Although she is reluctant to track down a woman who may not want to be found, Gray's search for Isabel Lincoln becomes more complicated and dangerous with every new revelation about the woman's secrets and the truth she's hidden from her friends and family.Featuring two complicated women in a dangerous cat and mouse game, And Now She's Gone explores the nature of secrets -- and how violence and fear can lead you to abandon everything in order to survive.

    He had recently, begrudgingly, taken a position at a nearby private college (far too expensive for local kids to attend) teaching art history, and moved his family into a tight-knit, impoverished town that has lately been discovered by wealthy outsiders in search of a rural idyll.George is of course the immediate suspect—the question of his guilt echoing in a story shot through with secrets both personal and professional. While his parents rescue him from suspicion, a persistent cop is stymied at every turn in proving Clare a heartless murderer. And three teenage brothers (orphaned by tragic circumstances) find themselves entangled in this mystery, not least because the Clares had moved into their childhood home, a once-thriving dairy farm. The pall of death is ongoing, and relentless; behind one crime there are others, and more than twenty years will pass before a hard kind of justice is finally served. A rich and complex portrait of a psychopath and a marriage, this is also an astute study of the various taints that can scar very different families, and even an entire community. Elizabeth Brundage is an essential talent who has given us a true modern classic.

    Now on death row, Louie's sentence is about to be carried out. Molly will be there as a witness, and she wants to write about it, the final coda to Louie's story. But suddenly, she's being strongly discouraged by her boss at the Lone Star Monthly and by Charlie McFarland, the millionaire real estate developer whose first wife, Tiny, was Bronk's most famous victim and the only one whose murder is a capital offense. Then Molly starts to receive dark hints that Louie may not have killed Tiny after all. There is another murder following Louis's M.O. one he could not have committed. The veracity of Molly's book is threatened and then her very life. Caught between a rock and a hard place, Molly realizes that by attempting to save Louis she is putting her own life on the line, and discrediting her own work. Mary Willis Walker brings a lusty new voice to the mystery scene. Already recognized for her first novel, she has now created a character just cheeky and gusty enough to take her place among the top ranks of female protagonists such as Kinsey Millhone and Kay Scarpetta.

    There’s no chance left. No hope. Just six precious months until impact. The Last Policeman presents a fascinating portrait of a pre-apocalyptic United States. The economy spirals downward while crops rot in the fields. Churches and synagogues are packed. People all over the world are walking off the job—but not Hank Palace. He’s investigating a death by hanging in a city that sees a dozen suicides every week—except this one feels suspicious, and Palace is the only cop who cares. The first in a trilogy, The Last Policeman offers a mystery set on the brink of an apocalypse. As Palace’s investigation plays out under the shadow of 2011GV1, we’re confronted by hard questions way beyond “whodunit.” What basis does civilization rest upon? What is life worth? What would any of us do, what would we really do, if our days were numbered?

    Vic and Melinda Van Allen's loveless marriage is held together only by a precarious arrangement whereby, in order to avoid the messiness of divorce, Melinda is allowed to take any number of lovers as long as she does not desert her family. Eventually, Vic can no longer suppress his jealousy and tries to win back his wife by asserting himself through a tall tale of murder—one that soon comes true. In this complex portrayal of a dangerous psychosis emerging in the most unlikely of places, Highsmith examines the chilling reality behind the idyllic facade of American suburban life.

    Kaamos: Just before Christmas, the darkest time of the year in Lapland, above the Arctic Circle. The unrelenting darkness and extreme cold cause everyone to go just a little bit insane, whether or not they’ve just killed someone… A beautiful Somalian refugee-turned-actress is found murdered on a reindeer farm, gruesomely mutilated, a racial slur carved into her chest. Inspector Kari Vaara, head of the rural police force, is under great pressure not only to solve this crime himself, without the help of the big-city cops from Helsinki, but also to keep the potentially explosive case out of the news. Sufia Elmi had become a tabloid fixture, and her death—not to mention the awful way she met it—is sure to send shock waves across this insular, secretly racist country. Was this murder a hate crime, a sex crime—or both?Kari is dealing with culture shock at home, too. His wife, Kate, is a young American woman, newly pregnant with their first child. She doesn’t understand much about Finnish customs or the Finns themselves and is struggling to come to terms with her new home. Kari himself is haunted by his rough childhood and his past, and even as he tries to shape a new life with Kate, the past keeps biting at his heels: the rich man his ex-wife left him for years ago may be Sufia’s killer.

    An Icelandic detective and a member of the American military police are on the trail of a brutal killer.THE PRESENTA 90-year-old man is discovered dead on his bed, smothered with his own pillow. Konrad, a former detective now bored with retirement, finds newspaper cuttings reporting the WWII shadow district murder the dead man’s home. It’s a crime that Konrad remembers, having grown up in the same neighborhood.A MISSING LINKWhy, after all this time, would an old crime resurface? Did the police arrest the wrong man? Will Konrad's link to the past help him solve the case and finally lay the ghosts of WWII Reykjavik to rest?

    Little has changed in the three centuries since white settlers drove the Montaukett Indians from the land. But for Conrad Labarde, a second-generation Basque immigrant recently returned from the Second World War, and his fellow fisherman Rollo Kemp, this stability is shattered when a beautiful New York socialite turns up dead in their nets.On the face of it, her death was accidental, but deputy police chief Tom Hollis - an incomer from New York - is convinced the truth lies in the intricate histories and family secrets of Amagansett's inhabitants. Meanwhile the enigmatic Labarde is pursuing his own investigation.

    After years of trouble and rebellion that enraged his father and nearly cost him his life, he has a steady job in his father's company, he's seriously dating a woman he respects, and, aside from the distrust that lingers in his father's eyes, his mistakes are firmly in the past.One day on the job, Chris and his partner come across a temptation almost too big to resist. Chris does the right thing, but old habits and instincts rise to the surface, threatening this new-found stability with sudden treachery and violence. With his father and his most trusted friends, he takes one last chance to blast past the demons trying to pull him back. Like Richard Price or William Kennedy, Pelecanos pushes his characters to the extremes, their redemption that much sweeter because it is so hard fought. Pelecanos has long been celebrated for his unerring ability to portray the conflicts men feel as they search and struggle for power and love in a world that is often harsh and unforgiving but can ultimately be filled with beauty.

    Natchez, Mississippi, is the jewel of the antebellum South, a city of old secrets and older money. Upon learning that his father is being blackmailed, Penn finds himself reopening the most highly charged murder case in the town's history, searching for the evidence that could bring down the judge who nearly destroyed his father years ago. As the town closes ranks against him, Penn is joined by Caitlin Masters, a young newspaper publisher, on a deadly quest to find answers to one of the darkest chapters of American history, a quest that pits them against the FBI, a band of brothers still fiercely guarding the tainted legacy of J. Edgar Hoover. But Penn's most dangerous journey must be made alone--into the abiding mystery of his own past, into the mind and heart of a woman he lost twenty years ago, and who still has the power to save or destroy him.

    Together with three veterans of the St. Vincent’s Home for Boys, he works for small-time mobster Frank Minna’s limo service cum detective agency. Life without Frank Minna, the charismatic King of Brooklyn, would be unimaginable, so who cares if the tasks he sets them are, well, not exactly legal. But when Frank is fatally stabbed, one of Lionel’s colleagues lands in jail, the other two vie for his position, and the victim’s widow skips town. Lionel’s world is suddenly topsy-turvy, and this outcast who has trouble even conversing attempts to untangle the threads of the case while trying to keep the words straight in his head. Motherless Brooklyn is a brilliantly original homage to the classic detective novel by one of the most acclaimed writers of his generation.

    . . a family of three brutally murdered in the projects of Washington, D.C. . . . the thrill-killing of a beautiful elementary school teacher . . . a psychopathic serial kidnapper/murderer who is so terrifying that the FBI, the Secret Service, and the police cannot outsmart him - even after he's been captured.Gary Soneji wants to commit the crime of the century. Alex Cross is the brilliant homicide detective pitted against him. Jezzie Flanagan is the first female supervisor of the Secret Service. They complete one of the most unusual suspense triangles in any thriller you have ever read. Alex and Jezzie are about to have a forbidden love affair—at the worst possible time for both of them. Because Gary Soneji is playing at the top of his game. The latest of the unspeakable crimes happens in Alex Cross's precinct and it happens under the nose of Jezzie and her men.Alex faces the ultimate test: how do you outmaneuver a brilliant psychopath?

    Against her instincts, she let a presidential candidate out of her sight for the briefest moment and the man whose safety was her responsibility vanished into thin air. Sean King knows how the younger agent feels. Eight years earlier, the hard-charging Secret Service agent allowed his attention to be diverted for a split second. And the candidate he was protecting was gunned down before his eyes. Now Michelle and Sean are about to see their destinies converge.Drawn into a maze of lies, secrets, and deadly coincidences, the two discredited agents uncover a shocking truth: that the separate acts of violence that shattered their lives were really a long time in the making – and are a long way from over….

    Although General Bottando of the Italian National Art Theft Squad has little confidence in Jonathan's theories, Bottando's lovely assistant, Flavia di Stefano, is intrigued by the idea of a lost classic, and by Jonathan himself. But in the midst of the painting's discovery and the resultant worldwide publicity, a new chain of events is set into action. First vandalism, then murder, surround the painting. And as new facts about its true nature emerge, Bottando sends Flavia and Jonathan to investigate--little knowing that the pair will be on the run for the truth... and for their very lives.

    Detective Sergeant Manon Bradshaw tries to sleep after yet another soul-destroying Internet date – the low murmuring of her police radio her only solace.Over the airwaves come reports of a missing woman – door ajar, keys and phone left behind, a spatter of blood on the kitchen floor. Manon knows the first 72 hours are critical: you find her, or you look for a body. And as soon as she sees a picture of Edith Hind, a Cambridge post-graduate from a well-connected family, she knows this case will be big.Is Edith alive or dead? Was her ‘complex love life’ at the heart of her disappearance, as a senior officer tells the increasingly hungry press? And when a body is found, is it the end or only the beginning?