An author is lucky to bring one character so vividly to life: the gifted McIntyre has done it for all of his.” —New York Times Book Review“I felt as if I were reading a modern-day Middlemarch.” — Kate Christensen, PEN/Faulkner Award-winning author of The Great ManA finalist for the Lambda Literary Award and the Publishing Triangle’s Ferro-Grumley Award, Lake Overturn is the stirring debut novel of small-town America from critically acclaimed author Vestal McIntyre (You Are Not the One). With intricate plots involving an array of fully realized characters, and dealing with themes such as autism, homosexuality, religion, and addiction, Lake Overturn is sure to appeal to fans of the literary work of Russell Banks (The Sweet Hereafter, Affliction), Rick Moody (The Ice Storm), Augusten Burroughs (Running with Scissors), and Alice Munro (The Moons of Jupiter, The Love of a Good Woman).

    Having been fired from his job because of a sex scandal involving a student, the teacher travels to Paris under an assumed name -- that of his best friend, Herbert. In Paris, "Herbert" becomes enchanted by Stephane, a fifteen-year-old boy. As he unravels the gilded but sad childhood of Allan Stein, "Herbert" is haunted by memories of his own boyhood, particularly his odd, flamboyant mother. Moving from the late twentieth century back to the 1900s, effortlessly blending fact and fiction, Allan Stein is a charged exploration of eroticism, obsession, and identity.

    Recently, however, his own life has become overwhelmed by wrong choices. When a love affair is mysteriously ended by a Post-it note and followed up by a random street assault, Andy locks himself in his Hell's Kitchen apartment. In solitude, he thinks, he might be able to get a grip on his life. But when he is forced to reemerge six months after the attacks of September 11, the city awaiting him is more bewildering than ever and all the people in his world seem to be part of a vast conspiracy.Equal parts noir, French farce, and homage to New York, Suspension is a surprisingly heartfelt novel about learning to live in a world where nearly everything is decided behind our backs.

    . . . It’s not hyperbole to suggest that We Disappear is the eeriest Kansas-set story since Truman Capote’s In Cold Blood." — Chicago Sun-TimesA dark and compelling novel of addiction, obsession, love, and family from the acclaimed author of  Mysterious Skin The body of a teenage boy is discovered in a Kansas field. The murder haunts Donna—a recent widow battling cancer—calling forth troubling details from long-suppressed memories of her past. Hoping to discover more about "disappeared" people, she turns to her son, Scott, who is fighting demons of his own. Addicted to methamphetamines and sleeping pills, Scott is barely holding on—though the chance to help his mother in her strange and desperate search holds out a slim promise of some small salvation.But what he finds is a boy named Otis handcuffed in a secret basement room, and the questions that arise seem too disturbing even to contemplate. With his mother's health rapidly deteriorating, Scott must surrender to his own obsession, and unravel Otis's unsettling connections to other missing teens . . . and, ultimately, to himself.

    Seventeen-year-old Edward Zanni, a feckless Ferris Bueller–type, is Peter Panning his way through a carefree summer of magic and mischief. The fun comes to a halt, however, when Edward’s father remarries and refuses to pay for Edward to study acting at Juilliard.Edward’s truly in a bind. He’s ineligible for scholarships because his father earns too much. He’s unable to contact his mother because she’s somewhere in Peru trying to commune with Incan spirits. And, as a sure sign he’s destined for a life in the arts, Edward’s incapable of holding down a job. So he turns to his loyal (but immoral) misfit friends to help him steal the tuition money from his father, all the while practicing for his high school performance of Grease. Disguising themselves as nuns and priests, they merrily scheme their way through embezzlement, money laundering, identity theft, forgery, and blackmail. But, along the way, Edward also learns the value of friendship, hard work, and how you’re not really a man until you can beat up your father—metaphorically, that is.How I Paid for College is a farcical coming-of-age story that combines the first-person tone of David Sedaris with the byzantine plot twists of Armistead Maupin. It is a novel for anyone who has ever had a dream or a scheme, and it marks the introduction to an original and audacious talent.

    Soehnlein captures the spirit of a generation and an era, embodied in the haunting, unstoppable voice of thirteen-year-old Robin MacKenzie, a modern-day Holden Caulfield, whose struggle for a place in the world is as ferocious as it is real.The time is the late 1970s--an age of gas shortages, head shops, and Saturday Night Fever. The place, suburban New Jersey. At a time when the teenagers around him are coming of age, Robin MacKenzie is coming undone. While "normal boys" are into cars, sports, and bullying their classmates, Robin enjoys day trips to New York City with his elegant mother, spinning fantastic tales for her amusement in an intimate ritual he has come to love. He dutifully plays the role of the good son for his meat-and-potatoes father, even as his own mind is a jumble of sexual confusion and painful self-doubt. But everything changes in one, horrifying instant when a tragic accident wakes his family from their middle-American dream and plunges them into a spiral of slow destruction.As his family falls apart day by day, Robin finds himself pulling away from the unquestioned, unexamined life that has been carefully laid out for him. Small acts of rebellion lead to larger questions of what it means to stand on his own. Falling into a fevered triangle with two other outcasts, Todd Spicer and Scott Schatz, Robin embarks on an explosive odyssey of sexual self-discovery that will take him beyond the spring-green lawns of suburbia, beyond the fraying fabric barely holding together his quickly unraveling family, and into a complex future, beyond the world of normal boys.In The World Of Normal Boys, K.M. Soehnlein has created a dazzling gem of a debut novel in the tradition of Ordinary People and A Boy's Own Story, one that sparkles with raw honesty, poetic beauty, wry insight, and a rare richness of emotion that reverberates long after the last page is read. It is a story about growing up and falling apart, of rebellion and acceptance, of unspoken lives and irreversible choices that are made.

    J. Rosenthal's only mission is to find himself a boyfriend and avoid setbacks like bad haircuts, bad sex, and Jewish guilt. In post-AIDS 1986, B.J.'s world has changed dramatically -- his friends and lovers are getting sick, everyone is at risk, and B.J. is panicking. Parrying high-wire wit against unbearable human tragedy, Eighty-Sixed now stands as a testament to an era. "If Woody Allen were gay and wrote novels, he'd produce something like David Feinberg's Eighty-Sixed." -- David Streitfeld, The Washington Post Book World "[Feinberg] has given us a painful story of one man coming of age in a terrifying age." -- The Plain Dealer (Cleveland) "Entertaining, harrowing, and powerfully unsensational." -- Booklist "[Eighty-Sixed] stands out for its frankness, ferocious wit, and total lack of sentimentality or self pity." -- Catherine Texier, The New York Times Book Review

    What this does to their lives, families, team, and the President of the US is hilarious, poignant, brilliant, and dazzling fun.

    They share a cozy, cluttered Brooklyn apartment, a taste for impromptu tuna casserole dinners, and a devotion to ballroom dancing lessons at Arthur Murray. They love each other. There's only one hitch: George is gay. And when Nina announces she's pregnant, things get especially complicated. Howard -- Nina's overbearing boyfriend and the baby's father -- wants marriage. Nina wants independence. George will do anything for a little unqualified affection, but is he ready to become an unwed surrogate dad? A touching and hilarious novel about love, friendship, and the many ways of making a family.

    A boy who doesn't quite understand his lot--until he realizes he's a god. . . As an only son, Kiran has obligations--to excel in his studies, to honor the deities, to find a nice Indian girl, and, above all, to make his mother and father proud--standard stuff for a boy of his background. If only Kiran had anything in common with the other Indian kids besides the color of his skin. They reject him at every turn, and his cretinous public schoolmates are no better. Cincinnati in the early 1990s isn't exactly a hotbed of cultural diversity, and Kiran's not-so-well-kept secrets don't endear him to any group. Playing with dolls, choosing ballet over basketball, taking the annual talent show way too seriously. . .the very things that make Kiran who he is also make him the star of his own personal freak show. . .Surrounded by examples of upstanding Indian Americans--in his own home, in his temple, at the weekly parties given by his parents' friends--Kiran nevertheless finds it impossible to get the knack of "normalcy." And then one fateful day, a revelation: perhaps his desires aren't too earthly, but too divine. Perhaps the solution to the mystery of his existence has been before him since birth. For Kiran Sharma, a long, strange trip is about to begin--a journey so sublime, so ridiculous, so painfully beautiful, that it can only lead to the truth. . ."The best fiction reminds us that humanity is much, much larger than our personal world, our own little reality. Blue Boy shows us a world too funny and sad and sweet to be based on anything but the truth." --Chuck PalahniukNew York Times Bestselling Author

    Coworkers at a cultural journal, they soon become good friends. Jack even introduces Will to the woman he will marry. But their friendship is complicated: Jack is also in love with Will. Troubled by his subversive longings, Jack sees a psychiatrist and dates a few women, while also pursuing short-lived liaisons with other men. But in the two decades of their friendship, from the first stirrings of gay liberation through the catastrophe of AIDS, Jack remains devoted to Will. And as Will embraces his heterosexual sensuality, nearly destroying his marriage, the two men share a newfound libertinism in a city that is itself embracing its freedom. Moving among beautifully delineated characters in a variety of social milieus, Edmund White brings narrative daring and an exquisite sense of life's submerged drama to this masterful exploration of friendship, sexuality, and sensibility during a watershed moment in history.

    Subsequent work asserts his place among America’s most important writers. The author’s most daring work, After the Blue Hour is narrated by a twenty-four-year-old writer named John Rechy. Fleeing a turbulent life in Los Angeles, he accepts an invitation to a private island from an admirer of his work. There, he joins Paul, his imposing host in his late thirties, his beautiful mistress, and his precocious teenage son. Browsing Paul’s library and conversing together on the deck about literature and film during the spell of evening’s “blue hour,” John feels surcease, until, with unabashed candor, Paul shares intimate details of his life. Through cunning seductive charm, he married and divorced an ambassador’s daughter and the heiress to a vast fortune. Avoiding identifying his son’s mother, he reveals an affinity for erotic “dangerous games.” With intimations of past decadence and menace, an abandoned island nearby arouses tense fascination over the group. As “games” veer toward violence, secrets surface in startling twists and turns. Explosive confrontation becomes inevitable.

    Threadgoode telling her life story to Evelyn, who is in the sad slump of middle age. The tale she tells is also of two women-of the irrepressibly daredevilish tomboy Idgie and her friend Ruth, who back in the thirties ran a little place in Whistle Stop, Alabama, a Southern kind of Cafe Wobegon offering good barbecue and good coffee and all kinds of love and laughter, even an occasional murder.

    Structured like a classic novel of legal suspense, The Child explores what happens when Stew, a lonely fifteen-year-old boy, looks for and finds an adult boyfriend online. In short order his lover is arrested in an Internet pedophilia sting and Stew's world is turned upside down. He's exposed to his family and community, leaving the outcast to fend for himself against forces intent on his destruction. Desperate and enraged, the confused Stew murders his nephew in a panic. Schulman's novel considers the impact of these events on all those involved — from the parents of the murdered child, to Stew's staunchly Catholic parents, and the attorneys working on his case. Carefully untangling the actions of an isolated teenager denied a natural outlet for his feelings during a critical time in his life, The Child is a haunting meditation on isolation and the prejudices of culture and family.

    Living on the fringe of society, these two outcasts develop an unlikely bond. This is the book on which the Academy Award-winning film was based.