It asks what would have happened if Damien Hirst had never arrived? If someone else had become the most notorious and influential young British artist? And what if that someone had been more talented, more provocative, more outrageous? And far, far funnier?Early on in this bravura debut we are informed that Hirst was hit and killed by a train in 1989 (“apparently when drunk”) – and the focus of everyone’s attention falls instead on Randall. Randall – a big, lumbering ape of a man – is a genius of language as much as art, supremely able to baffle, bemuse and amuse the press, public and all around him. He makes a fortune, causes chaos, changes the art world – the whole world – and provides brilliant quips every step of the way: “There’s only two things you can do with art: make it, and buy it. Everything else – talking about it, thinking about it, selling it, looking at it – either comes under one of those two, or doesn’t count.”

    It’s time for . . . rowdy bands of drunkards roaming the streets, lighting firecrackers, and firing off guns? Gangs of masked youths invading people’s houses, demanding food, drink, and money—and threatening to break the windows (or worse) unless they’re given what they want?Welcome to Christmas, circa 1800. Yes, the season of light, joy, and gift-giving was once regarded as a time of darkness, danger, and dissipation—and celebrated with all-too-public displays of noisemaking, inebriation, and gluttonous overeating. (Well, maybe not everything has changed.) And though we tend to imagine Victorian-era Christmases as sentimental gatherings around the candlelit tree, blazing hearth, and festive punchbowl, the 19th-century evidence tells us quite otherwise.Drawing from his extensive collection of antique postcards, greeting cards, advertising giveaways, and other ephemera, author John Grossman presents a picture of Christmas past that, frankly, looks a lot more like Halloween. Broomstick-riding witches and vampire bat–borne cupids deliver New Year’s greetings. Fur-clad fairies gather ’round a campfire to roast their Christmas dinner—a huge dead rat. And Saint Nicholas? He’s that skinny guy in the bishop robes who arrives with his dark companion, the Devil-like Krampus brandishing switches to punish the badly behaved.With Christmas Curiosities, STC wishes you a very merry, very scary Christmas.

    This is the story of how, with the odd misstep along the way, the owners of the Bond franchise, Eon Productions, have contrived to keep James Bond abreast of the zeitgeist and at the top of the charts for 45 years, through 21 films featuring six Bonds, three M’s, two Q’s and three Moneypennies. Thanks to the films, Fleming’s original creation has been transformed from a black sheep of the post-war English upper classes into a figure with universal appeal, constantly evolving to keep pace with changing social and political circumstances. Having interviewed people concerned with all aspects of the films, Sinclair McKay is ideally placed to describe how the Bond ‘brand’ has been managed over the years as well as to give us the inside stories of the supporting cast of Bond girls, Bond villains, Bond cars and Bond gadgetry. Sinclair McKay, formerly assistant features editor of the Daily Telegraph, works as a freelance writer and journalist. He is also the author of A Thing of Unspeakable Horror: The History of Hammer Films, which the Guardian called ‘A splendid history’ and the Independent on Sunday described as ‘Brisk, cheerful and enthusiastic.’

    Only 100 copies of this chapbook exist.

    In these poems, which explore aspects of race, identity, and popular culture, Beatty was honing the comic, satirical voice and vivid imagination that came to full realization in his acclaimed fiction. Joker, Joker, Deuce "moves to fierce urban rhythms, both cool and hot," writes Jessica Hagedorn. "A rush of intense visual images and electric word music."

    She's worried about everything: being a good mother, money and starting a new job. Philip is a lost soul in the world and he could do with a friend. They are just about to meet and when they do everything will change. Rachel and Philip don't know it yet, but they each have what the other needs. They can save one another, and not in the way you might expect.This is a story about finding happiness and love in all their forms. And how sometimes you can find them in the most unlikely of places.

    He is married to his job. Maybe whiskey is the secret ingredient that will bring them together–and give true love a shot.Wedding photographer Charlotte Linley loves her work –even though she hates weddings. Sure, she still holds a grudge after being left at the altar by her high-school sweetheart. But today Charlotte is just happy to have complete control over her career, which is flourishing. Especially since she joined forces with one of the three gorgeous owners of The Stag, a boutique distillery that has become Kansas City’s hottest wedding venue.Dean Troyer, bitter after the end of his own marriage, knows that Charlotte is the real deal–beautiful, talented, and successful. He may flirt with her every time she comes to The Stag, but Dean is determined to keep his professional distance…particularly now that she’s helping him with his own sister’s wedding. The only problem? The more time Dean spends with Charlotte, the deeper their connection grows. Is this a rom-com cliche’ or could it be that these two jaded souls in the wedding business have finally found their real-life happily ever after?

    Griffin's best-selling series. Millions of readers have been swept away by W.E.B. Griffin's remarkable novels of the Marine Corps, a saga filled with crackling realism and adventure, rich characters, real heroes, and a special flair for the military heart and mind. Here, together for the first time, are books IV,V, and VI of that series: Battleground, Line of Fire, and Close Combat. Together, these three novels present an epic tale of the battle between American and Japanese forces for the Solomon Islands in 1942. A general on a ticklish diplomatic mission finds himself in harm's way A first lieutenant, twenty-one years old but already one of only two pilots remaining from the fighter squadron's original sixteen, must learn what it is like to lead men - and to lose them A dare-devil squad attempts to rescue two Island, under the very noses of the Japanese A young private volunteers for a mission for a mission so secret he cannot be told where it is - or what he'll be doing Sweeping in scope but meticulous in detail, the books bring to life the men of the Corps - generals, colonels, and of an elite fraternity united by a tradition of courage and honor. This is The Corps.

    Ever wonder how David Mack does his artwork? How his pages and covers go from sketches and drawings to finished art? How he uses models and figure drawings? It's all in here with tons of extras Collects Kabuki Reflections #5-10.

    But this is probably not going to be the book I imagined. Nothing has quite worked out the way I planned.'With the small inheritance he received upon his father’s death, Miles has come to Europe on the trail of the Romanian surrealist, who disappeared into a forest in 1967. But in trying to unravel the mystery of Bafdescu’s secret life, Miles must also reckon with his own.Faced with a language and a landscape that remain stubbornly out of reach, and condemned to wait for someone who may never arrive, Miles is haunted by thoughts of his ex-girlfriend, Alice, and the trip they took to Venice that ended their relationship.Uncanny, occasionally absurd, and utterly original, Fever of Animals is a beautifully written meditation on art and grief.

    mixed-genre, illustrations by Kristian Hoffman

    BOOKS

    When Gargoy goes missing, Baby Zom enlists her siblings to help in the search. Follow along with Gothina, the critter loving goth zombie, Broheimer, the nerdy zombie, and Kamper, the messy zombie who enjoys camping. Who, or what, is Gargoy? Read on to find out!!

    Judith is a painter, dodging the law and whispers of murder to become the first woman admitted to the prestigious Haarlem artist’s guild. Maria is a Catholic in a country where the faith is banned, hoping to absolve her sins by recovering a lost saint’s relic. Both women’s destinies will be shaped by their ambitions, running counter to the city’s most powerful men, whose own plans spell disaster. A vivid portrait of a remarkable artist, A Light of Her Own is a richly-woven story of grit against the backdrop of Rembrandts and repressive religious rule.

    In the studio Louise unexpectedly finds freedom to be herself. But someone has been watching her every move...