Jerome's Three Men in a Boat includes an introduction and notes by Jeremy Lewis in Penguin Classics.Martyrs to hypochondria and general seediness, J. and his friends George and Harris decide that a jaunt up the Thames would suit them to a 'T'. But when they set off, they can hardly predict the troubles that lie ahead with tow-ropes, unreliable weather forecasts and tins of pineapple chunks - not to mention the devastation left in the wake of J.'s small fox-terrier Montmorency. Three Men in a Boat was an instant success when it appeared in 1889, and, with its benign escapism, authorial discursions and wonderful evocation of the late-Victorian 'clerking classes', it hilariously captured the spirit of its age.In his introduction, Jeremy Lewis examines Jerome K. Jerome's life and times, and the changing world of Victorian England he depicts - from the rise of a new mass-culture of tabloids and bestselling novels to crazes for daytripping and bicycling.

    The fourteen-year-old Tessa has fallen in love with Lewis Dodd, a gifted composer like her father. Confidently, she awaits maturity, for even his marriage to Tessa's beautiful cousin Florence cannot shatter the loving bond between Lewis and his constant nymph.

    It is a fiction about fiction-writing in which the invented world is as much infused with wit and genius as the theme of inventing it. It is a joyful celebration of the infinite possibilities of the art of fiction, and a wry demonstration of its limitations. This Penguin Classic contains Christopher Ricks's introductory essay, itself a classic of English literary criticism, together with a new introduction on the recent critical history and influence of Tristram Shandy by Melvyn New. The text and notes are based on the acclaimed Florida Edition, making the scholarship of the Florida editors readily available for the first time.

    Over the course of a year, each of these women’s lives becomes intertwined, both through the books they read and the real-life stories they tell.Inspired by a shared desire for conversation, a good book and a glass of wine, Clare, Harriet, Nicole, Polly and Susan undergo startling revelations and transformations despite their difference in background, age and respective dilemmas.In The Reading Group, Noble reveals the many complicated paths in life we all face as well as the power and importance of friendship.

    Eventually, their world is transformed into a chaos of cannibalistic dining-clubs, fantastic fertility rituals, and wars without anger. It is a novel both extravagantly funny and grimly serious.

    As a young girl Diana is irrepressible, untameable and, to the orphaned John, endlessly fascinating. Only daughter of a wealthy businessman, she is drawn both to a rigorous outdoor life in the west country with her horses and the glittering London society that will be her destiny. They spend a magical unconventional childhood together but Diana's ambition, her passion for life that makes her so desirable, pulls her away from all that makes her happy. The fierce friendship that grew inevitably to love, develops as inevitably to conflict and a betrayal that will mark them both - until the trials of war offers them redemption.

    The honeymoon is overAnd he has left for workWhistling something obvious from La BohemeAnd carrying a brown calfskin attache caseI never dreamed he was capable of owning,Having started the dayWith ten pushups and a cold showerFollowed by a hearty breakfast.(What do we actually have in common?)The honeymoon is overAnd I am dry-mopping the floorIn a green Dacron dry-mopping outfit from Saks,Wondering why I'm not dancing in the dark,Or rejecting princes,Or hearing people gasp at my one-man show,My god, so beautiful and so gifted!(The trouble is I never knew a prince.)

    For the Fourth Edition, the editor has collated the 1847 text with several modern editions and has corrected a number of variants, including accidentals. The text is accompanied by entirely new explanatory annotations.New to the fourth Edition are twelve of Emily Bronte's letters regarding the publication of the 1847 edition of Wuthering Heights as well as the evolution of the 1850 edition, prose and poetry selections by the author, four reviews of the novel, and poetry selections by the author, four reviews of the novel, and Edward Chitham's insightful and informative chronology of the creative process behind the beloved work.Five major critical interpretations of Wuthering Heights are included, three of them new to the Fourth Edition. A Stuart Daley considers the importance of chronology in the novel. J. Hillis Miller examines Wuthering Heights's problems of genre and critical reputation. Sandra M. Gilbert assesses the role of Victorian Christianity plays in the novel, while Martha Nussbaum traces the novel's romanticism. Finally, Lin Haire-Sargeant scrutinizes the role of Heathcliff in film adaptations of Wuthering Heights. A Chronology and updated Selected Bibliography are also included.

    Only the author of Flaubert's Parrot could give us a novel that is at once a note-perfect rendition of the angsts and attitudes of English adolescence, a giddy comedy of sexual awakening in the 1960s, and a portrait of the accommodations that some of us call "growing up" and others "selling out."

    Describes the mind of a child torn between her mother, whom she leaves behind in London, and the couple who take her in.

    Based on Cronin's own experiences as a physician, The Citadel boldly confronts traditional medical ethics, and has been noted as one of the inspirations for the formation of the National Health Service.The Citadel has been adapted into several successful film, radio, and television productions around the world, including the Oscar-nominated 1938 film starring Ralph Donat, Rosalind Russell, Ralph Richardson, and Rex Harrison.

    Spence's meticulous research has, perhaps most notably, uncovered evidence that Austen and the charming young Irishman Tom Lefroy fell in love at the age of twenty and that the relationship inspired Pride and Prejudice, one of the most celebrated works of fiction ever written. Becoming Jane Austen gives the fullest account we have of the romance, which was more serious and more enduring than previously believed. Seeing this love story in the context of Jane Austen's whole life enables us to appreciate the profound effect the relationship had on her art and on subsequent choices that she made in her life.Full of insight and with an attentive eye for detail, Spence explores Jane Austen's emotional attachments and the personal influences that shaped her as a novelist. His elegant narrative provides a point of entry into Jane Austen's world as she herself perceived and experienced it. It is a world familiar to us from her novels, but in Becoming Jane Austen, Austen herself is the heroine.

    When the man whom he has harmed and betrayed reappears as head of his department, Hilary hopes for forgiveness, even for redemption and a new life, but finds himself haunted by a ghostly repetition.

    With intriguing portraits of Percy Bysshe Shelley and Lord Byron, the novel offers a vision of the future that expresses a reaction against Romanticism, and demonstrates the failure of the imagination and of art to redeem the doomed characters.

    She anticipates her first dance, the greatest yet most terrifying event of her restricted social life, with tremulous uncertainty and excitement. For her pretty, charming elder sister Kate, the dance is certain to be a triumph, but what will it be for shy, awkward Olivia?Exploring the daydreams and miseries attendant upon even the most innocent of social events, Rosamond Lehmann perfectly captures the emotions of a girl standing poised on the threshold of womanhood.