In 1963, ten years after Hank's death, Doc himself is wracked by addiction. Having lost his license to practice medicine, his morphine habit isn't as easy to support as it used to be. So he lives in a rented room in the red-light district on the south side of San Antonio, performing abortions and patching up the odd knife or gunshot wound. But when Graciela, a young Mexican immigrant, appears in the neighborhood in search of Doc's services, miraculous things begin to happen. Graciela sustains a wound on her wrist that never heals, yet she heals others with the touch of her hand. Everyone she meets is transformed for the better, except, maybe, for Hank's angry ghost—who isn't at all pleased to see Doc doing well.  A brilliant excavation of an obscure piece of music history, Steve Earle's I'll Never Get Out of This World Alive is also a marvelous novel in its own right, a ballad of regret and redemption, and of the ways in which we remake ourselves and our world through the smallest of miracles.

    This literary rendering of the life of Jesus Christ has courted controversy since its publication by depicting a Christ far more human than the one seen in the Bible. He is a figure who is gloriously divine but earthy and human, a man like any other—subject to fear, doubt, and pain. In elegant, thoughtful prose Nikos Kazantzakis, one of the greats of modern literature, follows this Jesus as he struggles to live out God’s will for him, powerfully suggesting that it was Christ’s ultimate triumph over his flawed humanity, when he gave up the temptation to run from the cross and willingly laid down his life for mankind, that truly made him the venerable redeemer of men. “Spiritual dynamite.” —San Francisco Chronicle “A searing, soaring, shocking novel.” —Time

    

    She also writes of her fiercely independent mother, whose skill with healing plants and inner strength she inherited. She writes of her druid teacher, the brusque but magnetic Giannon, who first introduced her to the mysteries of written language. But disturbing events at the cloister keep intervening. As the monastery is rent by vague and fantastic accusations, Gwynneve's words become the one force that can save her from annihilation.

    King Henry the Eighth of England that day once more pronounced himself the happiest and most enviable man in his kingdom, for to-day he was once more a bridegroom, and Catharine Parr, the youthful widow of Baron Latimer, had the perilous happiness of being selected as the king's sixth consort.

     For Waltheof of Huntington and his fellow survivors of the Battle of Hastings, there is a simple choice: submit to this new foreign king, or die at the gallows. Follow the heart; or follow the head. As the country bows under the Norman yoke and Waltheof struggles to come to terms with his decision, a new Saxon hope emerges. A last challenge to the Norman might, a final chance for glory, a decisive test of old allegiances and new loyalties. Of the Ring of Earls, the first in Juliet Dymoke’s epic Conqueror Trilogy, charts the fate of Waltheof of Huntington: a knight whose true story embodies the turmoil that followed the last successful invasion of Britain.

    In the blistering heat and barren rocks they encounter the evil merchant Musa — madman, sadist, rapist, even a Satan — who holds them in his tyrannical power. Yet there is also another, a faint figure in the distance, fasting for forty days, a Galilean who they say has the power to work miracles... Here, trapped in the wilderness, their terrifying battle for survival begins...

    Her mother’s handwriting on the lined notepaper is so familiar, and the slight German accent Mali hears ticking through her words, so haunting. Mali reads the memories of her mother’s Jewish childhood in 1930s Berlin, then her life in war-torn London. But when she comes to her mother’s account of her too-early marriage and the divorce that forced her to leave her young daughter in London and go to New York, Mali is thrust back into her own unhappy childhood, where that relentless ache for her absent mother, lodged like a stony pit inside her, must now be reconciled.

    But then she has a vision of the Virgin, and is miraculously cured. In the dark days of the Spanish Inquisition, such a claim to blessedness has serious consequences, especially when Catalina seems more inclined to obey her heart than the demands of the Church.The last of Maugham's novels, Catalina is a romantic celebration of Spain and a delightfully mischievous satire on absolutism.

    “They didn’t have to kill him…He never drank from the altar of bones.”  Cryptic dying words from a murdered homeless woman in present day San Francisco unlock a decades-buried secret that changed history.  Now a pair of ruthless assassins are sent to cut the few living "loose ends."  And a young, resourceful woman on the run encounters a determined man with his own connected past and vengeful agenda.  Forced to partner for survival and answers, a fast-paced and deadly game of cat and mouse ensues, taking them across the globe from the winding streets of Paris to the faded palaces of Budapest to the frozen lakes of Mongolia...where destiny, passion, and further betrayal await them.  The Altar of Bones has it all: The Russian mob.  KGB spies.  Presidential assasination.  A doomed Hollywood legend.  Deathbed confessions.  Corrosive power.  Shattered families.  Guardians of an ancient religious icon housing a secret others will kill to possess.  The dark promise of immortality. And it delivers on its ambitious premise to leave you stunned and breathless at the end.

    The fourteenth century of my novel will be mainly evoked in terms of smell and visceral feelings, and it will carry an undertone of general disgust rather than hey-nonny nostalgia’ Anthony Burgess, Paris Review, 1973.The Black Prince is a brutal historical tale of chivalry, religious belief, obsession, siege and bloody warfare. From disorientating depictions of medieval battles to court intrigues and betrayals, the campaigns of Edward II, the Black Prince, are brought to vivid life by an author in complete control of the novel as a way of making us look at history with fresh eyes, all while staying true to the linguistic pyrotechnics and narrative verve of Burgess’s best work.

    They can be read in any order with or without prior knowledge of The Foreworld Saga. In this quick-witted and action-packed addition to The Foreworld Saga series, the leader of the Shield-Brethren has dispatched two of his men northward to secure land for a new citadel. When Tyr and his companion come upon the perfect spot, they discover that it is owned by Voldrun, a northern king with a questionable sense of justice. Although he welcomes the travelers, the king's true motives eventually become clear. Determined to be compensated for his hospitality, Voldrun subjects the duo to several challenges, culminating in a game more dangerous than either warrior could ever have imagined. Steadfast and brave to the end, Tyr must draw upon all of his considerable skill and cunning as he endeavors to outwit the sly Voldrun and strives to secure a bright future for the order.

    As he awaits a killer—or killers—unknown, Jake writes an account of the events that led to this deadly endgame, a frantic chase that began with a fire in an antiquarian bookstore.A distinguished Shakespearean scholar found tortured to death . . . A lost manuscript and its secrets buried for centuries . . . An encrypted map that leads to incalculable wealth . . . The Washington Post called Michael Gruber's previous work "a miracle of intelligent fiction and among the essential novels of recent years." Now comes his most intellectually provocative and compulsively readable novel yet. Tap-tapping the keys and out come the words on this little screen, and who will read them I hardly know. I could be dead by the time anyone actually gets to read them, as dead as, say, Tolstoy. Or Shakespeare. Does it matter, when you read, if the person who wrote still lives? These are the words of Jake Mishkin, whose seemingly innocent job as an intellectual property lawyer has put him at the center of a deadly conspiracy and a chase to find a priceless treasure involving William Shakespeare. As he awaits a killer—or killers—unknown, Jake writes an account of the events that led to this deadly endgame, a frantic chase that began when a fire in an antiquarian bookstore revealed the hiding place of letters containing a shocking secret, concealed for four hundred years. In a frantic race from New York to England and Switzerland, Jake finds himself matching wits with a shadowy figure who seems to anticipate his every move. What at first seems like a thrilling puzzle waiting to be deciphered soon turns into a dangerous game of cat-and-mouse, where no one—not family, not friends, not lovers—is to be trusted. Moving between twenty-first-century America and seventeenth-century England, The Book of Air and Shadows is a modern thriller that brilliantly re-creates William Shakespeare's life at the turn of the seventeenth century and combines an ingenious and intricately layered plot with a devastating portrait of a contemporary man on the brink of self-discovery . . . or self-destruction.

    It is a battle that will change the history of warfare, a battle that will change the course of Blackstone's life, a battle that is just the first chapter in a book of legend - Blackstone: Master of War.

    Is the emperor alive? Or is his death being kept a closely-guarded secret? It’s impossible to know for certain, since the spies and agents of the kingdom trade in misinformation and half-truths, and only heighten the tension between the brothers.In this atmosphere of palace intrigue and chicanery—as Murad acquires a reputation for overindulgence, Dara for sensitivity, and Shuja for impulsiveness—the stage seems set for a power-hungry Aurangzeb to make his ascent as emperor. However, will Aurangzeb’s quest for domination become his ultimate undoing? The Mughal High Noon, with master brushstrokes, explores questions of power, faith and contentment.