When The Professor, a man of enormous intellect and appetite, takes The Kid under his wing, his own startling past will cause upheavals in both of their worlds. At once lyrical, witty, and disturbing, Banks’s extraordinary novel showcases his abilities as a world-class storyteller as well as his incisive understanding of the dangerous contradictions and hypocrisies of modern American society.

    The chronicle of an elderly black farmer arrested for the murder of a white man and under threat from the lynch mob is a characteristically Faulknerian tale of dark omen, its sole ray of hope the character of the young white boy who repays an old favour by proving the innocence of the man who saved him from drowning in an icy creek.

    In this haunting, ribald, and percussively violent work, the author of Hoke Moseley detective novels yields a floodlit vision of the cockpits and criminal underbelly of the rural south. First published in 1962 by Charles Willeford, later made into a Roger Corman film.

    Ave Maria Mulligan is the town's self-proclaimed spinster, a thirty-five year old pharmacist with a "mountain girl's body and a flat behind." She lives an amiable life with good friends and lots of hobbies until the fateful day in 1978 when she suddenly discovers that she's not who she always thought she was. Before she can blink, Ave's fielding marriage proposals, fighting off greedy family members, organizing a celebration for visiting celebrities, and planning the trip of a lifetime-a trip that could change her view of the world and her own place in it forever. Brimming with humor and wise notions of small-town life, Big Stone Gap is a gem of a book with a giant heart. . . .

    But does that make her capable of a vicious murder? Fearing the worst, Work launches his own investigation, crossing paths with a power-hungry detective, a string of damning evidence, and the ugly rumors that swirl within his small, moneyed Southern town.Desperate for the redemption that has eluded him for so many years and stripped of everything he once valued, he fights to save his sister and clear his name--in this poignant and thrilling anatomy of a murder and its ripple effect within a family and a community.

    Thus begins an intense relationship that will shape both of their lives for decades to come. Though Lisbeth leads a life of privilege, she finds nothing but loneliness in the company of her overwhelmed mother and her distant, slave-owning father. As she grows older, Mattie becomes more like family to Lisbeth than her own kin and the girl’s visits to the slaves’ quarters—and their lively and loving community—bring them closer together than ever. But can two women in such disparate circumstances form a bond like theirs without consequence? This deeply moving tale of unlikely love traces the journey of these very different women as each searches for freedom and dignity. Revised edition: This edition of Yellow Crocus includes editorial revisions.

    William Styron traces the betrayals and infidelities—the heritage of spite and endlessly disappointed love—that afflict the members of a Southern family and that culminate in the suicide of the beautiful Peyton Loftis.

    . . I loved every page” —Ann Patchett), Act of God (“A feat of literary magic”—Booklist) and, with Amy Hempel, The Hand That Feeds You (“An unnerving, elegant page-turner” —Vanity Fair), a spare, masterful novel.The place: central Florida. The situation: a sensational murder trial, set in a courthouse more Soviet than Le Corbusier; a rich, white teenage girl—a twin—on trial for murdering her toddler brother.Two of the jurors: Hannah, a married fifty-two-year-old former Rolling Stone and Interview Magazine photographer of rock stars and socialites (she began to photograph animals when she realized she saw people “as a species”), and Graham, a forty-one-year-old anatomy professor. Both are sequestered (she, juror C-2; he, F-17) along with the other jurors at the Econo Lodge off I-75. As the shocking and numbing details of the crime are revealed during a string of days and courtroom hours, and the nights play out in a series of court-financed meals at Outback Steak House (the state isn’t paying for their drinks) and Red Lobster, Hannah and Graham fall into a furtive affair, keeping their oath as jurors never to discuss the trial. During deliberations the lovers learn that they are on opposing sides of the case. Suddenly they look at one another through an altogether different lens, as things become more complicated . . . After the verdict, Hannah returns home to her much older husband, but the case ignites once again and Hannah’s “one last dalliance before she is too old” takes on profoundly personal and moral consequences as The Body in Question moves to its affecting, powerful, and surprising conclusion.

    An arsonist, a covetous nurse, and the endearing village idiot are among the few who have ever seen Mary.Newcomers to Mill River -- a police officer and his daughter and a new fourth grade teacher -- are also curious about the reclusive old woman. But only Father Michael O’Brien knows Mary and the secret she keeps -- one that, once revealed, will change all of their lives forever.

    In his latest New York Times bestseller, Hiaasen introduces impassioned, possibly bipolar, self-proclaimed queen of lost causes Honey Santana, who schemes to help rid the world of irresponsibility, indifference, and dinnertime sales calls.

    . .Abe Teal wasn't even born when Ruby Mae Vickers went missing twelve years ago. Few people in Alvin, Alabama, talk about the months spent looking for her, or about how Ruby Mae's lifeless body was finally found beneath a willow tree. Even Abe's mom, Leah, Alvin's only detective, has avoided the subject. But now, another girl is missing.Fourteen-year-old Mary Ann Dailey took the bus home from school as usual, then simply vanished. Townsfolk comb the dense forests and swampy creeks to no avail. Days later, Tiffany Michelle Yates disappears. Abe saw her only hours before, holding an ice cream cone and wearing a pink dress.Observant and smart, Abe watches his mother battle small-town bureaucracy and old resentments, desperate to find both girls and quietly frantic for her own children's safety. As the search takes on a terrifying urgency, Abe traverses the shifting ground between innocence and hard-won understanding, eager to know and yet fearing what will be revealed.Dream with Little Angels is by turns lyrical, heartbreaking, and shocking--a brilliantly plotted novel of literary suspense and of the dark shadows, painful secrets, and uncompromising courage in one small town.

    Uprooted from her backwoods home, she and her family are thrust into the confusion and chaos of wartime Detroit. And in a pitiless world of unendurable poverty, Gertie will battle fiercely and relentlessly to protect those things she holds most dear -- her children, her heritage . . . and her triumphant ability to create beauty in the suffocating shadow of ugliness and despair.

    Joyland is a brand-new novel and has never previously been published.

    Now comes a reissue of the best-selling debut novel that launched her remarkable career. St. Elizabeth's, a home for unwed mothers in Habit, Kentucky, usually harbors its residents for only a little while. Not so Rose Clinton, a beautiful, mysterious woman who comes to the home pregnant but not unwed, and stays. She plans to give up her child, thinking she cannot be the mother it needs. But when Cecilia is born, Rose makes a place for herself and her daughter amid St. Elizabeth's extended family of nuns and an ever-changing collection of pregnant teenage girls. Rose's past won't be kept away, though, even by St. Elizabeth's; she cannot remain untouched by what she has left behind, even as she cannot change who she has become in the leaving.

    He's handsome and charming, but something in his past has made him abide by a different set of rules. He's a serial killer whose one golden rule makes him immensely likeable: he only kills bad people. And his job as a blood spatter expert for the Miami police department puts him in the perfect position to identify his victims. But when a series of brutal murders bearing a striking similarity to his own style start turning up, Dexter is caught between being flattered and being frightened—of himself or some other fiend.