Journey along through his pastimes that have swayed the ages. The final confrontation between the fire of man's consuming greed to conquer all, and the supreme power of the Divine Spirit.

    He investigates how stories influence perception and construct truths, the cultural roots of the notion of evil and reveals the need for mythology through a telling of various Indian and Western myths. In doing so, he shows how myths reflect the culture they emerge from while simultaneously reinforcing the source.Culture is a groundbreaking work that contextualizes mythology and proposes that myths are alive, dynamic, shaped by perception and the times one lives in.

    You may find it for free on the web. Purchase of the Kindle edition includes wireless delivery.

    The jubilant Kauravas insult the Pandavas in their helpless state and even try to disrobe Draupadi in front of the entire court, but her honour is saved by Krishna who miraculously creates lengths of cloth to replace the ones being removed.

    A classical muse appears, and the young woman becomes the goddess Athena--a tireless advocate for Odysseus in his struggle to get home. With her trademark irreverent and witty twist on classic works, Zimmerman brings to life the story of Odysseus's ten-year journey, depicting his encounters with characters such as Circe, the Cyclops, Poseidon, Calypso, the Sirens, and others.

    At fourteen she is pressed into the service of the temperamental sage Durvasa who grants her a boon. Its first use, however, only brings her adversity and a shameful secret. With marriage to Pandu, Kunti dreams of a better future, but a curse makes him leave the throne of Hastinapur to his sibling, the blind Dhritarashtra, and retreat to the forest. The births of the five Pandavas rekindle Kunti’s hopes of returning to Hastinapur, but these are destroyed once again when Pandu dies suddenly. Kunti journeys to the kingdom, no longer its queen but a widow, a dependant as are her sons. She must now take up the task of guiding them through the long struggle to get their inheritance, a struggle made harder by the discovery that the illegitimate child she had abandoned long ago is alive and a sworn enemy of the Pandavas. Recasting the Mahabharata from the viewpoint of Kunti, The Kaunteyas replaces the idealized mother figure with a fully three-dimensional woman, providing new insights into the epic.

    But a familiar face from his past seeks his help to stop the tyranny of the blind usurper Andhaka. If Narasimha refuses, the world might just end. What will he do? And why did he leave the war in the first place? Prahlad, the interim king of Kashyapuri, is torn between the ideals of his unrighteous father and his love for Lord Vishnu. Whom will he choose? Hiranyakashyap, the ruler of the Asura Empire, wants to avenge the death of his wife. To do that, he must go through the Trials and get the ultimate weapon - the Brahmastra. But the Trials have sent so many others to their death. Can Hiranyakashyap survive?

    What is not so well known, however, is that the gentle, lovelorn Shakuntala immortalized by Kalidasa is very different from the original Shakuntala of the Mahabharata—a strong, fiery woman who stood up for her rights when she was spurned by her beloved.In this thoughtful retelling of the story of Shakuntala, Utkarsh Patel brings to the fore the original heroine, the bold and beautiful daughter of Menaka and Vishwamitra who fights to get herself and her son the recognition they deserve. She does not surrender to anyone, not even the king of Hastinapur. Retold to suit the modern-day context, Shakuntala: The Woman Wronged is a must-read to understand one of the most powerful yet underrated female characters of the Mahabharata.

    Also included are fascinating primary sources and background materials, an annotated bibliography, and discussions of the work by leading scholars Robert Louis Jackson, Richard Tempest, and Dariusz Tolczyk. Combining scholarship with accessibility, this critical companion--part of the acclaimed AATSEEL series--illuminates a great work of literature and will enhance its appreciation by students and teachers.

    the only hurdle in its path is Guru Dronacharya’s son, the mighty but accursed warrior Ashwatthama, who lost all his powers following Lord Krishna’s curse and who unwittingly finds himself drawn into the quest of the lost bow of Lord Rama, the Kodanda. As ghosts of the distant past return to haunt him and the line between friends and enemies blurs, Ashwatthama must fight his inner demons to emerge victorious. He undertakes a perilous journey—across the vast plains of the Ganges, to the snow-capped peaks of the Himavant where the price of failure is a fate worse than death and death is a privilege not granted to Ashwatthama. Is this all part of Lord Krishna’s great plan? Will Ashwatthama be able to regain his lost glory?

     Who was Padmavati, the Queen of Chittor? What does history tell of her? Where did she come from? What kind of life did she lead? How did she have the courage to jump willingly into fire? Mrinalini goes to Chittorgarh to discover the truth. What does she really discover?

    You may find it for free on the web. Purchase of the Kindle edition includes wireless delivery.

    Designed to provide insight and an overview about each text for students and teachers, these guides endeavor to develop knowledge and understanding rather than just provide answers and summaries.

    This is the second time that Mr. Bhyrappa is tackling an epic. Forty years ago, he wrote ‘Parva’, a retelling of the Mahabharata. Parva is in the form of personal reflections of some of the principal characters of the epic.

    As he rises into the sky he spreads light and warmth all over the world. The great Ganga king, Narasimha Rao, commissioned 1200 artisans to recreate this scene in stone. The Konark Sun Temple is a place where the lines between fact, fiction and folklore have blurred over time. Amar Chitra Katha interweaves the history of the 13th century monument with some of the mythology associated with it.