos. From celebrity funerals, to war zones and natural disasters. This is a thrilling account of a life lived on camera, delivering the news wherever it happens, whatever the risk.

    

    

     We meet the people who most influenced Goodwin’s early life: her mother, who taught her the joy of books but whose debilitating illness left her housebound: and her father, who taught her the joy of baseball and to root for the Dodgers of Jackie Robinson, Roy Campanella, Pee Wee Reese, Duke Snider, and Gil Hodges. Most important, Goodwin describes with eloquence how the Dodgers’ leaving Brooklyn in 1957, and the death of her mother soon after, marked both the end of an era and, for her, the end of childhood.

    From the civil rights struggle in the United States to the Nazi crimes against humanity in Europe, there are more stories than people passing one another every day on the bustling streets of every crowded city. Only some stories survive to become history.Recently released from prison, Lamont Williams, an African American probationary janitor in a Manhattan hospital and father of a little girl he can’t locate, strikes up an unlikely friendship with an elderly patient, a Holocaust survivor who was a prisoner in Auschwitz-Birkenau.A few blocks uptown, historian Adam Zignelik, an untenured Columbia professor, finds both his career and his long-term romantic relationship falling apart. Emerging from the depths of his own personal history, Adam sees, in a promising research topic suggested by an American World War II veteran, the beginnings of something that might just save him professionally, and perhaps even personally.As these men try to survive in early-twenty-first-century New York, history comes to life in ways neither of them could have foreseen. Two very different paths—Lamont’s and Adam’s—lead to one greater story as The Street Sweeper, in dealing with memory, love, guilt, heroism, the extremes of racism and unexpected kindness, spans the twentieth century to the present, and spans the globe from New York to Chicago to Auschwitz.Epic in scope, this is a remarkable feat of storytelling.

    Sam has to learn how to live with his silent, hitherto absent father, who decides to make a man out of his son by taking him to work at Tangalooma, then the largest whaling station in the southern hemisphere. What follows is the devastatingly beautiful story of a gentle boy trying to make sense of the terrible reality of whaling and the cruelty and alienation of his new world, the world of men. Set around Moreton Island and Noosa in 1961, To Become a Whale is an extraordinarily vivid and haunting novel that reads like an instant classic of Australian literature. There are echoes of Craig Silvey, Favel Parrett, Tim Winton and Randolph Stow in this moving, transformative and very Australian novel.'Hobson takes us to the depths of cruelty to show us life. A boy tries to be a man, a man tries to be a father, and both struggle to navigate what it means to be men. A great study in masculinity.'WILLY VLAUTIN, author of Lean on Pete and The Free'A powerful tale of fathers and sons and all that can't be spoken between them. The writing is honest, rich and clean, and it made me feel so much. Too many writers fuss things up, but Ben tells it simply, which is so affecting.'SOFIE LAGUNA, author of Miles Franklin-winning The Eye of the Sheep

    Growing up in Bathurst, New South Wales she felt a deep connection to her Australian home and her Australian family.It wasn't until she heard her name uttered in the hit movie Slumdog Millionaire that Latika recognised she knew nothing of her Indian roots, the world she was born into and what she could have become had she not been brought to Australia as a baby.As Latika carved out a successful career for herself as an award-winning political journalist, she became more and more curious about her heritage and what it meant to be born in India and raised in Australia. And so began a deeply personal and sometimes confronting journey back to her birthplace to unravel the mysteries of her heritage.From India with Love is a beautiful story of finding your place in the world and finding peace with the path that led you there.

    Despite his upbringing in working-class Melbourne, he knows that his astonishing ability in the swimming pool has the potential to transform his life. Everything Danny has ever done, every sacrifice his family has ever made, has been in pursuit of this dream--but what happens when the talent that makes you special fails you? When the goal that you’ve been pursuing for as long as you can remember ends in humiliation and loss? Twenty years later, Dan is in Scotland, terrified to tell his partner about his past, afraid that revealing what he has done will make him unlovable. Haunted by shame, Dan relives the intervening years he spent in prison, where the optimism of his childhood was completely foreign.

    But it is. And it is nothing like I expected.'There was a short time in Australia's European history when two women wielded extraordinary power and influence behind the scenes of the fledgling colony.One was Elizabeth Macquarie, the wife of the new governor Lachlan Macquarie, nudging him towards social reform and magnificent buildings and town planning. The other was Elizabeth Macarthur, credited with creating Australia's wool industry and married to John Macarthur, a dangerous enemy of the establishment.These women came from strikingly different backgrounds with husbands who held sharply conflicting views. They should have been bitter foes. Elizabeth & Elizabeth is about two courageous women thrown together in impossible times.Borne out of an overriding admiration for the women of early colonial Australian history, Sue Williams has written a novel of enduring fascination.

    It is real-life police procedural, courtroom drama, family saga, investigative journalism, social history, archival treasure hunt - a meditation, too, on how the past shapes the present, and the present the past.On a warm evening in December 1949, two young people met by chance under the clocks at Flinders Street railway station. They decided to have a night on the town. The next morning, one of them, twenty-year-old typist Beth Williams, was found dead on Albert Park Beach. When police arrested the other, Australia was transfixed: twenty-four-year-old John Bryan Kerr was a son of the establishment, a suave and handsome commercial radio star educated at Scotch College, and Harold Holt's next-door neighbour in Toorak.Police said he had confessed. Kerr denied it steadfastly. There were three dramatic trials attended by enormous crowds, a relentless public campaign proclaiming his innocence involving the first editorials against capital punishment in Australia. For more than a decade Kerr was a Pentridge celebrity, a poster boy for rehabilitation – a fame that burdened him the rest of his life. Then, shortly after his death, another man confessed to having murdered Williams. But could he be believed?

    Set in almost uninhabitable regions of Central Australia, The Songlines asks and tries to answer these questions: Why is man the most restless, dissatisfied of animals? Why do wandering people conceive the world as perfect whereas sedentary ones always try to change it? Why have the great teachers—Christ or the Buddha—recommended the Road as the way. to salvation? Do we agree with Pascal that all man's troubles stem from his inability to sit quietly in a room?We do not often ask these questions today for we commonly assume that living in a house is normal and that the wandering life is aberrant. But for more than twenty years Chatwin has mulled over the possibility that the reverse might be the case.Pre-colonial Australia was the last landmass on earth peopled not by herdsmen, farmers, or city dwellers, but by hunter-gatherers. Their labyrinths of invisible pathways across the continent are known to us as Songlines or Dreaming Tracks, but to the Aboriginals as the tracks of their ancestors—the Way of the Law. Along these "roads" they travel in order to perform all those activities that are distinctively human—song, dance, marriage, exchange of ideas, and arrangements of territorial boundaries by agreement rather than force.In Chatwin's search for the Songlines, Arkady is an ideal friend and guide: Australian by birth, the son of a Cossack exile, with all the strength and warmth of his inheritance. Whether hunting kangaroo from a Land Cruiser, talking to the diminutive Rolf in his book-crammed trailer, buying drinks for a bigoted policeman (and would-be writer), cheering as Arkady's true love declares herself (part of The Songlines is a romantic comedy), Chatwin turns this almost implausible picaresque adventure into something approaching the scale of a Greek tragedy.The life of the Aboriginals stands in vivid contrast, of course, to the prevailing cultures of our time. And The Songlines presents unforgettable details about the kinds of disputes we know all too well from less traumatic confrontations: over sacred lands invaded by railroads, mines, and construction sites, over the laws and rights of a poor people versus a wealthy invasive one. To Chatwin these are but recent, local examples of an eternal basic distinction between settlers and wanderers. His book, devoted to the latter, is a brilliant evocation of this profound optimism: that man is by nature not a bellicose aggressor but a pacific, song-creating, adaptive species whose destiny is to quest for the truth.

    Embittered by Darwin's failure to acknowledge him, he is also profoundly troubled by his own role in the discoveries that subverted sacred doctrines and shook the Victorian worldview to its very foundation.