She’s a chef whose matchmaking mother has left her a puppy, a bevy of single men to choose from, and a bookshop dedicated to whodunnits. Complete with a book club of amateur sleuths who live for death. When one of the members dies just after eating Sawyer’s amazing truffle mac and cheese, Sawyer is immersed in an even bigger soup pot of trouble. With her chef’s reputation on the line, and an uncle after her inheritance, Sawyer teams up with the sheriff who once broke her heart—whether he wants her help or not—to solve the mystery. Will past hurts, and long-buried attraction for the sheriff stand in the way of solving the crime before the murderer strikes again?

    Mystery author Lady Amy Lovell receives an anonymous letter containing shocking news: her fiancé, Mr. Ronald St. Vincent, has been dabbling in something illegal, which causes her to promptly break their engagement.Two evenings later, as Lady Lovell awaits a visit from Lord William Wethington, fellow member of the Bath Mystery Book Club, her former fiancé makes an unexpected and most unwelcome appearance at her house. She promptly sends him to the library to cool his heels but later discovers the room seemingly empty--until she stumbles upon a dead Mr. St. Vincent with a knife in his chest.Lord Wethington arrives to find Lady Amy screaming and sends for the police, but the Bobbies immediately assume that she is the killer. Desperate to clear her name, Lady Amy and Lord Wethington launch their own investigation--and stir up a hornet's nest of suspects, from the gardener who served time in prison for murder to a vengeful woman who was spurned by St. Vincent before he proposed to Lady Amy.Can they close the book on the case before the real killer gets away with murder?

    . . Frances Wynn, the American-born Countess of Harleigh, enjoys more freedom as a widow than she did as a wife. After an obligatory year spent mourning her philandering husband, Reggie, she puts aside her drab black gowns, leaving the countryside and her money-grubbing in-laws behind. With her young daughter in tow, Frances rents a home in Belgravia and prepares to welcome her sister, Lily, arriving from New York—for her first London season. No sooner has Frances begun her new life than the ghosts of her old one make an unwelcome appearance. The Metropolitan police receive an anonymous letter implicating Frances in her husband’s death. Frances assures Inspector Delaney of her innocence, but she’s also keen to keep him from learning the scandalous circumstances of Reggie’s demise. As fate would have it, her dashing new neighbor, George Hazelton, is one of only two other people aware of the full story. While busy with social engagements on Lily’s behalf, and worrying if Reggie really was murdered, Frances learns of mysterious burglaries plaguing London’s elite. The investigation brings death to her doorstep, and Frances rallies her wits, a circle of gossips, and the ever-chivalrous Mr. Hazelton to uncover the truth. A killer is in their midst, perhaps even among her sister’s suitors. And Frances must unmask the villain before Lily’s season—and their lives—come to a most unseemly end . . .

    And after the Dallas native follows an impulse and moves to London, she can't imagine ever leaving--though she has yet to find a plum position as a head gardener. Now, as the sublet on her flat nears its end, the threat of forced departure looms. Determined to stay in her beloved adopted country, Pru takes small, private gardening jobs throughout the city. On one such gig in Chelsea, she makes an extraordinary find. Digging in the soil of a potting shed, Pru uncovers an ancient Roman mosaic. But enthusiasm over her discovery is soon dampened when, two days later, she finds in the same spot a man's bludgeoned corpse. As the London police swarm her worksite, ever inquisitive Pru can't quite manage to distance herself from the investigation--much to the dismay of stern Detective Chief Inspector Christopher Pearse. It seems that, much as he tries, even handsome DCI Pearse can't keep Pru safe from a brutal killer who thinks she's already dug up too much.

    Shedding a stressful past as a counselor for a women’s shelter, Cora is pouring all her talents—and most of her savings—into a craft retreat business, with help from close pal and resident potter Jane Starr. Between transforming her Victorian estate into a crafter’s paradise and babysitting Jane’s daughter, the new entrepreneur has no time for distractions. Especially rumors about the murder of a local school librarian.But when Jane’s fingerprints match those found at the grisly crime scene, Cora not only worries about her friend, but her own reputation. With angry townsfolk eager for justice and both Jane’s innocence and the retreat at risk, she must rely on her creative chops to unlace the truth behind the beloved librarian’s disturbing demise. Because if the killer’s patterns aren’t pinned, Cora’s handiwork could end up in stitches.

    But, though the uniform is a little different, Callahan soon finds herself right back in the middle of a mystery when a client's pretty, pious nineteen-year-old nanny is gone ... along with the jewelry, silver, and a few rather sensitive real estate documents.Before she knows it, the meticulous Callahan is up to her elbows in a case involving illicit love triangles, crooked business deals, long-distance scams, and a dead body. Now she has to roll up her sleeves and start some industrial strength sleuthing to solve -- and survive -- this mess.

    During those eleven days, did she have time to write a play? Jordan Bingham needs a new job and a new place to live. She’s back in Harrison Falls, New York, living with her not so law-abiding uncles, in debt thanks to a credit card–stealing ex and pending grad school loans. Enter the perfect job, a research position that includes room and board, which will allow her to spend her days hunting down rare mysteries for an avid book collector. There’s just one problem: her employer, Vera Van Alst—the most hated citizen of Harrison Falls. Jordan’s first assignment is to track down a rumored Agatha Christie play. It seems easy enough, but Jordan soon finds out that her predecessor was killed while looking for it, and there is still someone out there willing to murder to keep the play out of Vera’s hands. Jordan’s new job is good … but is it worth her life?

    She likes her job as receptionist for her uncle's private investigative firm, her fellow true crime obsessed Jane Doe members are the friends she's always wanted, and her parents just celebrated their fiftieth wedding anniversary. But recently, with her best friend Melanie on vacation, and her ex-boyfriend and horrible cousin becoming an item and moving in next door to her, her idyllic life is on the fritz. The cherry on top of it all is finding Carol, a member of the club, dead and shoved into a suitcase, left at Lyla's front door.Unusual circumstances notwithstanding, with Carol's heart condition, the coroner rules Carol's death undetermined. But when they discover the suitcase belongs to Melanie, who had returned from her vacation the following morning, Sweet Mountain police begin to suspect Lyla's best friend. Determined that police are following the wrong trail, to clear her friend's name, and to not allow Carol become one of the club's studied cold cases, Lyla begins to seek out the real killer. That is, until she becomes the one sought after. Now, finding the truth could turn her into the killer's next plot twist, unless she wins the game of cat and mouse.

    Florence Armstrong, her maid and confidante, is an expert in martial arts. The year is 1908 and they’ve just moved from London to the country, hoping for a quiet life.But it is not long before Lady Hardcastle is forced out of her self-imposed retirement. There’s a dead body in the woods, and the police are on the wrong scent. Lady Hardcastle makes some enquiries of her own, and it seems she knows a surprising amount about crime investigation…As Lady Hardcastle and Flo delve deeper into rural rivalries and resentment, they uncover a web of intrigue that extends far beyond the village. With almost no one free from suspicion, they can be certain of only one fact: there is no such thing as a quiet life in the country.

    She doesn't know much about what she's gotten herself into, other than that the work sounds exciting, and that her new boss, Edwin MacAlister, has given her the opportunity of a lifetime. Edwin has promised that she'll be working with "a desk that has seen the likes of kings and queens, paupers and princes," and Delaney can't wait to get started.When she arrives, she meets her new Scottish family; also working at the Cracked Spine are Rosie, perpetually wrapped in scarves, and who always has tiny dog Hector in tow; Hamlet, a nineteen-year-old thespian with a colored past and bright future; and Edwin, who is just as enigmatic and mysterious as Delaney expected. An unexpected bonus is Tom the bartender from across the street, with his piercing eyes, and a rolling brogue -- and it doesn't hurt that he looks awfully good in a kilt.But before she can settle into her new life, a precious artifact -- a previously undiscovered First Folio of Shakespeare's plays -- goes missing, and Edwin's sister is murdered, seemingly in connection to the missing folio. Delaney decides to do some sleuthing of her own, to find out just what the real story is behind the priceless folio, and how it's connected to the tragic death, all without getting harmed herself.

    Looking for a change, she accepts a request for help from her former fiancé, Gil Trent, not knowing that she’ll soon become embroiled in a murder investigation that will test not only her friendship with Gil, but will upset the status quo with her husband.Amory accompanies Gil to the Brightwell Hotel in an attempt to circumvent the marriage of his sister, Emmeline, to Rupert Howe, a disreputable ladies’ man. Amory sees in the situation a grim reflection of her own floundering marriage. There is more than her happiness at stake, however, when Rupert is murdered and Gil is arrested for the crime. Amory is determined to prove his innocence and find the real killer, despite attempted dissuasion from the disapproving police inspector on the case. Matters are further complicated by Milo’s unexpected arrival, and the two form an uneasy alliance as Amory enlists his reluctant aid in clearing Gil’s name. As the stakes grow higher and the line between friend and foe becomes less clear, Amory must decide where her heart lies and catch the killer before she, too, becomes a victim. Murder at the Brightwell is a delicious mystery in which murder invades polite society and romance springs in unexpected places. Weaver has penned a debut in the tradition of Jacqueline Winspear.

    . .Sierra Ravenswood is the new part-time employee of the Flower House, a flower shop in Aerieville, Tennessee. It's true she didn't expect to be back in her hometown at twenty-eight-years-old, but after her dream of making it as a singer in Nashville crashed and burned, she's just grateful to have found a soft place to land.Because, after all, Sierra firmly believes in being optimistic and positive about life, so she's sure she won't have to work at the Flower House forever. But things take a decidedly negative turn when a customer drops dead in the middle of her new bouquet-arranging workshop at the store. When it's discovered he was poisoned by a snack at the event, everyone at the workshop, including Sierra, is on the suspect list. To make matters worse, her boss has gone AWOL and left the store to her for the cost of one dollar, leaving Sierra in charge of both his store and his high-energy Corgi puppy, Gus.The town is on edge, and Sierra knows that murder is something that an upbeat attitude and a bouquet of sweet-smelling roses can't fix. She's determined to figure out whodunit, before anyone else in town meets an untimely reason for needing funeral flowers.

    At the request of Sergeant Frank Malloy, she searches the girl's room, and discovers that the victim is from one of the most prominent families in New York and the sister of an old friend. The powerful family, fearful of scandal, refuses to permit an investigation. But with Malloy's help, Sarah begins a dangerous quest to bring the killer to justice, before death claims another victim.

    Nowadays twenty-two-year-old Siobhán O’Sullivan runs the family bistro named for her mother, along with her five siblings, after the death of their parents in a car crash almost a year ago.   It’s been a rough year for the O’Sullivans, but it’s about to get rougher. One morning, as they’re opening the bistro, they discover a man seated at a table, dressed in a suit as if for his own funeral, a pair of hot pink barber scissors protruding from his chest.   With the local garda suspecting the O’Sullivans, and their business in danger of being shunned—murder tends to spoil the appetite—it’s up to feisty redheaded Siobhán to solve the crime and save her beloved brood.

    She also has a job to do—report on the event for the society page of the Newport Observer.But Emma observes much more than glitz and gaiety when she witnesses a murder. The victim is Cornelius Vanderbilt’s financial secretary, who plunges off a balcony faster than falling stock prices. Emma’s black sheep brother Brady is found in Cornelius’s bedroom passed out next to a bottle of bourbon and stolen plans for a new railroad line. Brady has barely come to before the police have arrested him for the murder. But Emma is sure someone is trying to railroad her brother and resolves to find the real killer at any cost…