Freshly illustrated and reissued as an early chapter book, these stories are perfect for newly independent readers.In Coyote Sings to the Moon, Coyote is at first the cause of misfortune. In those days, when the moon was much brighter and closer to the earth, Old Woman and the animals would sing to her each night. Coyote attempts to join them, but his voice is so terrible they beg him to stop. He is crushed and lashes out — who needs Moon anyway? Furious, Moon dives into a pond, plunging the world into darkness. But clever Old Woman comes up with a plan to send Moon back up into the sky and, thanks to Coyote, there she stays.In Coyote’s New Suit, mischievous Raven wreaks havoc when she suggests that Coyote’s toasty brown suit is not the finest in the forest, thus prompting him to steal suits belonging to all the other animals. Meanwhile, Raven tells the other animals to borrow clothes from the humans’ camp. When Coyote finds that his closet is too full, Raven slyly suggests he hold a yard sale, then sends the human beings (in their underwear) and the animals (in their ill-fitting human clothes) along for the fun. A hilarious illustration of the consequences of wanting more than we need.

    Determined to do exactly what she sets her mind to, she explores the mountains and valleys around her home with an unquenchable thirst for knowledge and a keen eye that misses nothing. When her mother dies, Emmaline, Emmy for short, is thrust into the mystical, spiritual world of her mother’s native peoples, the Tsalagi, better known as the Cherokee. Given the power of observation and shape shifting by her immortal g-great-grandfather Two Feathers, who is the keeper of the Sacred Fire’s Ashes, Emmy is told that she must carry on her mother’s duties and is charged with the task of becoming the family “Ka no he ha Ka no Ge sdi,” the Storyteller. She is supposed to remember and pass down her family’s history and tell about their ancestors. As Emmy grows older and matures, her explorations become more advanced. She discovers a hidden path that takes her beyond an ancient willow tree to a layer of the world that at first seems much like her own, but she soon discovers that it is quite different… When she stays longer than allowed a mortal, she discovers that her grandfather can travel between space and time and communicate with all peoples between the layers of her world. Emmy’s Journey is a voyage through time and into the mysterious spiritual and mystical realms of the Cherokees and a world that most never knows exists.

    But can she let go of the memories she left behind to love again?Missy Stanton believes her life is over when her husband Tommy dies in a tragic work accident in the railyards of Boston. Alone in the city with no family and worse prospects, she turns to the Matrimonial Times in a moment of weakness. There, she meets Pastor Jack Tibsdale, who offers her a home in a place in Birch River, Wyoming, in return for her hand in marriage. Jack Tibsdale loves being a pastor, but it can be a lonely life, especially in a mining town like Birch River. With every woman married in town already, Jack must turn to writing to a mail-order bride. Touched by her plight, he offers her a marriage out of friendship, but soon realizes that her kind soul and beautiful face is exactly what he was looking for. After a quick marriage, Jack and Missy slowly get to know each other as Missy navigates her grief. Just as she believes that she may have a future in the beautiful town of Birch River, she discovers that she is carrying Tommy’s child. Falling in love with the kind, handsome pastor, she begins to worry: how can she tell this man that she’s having another man’s baby?With time running out, and two hearts on the line, will Missy and Jack learn to trust in God’s plan.

    Amrapali craved peace; Upagupta’s bearing exuded contentment. Amrapali depended on the adulation of her audience; Upagupta spurned the attentions of the rich and famous. Their stories were different, but the Buddha’s wise teachings linked their lives – and the lessons to be learned from them.

    Each group of stories is prefaced by a brief factual account of Indian beliefs and of storytelling customs. Indian Legends of the Pacific Northwest is a treasure, still in print after fifty years.

    But the land atop the mountaintop, taken over by two Englishmen, Brummitt and Hooper Voth, is undergoing frightening changes.Strange and evil rumblings begin to happen around the mountain—man-like creatures prowling around, mysterious voices reciting evil incantations that terrorize Luke and Creed Forshay who live at the foot of the mountain. Then a wandering minstrel, known only as John, learns that the Yoths are Old World druids who are hell-bent on reawakening the pre-Indian spirits that sleep at the summit of Wolter Mountain. Armed with his own arsenal of personal powers, John and an Indian medicine man must fight their way through the druids' sorcerous defenses to rescue their friends from certain death at the hands of the blood sacrificing priests.A tale of mysticism and terror featuring Wellman's famous wandering hero.

    Every Indian has grown up conditioned to the view that the Pandavas were virtuous and wronged; and the Kauravas were manipulative and evil. On a visit to Malanada Temple, Kerala, national bestselling author of ASURA, Anand Neelakantan, discovered the temple deity to be none other than Duryodhanan, the ostensible 'villain' of the Mahabharata. This astonishing discovery prompted him to delve deep into the narrative of the defeated Crown Prince of Hastinapura, and the Kaurava clan. Ajaya challenges established views and compels us to think again. The book is all about the power of perception. It retells with compelling credibility, the epic events from Duryodhan's (given name: Suryodhana), point of view. While Jaya is the story of the Pandavas, told from the perspective of the victors of Kurukshetra; Ajaya is the narrative of the 'unconquerable' Kauravas, who were decimated to the last man. At the heart of India's most powerful empire, a revolution is brewing. Bhishma, the noble patriarch of Hastinapura, is struggling to maintain the unity of his empire. On the throne sits Dhritarashtra, the blind King, and his foreign-born Queen – Gandhari. In the shadow of the throne stands Kunti, the Dowager-Queen, burning with ambition to see her firstborn become the ruler, acknowledged by all. Amidst the chaos, Prince Suyodhana, heir of Hastinapura, stands tall, determined to claim his birthright and act according to his conscience. He is the maker of his own destiny – or so he believes. While in the corridors of the Hastinapura palace, a foreign Prince plots to destroy India. About the Author : Anand Neelakantan says: Ajaya is an attempt to revisit our mythologies with a modern view and see what the same events look like when observed from the side of the defeated. Were these people branded villains because they were far ahead of their times? There are many books about the Pandavas, about Karna, Draupadi, Kuniti and the other dramatis personae of the Mahabharata. But who speaks for Duryodhana? Growing up in a Kerala village with more temples than necessary, it was small wonder that mythology fascinated Anand early on. Ironically, he was drawn to the anti-heroes. But life called and he went on to become an engineer; joined the Indian Oil Corporation; moved to Bangalore; married Aparna; and welcomed a daughter and a son. But the voices of yore refused to be silenced in his head and he felt impelled to narrate the stories of the vanquished and the dammed; to give life to those silent heroes we have long overlooked in our uncritical acceptance of the conventional renderings of our epics. Ajaya follows the outstanding success of his #1 bestseller, Asura: Tale Of The Vanquished.

    Turns out he's Mr. Charles, her dad's new boss at the oil and gas company, and he's alarmingly interested in Nizhoni and her brother, Mac, their Navajo heritage, and the legend of the Hero Twins. Nizhoni knows he's a threat, but her father won't believe her.When Dad disappears the next day, leaving behind a message that says "Run!", the siblings and Nizhoni's best friend, Davery, are thrust into a rescue mission that can only be accomplished with the help of Diné Holy People, all disguised as quirky characters. Their aid will come at a price: the kids must pass a series of trials in which it seems like nature itself is out to kill them. If Nizhoni, Mac, and Davery can reach the House of the Sun, they will be outfitted with what they need to defeat the ancient monsters Mr. Charles has unleashed. But it will take more than weapons for Nizhoni to become the hero she was destined to be . . .

    At this sight a thrill of icy coldness passed over me; I thought I had been struck; my thoughts began to reel and became irregular and confused; I fainted and sank to the earth, and for a while, I know not how long, I was insensible.” – Olive Oatman On the North American continent, Native American tribes carried out abductions against the new European settlers from the time they first set foot on eastern shores. Some of the women taken in the colonial to early American period went on to become respected figures in their new environments, while others lived out their lives as slaves. Various tribes perceived the historical value of women’s social personalities through different prisms, and even those groups living in the same region often exhibited dissimilar behavior toward them. For some of the more aggressive tribal societies, to commit atrocities against women and their children engaged the same mindset as that adopted for male-to-male warfare. What European sensibilities failed to grasp, despite the home continent’s own lurid history, was that the numerous indigenous cultures of North America were already in the habit of perpetrating such abductions against each other and had for thousands of years. Whether the enemy was European or domestic, old or young, male or female, the deeply embedded cultural habit was the same. To steal women from an enemy often brought the same adulation from the collective as the stealing of horses, and abduction initiated by even a single individual brought honor to that person and his family. In the American wilderness, instances occurred wherein the abduction of either horses or human beings was considered essential to survival, if not to pride and manhood. Abductees were generally adopted into the tribe through a specific ritual. Some were based on “violent hazing,” while for others, entry into the community was a “mere formality.” Children and adolescents were, more often than not, the preferred choice for abduction. In the capturing of slaves, both the strength and docility of the individual taken was of utmost importance. However, in the absence of viable wives, the concept of exogamy, an effort to bring new blood into the tribe, was encouraged. Such a rejuvenation of the community was widely accepted as a convention of war. In the history of abductions among the North American continent’s tribes, a low rate of escape attempts by captured settlers has been the norm from the beginning. This may be largely due to geographical obstacles, with help being so far away as to discourage hope of success. By the same token, relatively few rescue attempts were made by white kinsman to rescue a family member from an indigenous tribe. With no contact available to them, families of lost members taken from the colonial period through the 19th century usually fell into a long-term state of grief, but resigned themselves to never seeing their loved ones again. The Captivity of the Oatman Girls: The History of the Young Sisters Who Were Abducted by Native Americans in the 1850s examines the history of one of the most famous abduction stories of the Old West, the kidnapping of the young Oatman sisters and their subsequent experiences with the Mojave.

    Crafty and cagey -- often the victim of his own magical intrigues and lusty appetites -- he created the earth and man, scrambled the stars and first brought fire . . . and death. Barry Lopez -- National Book Award-winning author of Arctic Dreams and recipient of the John Burroughs Medal for his bestselling masterwork Of Wolves and Men -- has collected sixty-eight tales from forty-two tribes, and brings to life a timeless myth that abounds with sly wit, erotic adventure, and rueful wisdom.

    Mashkawaji (they/them) lies frozen in the ice, remembering a long-ago time of hopeless connection and now finding freedom and solace in isolated suspension. They introduce us to the seven main characters: Akiwenzii, the old man who represents the narrator’s will; Ninaatig, the maple tree who represents their lungs; Mindimooyenh, the old woman who represents their conscience; Sabe, the giant who represents their marrow; Adik, the caribou who represents their nervous system; Asin, the human who represents their eyes and ears; and Lucy, the human who represents their brain. Each attempts to commune with the unnatural urban-settler world, a world of SpongeBob Band-Aids, Ziploc baggies, Fjällräven Kånken backpacks, and coffee mugs emblazoned with institutional logos. And each searches out the natural world, only to discover those pockets that still exist are owned, contained, counted, and consumed. Cut off from nature, the characters are cut off from their natural selves.Noopiming is Anishinaabemowin for “in the bush,” and the title is a response to English Canadian settler and author Susanna Moodie’s 1852 memoir Roughing It in the Bush. To read Simpson’s work is an act of decolonization, degentrification, and willful resistance to the perpetuation and dissemination of centuries-old colonial myth-making. It is a lived experience. It is a breaking open of the self to a world alive with people, animals, ancestors, and spirits, who are all busy with the daily labours of healing — healing not only themselves, but their individual pieces of the network, of the web that connects them all together. Enter and be changed.

    It includes hundreds of whimiscal superstitions as well as folk cures, charms, and chants practiced by the early settlers of Appalachia.

    How the Butterflies Came to Be is one of twenty-four Native American tales included in Native American Animal Stories. The stories, coming from Mohawk, Hopi, Yaqui, Haida and other cultures, demonstrate the power of animals in Native American traditions.Parents, teachers and children will delight in lovingly told stories about "our relations, the animals." The stories come to life through magical illustrations by Mohawk artists John Kahionhes Fadden and David Fadden."The stories in this book present some of the basic perspectives that Native North American parents, aunts and uncles use to teach the young. They are phrased in terms that modern youngsters can understand and appreciate ... They enable us to understand that while birds and animals appear to be similar in thought processes to humans, that is simply the way we represent them in our stories. But other creatures do have thought processes, emotions, personal relationships...We must carefully ccord these other creatures the respect that they deserve and the right to live without unnecessary harm. Wanton killings of different animals by some hunters and sportsmen are completely outside the traditional way that native people have treated other species, and if these stories can help develop in young people a strong sense of the wonder of other forms of life, this sharing of Native North American knowledge will certainly have been worth the effort." —excerpt from the forward by Vine Deloria, Jr.These stories first appeared in Keepers of the Animals: Native American Stories and Wildlife Activities for Children by Michael J. Caduto and Joseph Bruchac

    . . . In glittering prose, Momaday recalls stories passed down through generations, illuminating the earth as a sacrosanct place of wonder and abundance. At once a celebration and a warning, Earth Keeper is an impassioned defense of all that our endangered planet stands to lose."  — EsquireA magnificent testament to the earth, from Pulitzer Prize-winning novelist and poet N. Scott Momaday. One of the most distinguished voices in American letters, N. Scott Momaday has devoted much of his life to celebrating and preserving Native American culture, especially its oral tradition. A member of the Kiowa tribe who was born and grew up on Indian reservations throughout the Southwest, Momaday has an intimate connection to the land he knows well and loves deeply. In Earth Keeper: Reflections on the American Land, he reflects on his native ground and its influence on his people. “When I think about my life and the lives of my ancestors, I am inevitably led to the conviction that I, and they, belong to the American land. This is a declaration of belonging. And it is an offering to the earth.” he writes.Momaday recalls stories of his childhood, stories that have been passed down through generations, stories that reveal a profound and sacred connection to the American landscape and a reverence for the natural world. In this moving and lyrical book, which includes original artwork by the author, Momaday offers an homage and a warning. He reminds us that the Earth is a sacred place of wonder and beauty; a source of strength and healing that must be protected before it’s too late. As he so eloquently yet simply expresses, we must all be keepers of the earth.

    This title provides a complete guide to the mythical beasts and beings from a variety of cultures around the world, including Mesopotamian, ancient Greek, ancient Egyptian and Chinese, Japanese, Nordic, Celtic and Native American.