In the confusion that followed, the keys to the vault’s safe-deposit boxes were lost.In the years since, Cleveland’s wealthy businessmen kept the truth buried in the abandoned high-rise. The ransacked offices and forgotten safe-deposit boxes remain locked in time, until young engineer Iris Latch stumbles upon them during a renovation survey. What begins as a welcome break from her cubicle becomes an obsession as Iris unravels the bank’s sordid past. With each haunting revelation, Iris follows the looming shadow of the past deeper into the vault—and soon realizes that the key to the mystery comes at an astonishing price.

    . . until a killer with seemingly supernatural powers puts her talents to the ultimate test.A hacker who identifies himself only as "Warlock" brings down the FBI's website and posts a code in its place that leads to a Michigan cemetery, where a dead girl is discovered rising from the ground . . . as if she tried to crawl out of her own grave.Born into a dynasty of illusionists, Jessica Blackwood is destined to become its next star—until she turns her back on her troubled family to begin a new life in law enforcement. But FBI consultant Dr. Jeffrey Ailes's discovery of an old magic magazine will turn Jessica's world upside down. Faced with a crime that appears beyond explanation, Ailes has nothing to lose—and everything to gain—by taking a chance on an agent raised in a world devoted to achieving the seemingly impossible.The body in the cemetery is only the first in the Warlock's series of dark miracles. Thrust into the media spotlight, with time ticking away until the next crime, can Jessica confront her past to stop a depraved killer? If she can't, she may become his next victim.

    Gibson and Lester Dent (writing as "Maxwell Grant"), and artists George Rozen and Edd Cartier.The first volume of this new series reproduces both original covers by George Rozen, plus all of the original interior illustrations by Edd Cartier. This book also includes new historical background articles by popular culture historians Anthony Tollin and Will Murray (who collaborated posthumously with Dent on Seven new Doc Savage novels previously published by Bantam).

    However, characters do reoccur, off center stage as it were, and their stories do follow a sequence."

    Trouble is, Curran's getaway driver has spilled the beans to the mobster.

    In one morning, he gets two.DNA from a 1989 rape and murder matches a 29-year-old convicted rapist. Was he an eight-year-old killer or has something gone terribly wrong in the new Regional Crime Lab? The latter possibility could compromise all of the lab's DNA cases currently in court.Then Bosch and his partner are called to a death scene fraught with internal politics. Councilman Irvin Irving's son jumped or was pushed from a window at the Chateau Marmont. Irving, Bosch's longtime nemesis, has demanded that Harry handle the investigation.Relentlessly pursuing both cases, Bosch makes two chilling discoveries: a killer operating unknown in the city for as many as three decades, and a political conspiracy that goes back into the dark history of the police department.

    But Rachel still has no idea how a foolish teenaged game turned deadly--or who replaced her soft pellet air gun with a real weapon. When a figure jumped out at her from the darkness, she fired without thinking. By the time she recognized her half-brother, Luke, it was too late. Blood bloomed around his chest . . .Rachel's horrifying dreams about that night continue. Her anxiety contributed to her divorce from Detective Cade Ryder, though he blames himself too. And now, as Rachel's high school reunion nears, she feels her imagination playing tricks on her. She's sure that there's a hint of unfamiliar cologne in the air. That someone is tailing her car. Watching her home . . .She's right to be scared. And as connections surface between a new string of murders and Luke's death, Rachel realizes there's no escaping the past. And the truth may be darker than her worst fears . . .

    The moment Frank Limosin sees gorgeous eighteen-year-old Suki Flood sitting on the rear deck of the red Trans Am in the hot empty desert, he feels trouble in the air. The Trans Am has a flat tire. They're over ten miles from the nearest highway. And Suki, dressed in short shorts and a tiny halter top, doesn't know how to change a tire. Against Suki's will, Frank gives her a lesson in tire changing, then he thinks that's it, he'll never see her again. How wrong can one man be? Because Suki turns out to be fifty times more trouble than Frank ever dreamed possible. He saved her once. Now he has to save her again and again and again . . .

    Grace is also the author of You Should Have Known, a book in which she castigates women for not valuing their intuition and calls upon them to examine their first impressions of men for signs of serious trouble later on. But weeks before the book is published, a chasm opens in her own life: a violent death, a missing husband, and, in the place of a man Grace thought she knew, only a chain of terrible revelations. Left behind in the wake of a spreading and very public disaster and horrified by the ways in which she has failed to heed her own advice, Grace must dismantle one life and create another for her child and herself.

    Summer is for growing, not for dying. So when the body of a beautiful young woman is found on the autobahn, dressed in a glittering party dress and bathed in June rain, Franza is determined to give her justice.Revealing victims’ hidden lives is part of the job, but as Franza and her partner, Felix, peel back the layers shrouding the girl’s disturbing past, darker mysteries emerge. Everyone has something to hide—even Franza, who must face her own secrets to reveal the truth.

    From the author of the award-winning novel Let the Great World Spin and TransAtlantic comes an eponymous novella and three stories that range fluidly across time, tenderly exploring the act of writing and the moment of creation when characters come alive on the page; the lifetime consequences that can come from a simple act; and the way our lives play across the world, marking language, image and each other.Thirteen Ways of Looking is framed by two author’s notes, each dealing with the brutal attack the author suffered last year and strikes at the heart of contemporary issues at home and in Ireland, the author’s birth place.Brilliant in its clarity and deftness, this collection reminds us, again, why Colum McCann is considered among the very best contemporary writers.

    If you haven’t discovered Paul Finch yet, this book will have you hooked.Unknown, alone, and fearing for your life: as PC Lucy Clayburn is about to find out, going undercover is the most dangerous work there is.But, on the trail of a prolific female serial killer, there's no other option and these murders are as brutal as they come. Lucy must step into the line of fire a stranger in a criminal underworld that butchers anyone who crosses the line.And, unknown to Lucy, she's already treading itDark, gritty and ALWAYS edge-of-your-seat: Paul Finch will leave fans of Rachel Abbott and MJ Arlidge gasping for more.

    But when a random airport parking lot hit-and-run links him to a dead body in a Florida hotel and an acquaintance is found dismembered and stuffed into a garbage bag, Malcolm finds himself on the run as a suspected serial killer. But he's no murderer. Or is he?Who is the mysterious Thin Man who lurks at the edges of his vision? Are the ravens that crowd the skies overhead a warning of impending doom--or do they exist at all?With the help of Seminole tracker Billy Littlebear, Malcolm tries to untangle the web of clues left behind by a mysterious chameleon-like killer known as the Shadow Man. But will he be too late? The Shadow Man is a complex, atmospheric thriller in the tradition of Stephen King. Darkly evocative and relentless in its twists and turns, it dares the reader to put it down--even for a minute.

    Unfortunately, that's just half of our hero's problems. In Private L.A., by James Patterson and Mark Sullivan, maverick detective Jack is all work and no play, getting thrown into double duty as he tackles domestic terrorists as well as the disappearance of a celebrity "it" couple. This review of Private L.A. helps you get the most out of this thrill ride, which is a fast read designed for fiction fans that enjoy simple entertainment. The review highlights fun facts about James Patterson, who holds the Guinness World Record for the most #1 New York Times best sellers by any author. Enter the realm of Tinseltown's titillation, as panic rooms, hidden cameras, and a cache of sex toys expose the kinky secrets of the rich and famous. Get an insider's look into Private L.A.'s most memorable scene, an over-the-top drive-in massacre supersized with cinematic ingredients (gender-bending assassin on rollerskates, anyone?). This review of Private L.A. offers resources, critic and reader reactions, and links to keep the adventure going, long after the ocean waves have washed the blood away.

    In the eye of the storm is local detective Mason Callahan, whose life is crumbling to pieces—he’s related to the victim, and his longtime confidential informant has just been murdered.Both he and Agent McLane hole up in the victim’s family home. Every second counts in a kidnapping case, and the stakes keep rising the longer the girl is missing. As Ava and Mason struggle to hold the family together in their darkest hour, the two investigators find themselves drawn to each other.2015 Overall Daphne du Maurier Award Winner